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For 5,167 reviews, this publication has graded:
  • 59% higher than the average critic
  • 4% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 4.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 The Only Living Pickpocket in New York
Lowest review score: 0 Pixels
Score distribution:
  1. Positive: 3,568 out of 5167
  2. Mixed: 1,333 out of 5167
  3. Negative: 266 out of 5167
5167 movie reviews
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  1. This Is 40
    Welcome to the world of white people problems, ground zero for the strain of American comedies that Apatow does best. But does he really?
  2. King Kelly
    It's an unflinching update to media scholar Neil Postman's prophetic claim about the deadly impact of television on cultural identity: Smartphones in hand, we face the danger of filming ourselves to death.
  3. Killing Them Softly
    The movie isn't political so much as philosophical, trashing the notion of the American dream as anything more than fodder for an endless rat race.
  4. The Collection
    The whole thing is a fairly yawn-a-rific affair until the vengeful prologue establishes a wicked role reversal, hinting at the better movie that filmmakers more interested in storytelling would have made.
  5. California Solo
    Even as California Solo plays like a track we've heard before, it's still worth a listen.
  6. Deadfall
    A bonafide family drama, proof that the noir has humanistic roots. It left me feeling thankful for persistent movie traditions.
  7. Beware of Mr. Baker
    Beware of Mister Baker won the Grand Jury Prize at the SXSW Film Festival earlier this year, perhaps because it was the best embodiment of a recent trend in the non-fiction realm.
  8. Zero Dark Thirty
    Bigelow delivers an acute realization of the mission's execution that's eerily in sync with the way it played in the popular imagination. Visually, the events unfold as a mashup of shadowy movements with flashes of green night vision. It's simultaneously predictable and tense.
  9. Rust and Bone
    While its main characters are tough-minded, Rust and Bone is itself pure heart.
  10. The Central Park Five
    With an editing approach that seamlessly blends past and present, Central Park Five contains a fluid, engaging storytelling that does away with the dry voiceover commentary and theatrical music choices that typically account for the narrative flow of most Burns films.
  11. Mea Maxima Culpa: Silence in the House of God
    Gibney's narrative drags to some extent when the focus widens to explore the Vatican's overall policy for covering up sex scandals, but he successfully demonstrates the systematic failure of a system designed work flawlessly on the basis of spirituality that never existed in the first place.
  12. First Winter
    Dickinson's hauntingly naturalistic look at disgruntled young adults trapped in the country following an urban disaster plays like "Martha Marcy May Marlene" transported to a post-apocalyptic survival narrative -- with lots of yoga and sex.
  13. Anna Karenina
    Wright's extraordinary long takes draw you into the universe of Anna Karenina with a seamless approach that a straightforward literary adaptation could never accomplish.
  14. Hitchcock
    Hitchcock largely succeeds at pulling back the veil on his off-camera personality. To a larger degree, it reveals the level of influence of his devoted wife and screenwriter Alma (Helen Mirren) on both his personal life and career.
  15. Lincoln
    At two and a half hours, Lincoln contains only a single battle scene in its opening seconds. The rest is pure talk, a keen dramatization of Doris Kearns Goodwin's tome "Team of Rivals," that delivers an overview of Lincoln's crowning achievement in chunks of strategy talk.
  16. In Another Country
    In Another Country is a paragon of any given Hong movie's intrinsic charms, and yet it also manages to break from the pattern by including an English-speaking character as one of its leads.
  17. Café de Flore
    Cafe de Flore constantly hovers on the brink on some revelation it never quite arrives at.
  18. Starlet
    The story retains an inscrutable tone that sometimes makes its emotional qualities feel remote, but it still delivers a powerful message about the challenge of self-diagnosis by rooting it in universal experience
  19. Vamps
    A surprisingly enjoyable tongue-in-cheek New York comedy from "Clueless" director Amy Heckerling, Vamps teeters on the brink of not quite working and yet still routinely lands its laughs.
  20. This Must Be the Place
    Guided by an over-the-top Nazi hunter played by Judd Hirsch (clearly enjoying himself), Cheyenne begins a road trip through Middle American that goes nowhere, and Penn's mopey has-been routine starts to feel like a bad joke that just keeps getting worse.
  21. Jack and Diane
    The mystical allure of this long-awaited "lesbian werewolf movie" turns out to have more value than the real thing.
  22. The Bay
    The Bay manages to scare up a real fear of environmental neglect. It's quite possibly the first example of jump scares used in service of activism.
  23. A Late Quartet
    Leave it to Walken to upstage Beethoven.
  24. The Details
    It's a familiar mold: the perils of suburban discontent have been so thoroughly explored that The Details plays like a hodgepodge of familiar circumstances on an assembly line to disaster.
  25. Wreck-It Ralph
    Beneath the pixelated gags, the stakes are relatively familiar. However, much of the humor in Wreck-It Ralph riffs on the nostalgia associated with real games.
  26. The Zen of Bennett
    Recording "Body and Soul" with Bennet only a short period before her death, Winehouse's simultaneously effusive presence not only illustrates her fragility but stands in sharp contrast to the stable work ethic that Bennett has cultivated over the course of his 60-year career.
  27. The Loneliest Planet
    Suspense is rarely delivered with such distinctive patience.
  28. The American Scream
    Think "Death of a Salesman" with demons.
  29. The Sessions
    Baring all and radiating an affability that defines the movie's tone, Hunt delivers her finest performance since "As Good As It Gets."
  30. Holy Motors
    There's no doubting that Holy Motors is an ungodly mess of images and moments, some more alluring than others, but it sure leaves a mark.
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