IndieWire's Scores

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For 5,164 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 4.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 The Only Living Pickpocket in New York
Lowest review score: 0 Pixels
Score distribution:
  1. Positive: 3,565 out of 5164
  2. Mixed: 1,333 out of 5164
  3. Negative: 266 out of 5164
5164 movie reviews
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  1. The Inevitable Defeat of Mister and Pete
    While not without its touching moments, "Mister and Pete" is inevitably defeated by its own good intentions.
  2. Camille Claudel 1915
    In a incredibly contained performance that ranks among the best of her career, Juliette Binoche portrays a woman trapped by mental and physical constraints alike.
  3. The Secret Life of Walter Mitty
    Shows none of the edgy storytelling looniness present in Stiller's finest work. Instead, every element seems calculated to service an easygoing commercial product that plays up the sentimentality of the scenario while rendering it inoffensively bland.
  4. The Dirties
    The story transitions from a believable portrait of young culture junkies into a showcase of Matt's burgeoning rage so well that it practically implicates viewers in the process.
  5. Bad Milo!
    The capacity for "Milo" to foreground its human character over his unspeakably nasty situation makes the whole package go down a lot better than one might expect.
    • 47 Metascore
    • 0 Critic Score
    In Secret
    It takes a special talent to turn the romantic lyricism of Zola and turn it into chick-lit.
  7. Don Jon
    Well made as it is, Don Jon suffers from a half-baked scenario that never manages to make its characters as intriguing as the problems that afflict its protagonist. It's a movie that shows better than it tells, even as it leaves much up to the imagination.
  8. Metallica: Through the Never
    With "Gravity" around the corner, Metallica Through the Never isn't the year's most groundbreaking achievement, but it's surely the most earth-shattering, and that's enough to make it one helluva comeback story.
    • 64 Metascore
    • 83 Critic Score
    Supermensch: The Legend of Shep Gordon
    Myers brings energy to his first film the way he brought it to his early comedy – a little too much.
  10. C.O.G.
    The curious thing about C.O.G is that it doesn't play like a straightforward adaptation. Much of the mood comes from ingredients that have nothing to do with story or dialogue.
  11. A Single Shot
    The suspense comes and goes, but A Single Shot always maintains a firm grip on its sad, deteriorating environment.
  12. First Cousin Once Removed
    First Cousin Once Removed benefits from the clarity provided by Honig's published poetry, which surfaces in voiceover narration and words on the screen, rendering the undulations of his life in sweeping abstractions.
  13. Enough Said
    Gandolfini deserves an Oscar for Enough Said not because it's the culmination of everything that came before it but rather because it goes in a completely different direction. And his least characteristic achievement is also one of his best.
  14. The Unknown Known
    Over the course of 106 minutes, Rumsfeld's rambling assertions grow exhausting, particularly because Morris never manages to direct them toward a larger argument.
  15. The Green Inferno
    Unfortunately, the unbridled shock value isn't matched by a similar investment in other ingredients that might have made this low rent B-movie worthwhile.
  16. Under the Skin
    A totally wacky head-trip with midnight movie sensibilities and a daring avant garde spirit, Glazer's movie is ultimately too aimlessly weird to make its trippy narrative fully satisfying, but owes much to Johansson's intense commitment to a strangely erotic and unnerving performance unlike anything she has done before.
  17. Life of Crime
    It's a showcase of proficient storytelling that's eager to entertain.
  18. Palo Alto
    Though it lacks a cohesive means of fusing together its interlocking vignettes, Palo Alto effectively showcases the despair and sophomoric rebellion of teen life with a mature eye that clearly establishes a new filmmaker to watch.
  19. Night Moves
    No stranger to crafting excessive anticipation, Reichardt has funneled that skill into thriller clothing. However, like all of her output, nothing is as simple as it looks.
  20. Moebius
    It's impossible to look away -- not only because the sense of anticipation is so vivid, but because there's no other way to follow the bizarre plot than keep with it.
  21. Joe
    If Joe marks a new beginning for some of its characters, the same description applies to its director and star.
  22. The Invisible Woman
    Though suffering from dry patches and a fairly mannered approach, The Invisible Woman eventually makes its way to a powerful final third documenting an ultimately tragic romance in deeply felt terms.
  23. The Fifth Estate
    An uneven, intermittently thoughtful but largely preachy overview of WikiLeaks' rising influence that has less of an issue determining Assange's character than it does with telling a compelling story.
  24. What If
    It tries to have some bite to its will-they-or-won't-they scenario but ultimately winds up toothless.
  25. The Double
    The story arrives at a satisfying emotional conclusion with wonderfully thoughtful ramifications.
  26. The Disappearance of Eleanor Rigby: Him
    While both pieces of the entire package generally work independently of each other, they have just enough ingredients to necessitate a viewing of the whole thing.
  27. Dallas Buyers Club
    The narrative only really stumbles because its tone never manages to convince on the level that McConaughey's performance eventually does. With its subdued approach, Dallas Buyers Club stops just short of an emotional payoff.
  28. Begin Again
    As a whole, Begin Again is a fairly mannered treatment of an expressive medium.
  29. Bad Words
    It's less of a showcase for Bateman's ability to direct comedic storytelling than simply to make people laugh, which makes Bad Words a sufficiently vulgar playground.
  30. August: Osage County
    A distinctly uneven but imminently watchable theatrical showcase in which cinematic and stagy devices go head to head with no clear winner.
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