IndieWire's Scores

For 5,171 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 4.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 The Only Living Pickpocket in New York
Lowest review score: 0 Pixels
Score distribution:
5171 movie reviews
  1. It may have taken Hogg several decades to realize that her own box of darkness was actually a beautiful gift, but she unwraps it with the care and tenderness of someone who understands its true value.
  2. Visually scrumptious and slickly told, Creative Control illustrates the power of groundbreaking technology while also indicting its extremes.
  3. Rather than building towards the finality of a single climax, Leviathan injects several of them into the tapestry of its elegant design.
  4. The magic of Uncle Boonmee is that it makes all viewers feel like the strange ones.
  5. Not only is The Shape of Water one of del Toro’s most stunningly successful works, it’s also a powerful vision of a creative master feeling totally, joyously free.
  6. Ornette isn't just a love letter to the liberty of jazz rhythms; it excels at expressing them.
    • 93 Metascore
    • 100 Critic Score
    One of the best films ever made about filmmaking, it’s simultaneously critical of its director’s self-importance and childishness and celebratory of the possibilities of the medium.
  7. Byington excels at turning the edict that time waits for no one into a sensory experience. No matter how sly it gets, Somebody Up There Likes Me still retains that fundamental truth.
  8. Buzzard is among the first great American satires of the 21st century, its scathing indictment of capitalism delivered as a prolonged, disorienting punchline.
  9. Carried by an appropriately low-key Adam Driver and Jarmusch's casual genius for capturing offhand remarks, Paterson is his most absorbing character study since "Broken Flowers" -- and far more grounded in real life. There's no context necessary to recognize it as his most personal work.
  10. A harrowing piece of filmmaking, and a fitting, powerful remembrance of those who fought for their humanity.
  11. He’s only Tom Cruise because nobody else is willing to be — or maybe he’s only Tom Cruise so that nobody else has to be. Either way, Fallout is the film he’s always promised us, and it was totally worth the wait.
  12. By the end of I Am Not Your Negro, Baldwin’s words have transcended the boundaries of their era and become timeless, functioning as both a celebration of cultural survival and a warning that the battle for its survival won’t stop anytime soon.
  13. The Academy of Muses draws viewers in and forces them to take sides along with Pinto’s skeptical apprentices. By its end, the movie has transcended the boundaries of the classroom to become an educational experience in more ways than one.
  14. Ultimately The Only Living Pickpocket in New York shows us that old school and new school aren’t opposites. Like the city’s many seeming contradictions, they are meant to coexist.
  15. The Power of the Dog sticks its teeth into you so fast and furtively that you may not feel the sting on your skin until after the credits roll, but the delayed bite of the film’s ending doesn’t stop it from leaving behind a well-earned scar.
    • 69 Metascore
    • 100 Critic Score
    The movie delivers a bewitching dissection of happiness and unhappiness in love. Digging for Fire is a promising peek into the future of Swanberg, and one that only signals more to come.
  16. This is a quiet little masterpiece of images, each one rich with meaning, that collectively speak to a universal process.
  17. As with "Shotgun Stories," Nichols assembles a tense portrait of blue-collar life, while deepening his thematic interests and working on a bigger scale. Burrowing into the subconscious of a damaged man, he delivers a modern American epic with extraordinary restraint.
  18. Two-Lane Blacktop is primarily a mood piece, and Hellman wants the audience to be imbued with the uneasy feeling of living without any roots. It’s that feeling that’s elevates Two-Lane Blacktop far beyond genre trappings and into the heights of cinema.
  19. Lane set out to make a documentary about the nature of taste, and she’s accomplished that with panache.
  20. More than a powerful elegy, 12 Years a Slave is a mesmerizing triumph of art and polemics: McQueen turns a topic rendered distant by history into an experience that, short of living through the terrible era it depicts, makes you feel as if you've been there.
  21. The beautiful desolation of Bombay Beach makes it difficult to describe as a documentary. Alma Har'el's directorial debut takes a nonfiction setting and displays its haunting qualities in poetic terms.
  22. David Lean’s Brief Encounter captures love at its most ephemeral.
  23. Before Midnight is the rare cinematic achievement that implicates alert viewers in its mission to understand the mysteries of intimate connections.
  24. For all of its self-insistent detours and high-minded indulgences, I’m Thinking of Ending Things rarely feels like a concept in search of a movie. There’s a fullness and vitality to it that shines through even when the film is chasing its own tail, which is basically all it wants to do.
  25. Shrouded in grief and chilly to the core, Andrew Dominik’s mournful documentary One More Time With Feeling is at once sobering in tone and intoxicating in style.
  26. There are many times in Hogir Hirori’s Sabaya, an anxiety-filled potboiler of a documentary about the fight to rescue enslaved girls from ISIS, where one might wonder how they pulled it off. That feeling is quickly followed by relief that they did.
  27. People change, some more than others, but 63 Up is so beautiful and bittersweet for how it finds them becoming who they are. Hopefully many of them live to enjoy it, and this series continues for a couple more decades to come.
  28. At first galvanizing in its depiction of survival amid dire circumstances, "The Overnighters" transforms into a devastating portrait of communal unrest.

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