IndieWire's Scores

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For 5,171 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 4.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 The Only Living Pickpocket in New York
Lowest review score: 0 Pixels
Score distribution:
  1. Positive: 3,572 out of 5171
  2. Mixed: 1,333 out of 5171
  3. Negative: 266 out of 5171
5171 movie reviews
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  1. Welcome to New York
    No matter its silliest missteps, Welcome to New York has an impressive engine of ideas in line with the director's other New York stories. [Unrated Version]
    • 91 Metascore
    • 100 Critic Score
    Ida
    Pawlikowski doesn't punish his viewers, he simply challenges them. Take the vow to dedicate your attention to Ida and you’ll be rewarded deeply.
    • 71 Metascore
    • 83 Critic Score
    Fed Up
    Fed Up is a glossy package that gets its warnings across loud and clear: we need to change what we eat.
  4. Godzilla
    Edwards manages to sustain a grim, cerebral atmosphere all the way through, as if fighting the inevitable demands of the material. The movie contains enough basic money shots to please hardcore Godzilla fans without indulging in them at every opportunity. By contemporary blockbusters standards, it's practically a minimalist enterprise.
    • 51 Metascore
    • 58 Critic Score
    God's Pocket
    The numerous belly laughs are undermined by jarring flashes of darkness that never organically sync with the plot.
    • 52 Metascore
    • 75 Critic Score
    Ping Pong Summer
    An affectionate love letter to a bygone era of growing up, Ping Pong Summer brims with specific pop culture minutiae, making it easy to assume the movie has been intended as a farce, but it has more going on beneath the surface.
  7. Transcendence
    While never as dynamically involving as Christopher Nolan's "Inception," for which longtime Nolan director of photography Pfister justifiably won an Oscar, Transcendence still grapples with provocative existential concepts in similarly thoughtful terms.
  8. Fading Gigolo
    Intentionally or not, however, Fading Gigolo actually functions as something of a statement on Allen's persona—onscreen and off—as it has been understood in the public eye. And the resulting conclusion, like the movie, is a decidedly mixed bag.
  9. Proxy
    Increasingly silly even as it maintains a grave tone, Proxy doesn't always work, but its commitment to unpredictable twists and pushing beyond morbid extremes bears the stamp of showmanship sorely lacking from many other examples of the genre.
  10. Oculus
    In Oculus, the horror is at once deceptively simple and rooted in a deep, primal uneasiness. Its scariest aspects are universally familiar.
  11. Evergreen: The Road to Legalization
    The absence of suspense results in something closer to a one-sided pat on the back for everyone involved, though it effectively puts forth a whole new set of challenges.
  12. Dom Hemingway
    For all its vibrant, flamboyant aspects, “Dom Hemingway” is a resoundingly empty star vehicle. It gives Law a character too thinly crafted to justify his eccentricities. He acts his heart out for a role that has no heart.
    • 66 Metascore
    • 91 Critic Score
    Alan Partridge
    Alan Partridge stays true to this small, very specific world of regional British radio and this class of local celebrity while also injecting the high-level drama needed to carry such a story to a much larger audience. It’s this balance that should win the film over for Alan Partridge fans and the general movie-going public alike.
  14. Whitey: United States of America v. James J. Bulger
    Although Berlinger’s latest work is a dense, unsparing look at the offenses and trial of Whitey Bulger, it's equally concerned with capturing how the many members of Bulger's expansive web -- criminals and innocent citizens alike -- use their experiences to control their version of the man.
  15. Manakamana
    On the whole, Manakamana succeeds by creating the ongoing anticipation of something, anything to happen next, a wholly unique sensation specific to its inventive design.
  16. Cheap Thrills
    Savagely assaulting the desperate state of a blue collar family man, the comedic thriller Cheap Thrills establishes a ridiculous premise early on and takes it to various extremes, again and again, until you just have to accept the crazy venture on its own terms or simply give up.
  17. Mistaken for Strangers
    Only the band's continuing popularity makes his journey stand out. Like its director-star, Mistaken For Strangers struggles admirably but can only go so far before letting the established talent win out.
  18. Breathe In
    To be fair, Breathe In may hit a lot of familiar beats, but none of them are entirely unwelcome.
  19. A Girl Walks Home Alone at Night
    Shot in gorgeously expressionistic black-and-white and fusing multiple genres into a thoroughly original whole, Amirpour has crafted a beguiling, cryptic and often surprisingly funny look at personal desire that creeps up on you with the nimble powers of its supernatural focus.
  20. Noah
    The director's murky, ill-conceived take on the world's oldest disaster story contains some of the most pristine visuals produced on a mass studio scale in some time. But it's also constantly tethered to a dull, melodramatic series of events out of whack with any traditional interpretation of the material.
  21. Starred Up
    Mackenzie (whose previous credits include "Perfect Sense" and "Young Adam") applies a sharp kitchen sink realism to this haunting setting and directs it toward an ultimately moving family drama that just happens to involve vicious convicts.
  22. Fort Tilden
    While frequently very funny and sustained by a pair of boldly unlikable female protagonists, Fort Tilden adopts the glorious stupidity of its stars, and echoes their gratingly obnoxious temperaments.
    • 64 Metascore
    • 91 Critic Score
    Teenage
    This documentary is not a dry, academic history of youth culture, but rather a vibrant political statement that shows the powerful force of teenagers and their ability to foment social, cultural, and political change.
  24. Chef
    By its later scenes, Chef only finds respite from its bland qualities through the scrumptious-looking dishes constantly on display. As self-indulgent vanity projects go, this one's pretty innocuous, if only because it's always easy on the eyes.
    • 62 Metascore
    • 75 Critic Score
    Veronica Mars
    Thomas and his co-writer Diane Ruggiero have penned a self-avowed love letter to the fans of the series, but grounded it in a solid thriller with compelling characters and bright comic moments.
  26. The Strange Color of Your Body's Tears
    A loud, visually assaultive assemblage of genre tropes as technically accomplished as it is difficult to watch, "The Strange Color of Your Body's Tears" has plenty to impress while simultaneously offering so little.
  27. As the Palaces Burn
    With the shift from conventional rock doc into something more sophisticated, As the Palaces Burn remains enthralling all the way through.
  28. Omar
    Omar maintains an unsettling rhythm of suspense and sociopolitical critique throughout.
  29. Elaine Stritch: Shoot Me
    The contrast between the movie’s traditional execution and Stritch’s domineering powers create the lingering sense that she may be the project’s true auteur.
  30. Beauty and the Beast
    Gans isn’t especially concerned with the outcome this coupling, instead reveling in overwrought and often bloated storytelling, lush details and some of the year’s most unnerving CGI.
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