IndieWire's Scores

For 5,179 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 4.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 The Only Living Pickpocket in New York
Lowest review score: 0 Pixels
Score distribution:
5179 movie reviews
  1. While the film covers — and somehow manages to contain — a staggering breadth of topics and ramifications, one little sentence is all it takes to lay out the means and ends of the crisis at hand: Russia didn’t hack Facebook, Russia used Facebook.
  2. On its own terms, the film is an exquisite star vehicle for one of Hollywood’s best rising actresses and an engaging thriller about the contradictions that form when you can’t assemble the puzzle of your own life without relying on pieces you’d rather throw away.
  3. Despite its new failures and familiar assortment of dud stunts (Wee-Man being launched onto a pile of metal is a pretty lame payoff to that musical chairs gag), Jackass Forever inevitably benefits from a stronger emotional undertow than any of the series’ previous films.
  4. Revenge is a bit too thin to sustain its running time (despite its slickness and mesmeric rhythm), but Fargeat’s well-executed finale is worth the wait, particularly for how it cements Lutz as a final girl for the ages. A girl who’s stripped of her humanity, and then finds the strength to return the favor several times over.
  5. While the trauma of a missing child makes for the film’s heart, its spine is something much more difficult to effectively put on film: the horrible waiting, the in-between times, the stretched moments when no news — good or bad — is available.
  6. A few structural issues threaten to tip the balance from cinematic melodrama into TV soap as the bad news keeps on coming, but Izadyar’s sustained emotional conviction carries the vision onwards.
  7. Loaded to the gills with thrill-inducing mayhem, Hobo with a Shotgun feels almost tribal in its commitment to violence.
  8. It leans into the tonal chaos of life on earth, creating an impressively layered genre mishmash that reflects the complex reality of how women are seen in the world, and how they see themselves in return.
  9. While there’s a certain “muchness” to Rankin’s style, and it goes without saying this won’t be everyone’s cup of tea, the filmmaker’s refusal to temper his vision serves him well in the long run, as his feature debut eventually achieves an operatic wackiness that carries it over the finish line.
  10. For an artist whose work in a proud and robust tradition carried a recognizable grace, Song of Granite is a stirring, solemn tribute.
  11. While the contradiction of punk rock parenthood may not have a solution, The Other F Word successfully has fun with the mystery.
  12. In the many ways it’s straightforward, it also allows for the same care that helped make him a transformational figure for himself and those moved to action by his work.
  13. The film’s main triumph is in crafting a convincing narrative with a clear point of view.
  14. Durkin’s movie has its fair share of crucial moments in the ring, but none of them would land with a fraction of the same impact if not for the many crystalline little moments in which Kerry, Kevin, David, and Mike get to build each other up.
  15. 7500 takes a familiar scenario and doubles down on its claustrophobic potential to make it fresh.
  16. While it remains a fascinating character study driven by Cummings’ striking delivery, it also falls back on conventional twists. The resulting drama showcases a remarkably strong vision in the confines of more familiar story beats, but it’s a testament to Cummings’ maniacal performance that he manages to keep us engaged.
  17. Hauser’s performance as a man whose determination to use his unique talents to forge the emotional connections that otherwise evade him holds the entire film together.
  18. Winslet delivers her most powerful, emotionally resonant performance in more than a decade.
  19. A truly adult comedy with plenty to say and even more laughs to share.
  20. An ultra-immersive portrait of grief, acceptance, and the role that hope can play in delaying them both.
  21. This may be an offbeat and textured snapshot of history, but it still holds at its core cold anger on behalf of the dictatorship’s victims and interest in how the people will receive updates about their future.
  22. It’s a welcome return to form for a filmmaker whose form is all about the slippery search for truth.
  23. Structured like a fireworks display, with only a handful of small reprieves throughout, Brimstone & Glory naturally builds to a marvelous grand finale.
  24. Going Clear delivers an efficient overview of Scientology's dark history with a cohesive focus on the precision of its corrupt motives.
  25. While the plot is not overly complex, Lucky Grandma benefits from a compelling array of supplementary characters.
  26. Selena y Los Dinos is no mere tribute, it is a vibrant argument for Selena’s humanity, as well as her status as a legend.
    • 76 Metascore
    • 83 Critic Score
    Like a waltz, Wolf Children unfolds with a slow, graceful rhythm. Hosoda allows scenes to unfold at their own pace, often using minimal dialogue or mime. The forest backgrounds are strikingly handsome, and the simple drawn animation captures the expressions and emotions of the unusual characters.
  27. Watching Errol Morris‘s urgent reminder of a documentary — possibly the most enraging film yet made by a director who’s certainly known how to illuminate infuriating topics over the past 45 years — will raise your blood pressure considerably.
  28. So urgent and far-reaching that it never settles into the comforts of a coming-of-age story, The Breadwinner is a small film about the biggest things. It’s engaging from start to finish, but Twomey — to her great credit — prioritizes stoicism over sentimentality.
  29. As Jess, Jasmine Batchelor (the film marks her first starring role in a film, the actress also produced it) turns in one of the year’s best performances, profound work that twists an already propulsive concept into a riveting character study.

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