IndieWire's Scores

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For 5,164 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 4.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 The Only Living Pickpocket in New York
Lowest review score: 0 Pixels
Score distribution:
  1. Positive: 3,565 out of 5164
  2. Mixed: 1,333 out of 5164
  3. Negative: 266 out of 5164
5164 movie reviews
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    • 55 Metascore
    • 67 Critic Score
    Anesthesia
    Despite a few stylistic inconsistencies, the conceit mostly works, but it helps that this time Nelson has rounded up a talented group of actors to play his troubled ensemble of characters.
  2. Animals
    Dastmalchian's screenwriting debut bodes well for an alternative career alongside his performances. While never transcendent, the story's patient rhythms allow for a wholly believable world to take shape before it comes crashing down.
    • 42 Metascore
    • 58 Critic Score
    The Adderall Diaries
    If anything, The Adderall Diaries is worth seeing for the ways it challenges the audience to examine and take responsibility for their own personal narratives.
    • 41 Metascore
    • 67 Critic Score
    Mojave
    The overarching problem with Mojave is that the two tones don't mesh well together, to the point where it seems Monaghan can't decide if he wants to make an ominous neo-western or a dark satire. Fortunately, the filmmaker's committed lead actors make some of the storytelling issues bearable.
  5. Maggie
    The movie subtly examines whether people accustomed to a precise way of life can deal with cataclysmic change; by extension, it implies similar questions about Schwarzenegger's career as he heads toward his seventies, and makes a solid case that more new directions await.
  6. Avengers: Age of Ultron
    Whereas "The Avengers" felt like a reimagining of the paradigm for superhero movies, Age of Ultron has air of a rerun. Though impressively made and visually remarkable, it suffers from the hollowness that plagues so many blockbusters carrying the sense that we've been through this before.
  7. Félix And Meira
    Felix and Meira can only speak in vagaries about their feelings. At times they come across like underwritten archetypes, but the superficial aspects of their scenario are elevated by a pair of deeply empathetic performances. Giroux excels at implying his characters' internal processes.
  8. 6 Years
    6 Years offers little in the way of new material. Yet Fidell, working with executive producers Mark and Jay Duplass, effectively broadens her range by borrowing the sibling directors' improvisatory style and ceding control to her two leads, whose heartbreaking performances imbue this familiar Austin-set narrative with a fiery edge.
  9. Hello, My Name Is Doris
    More than anything else, Hello, My Name is Doris effectively conveys the cruel ambivalence of an ageist society, and despite its formulaic ingredients, the movie responds to that setback with Field's exuberant, virtuoso turn providing the ultimate critical response.
    • 70 Metascore
    • 83 Critic Score
    Dior and I
    That this narrative is intense and entertaining to audiences — even those unfamiliar with the fashion world — is Tcheng's considerable accomplishment.
  11. Brand: A Second Coming
    The extensive two-hour running time only slightly hinders a simultaneously amusing and powerful encapsulation of Brand's journey from outrageous provocateur to enlightened zealot preaching for social change.
  12. Cheatin'
    Cheatin' is gleefully enjoyable and loaded with unexpected twists at every turn.
  13. Raiders!: The Story of the Greatest Fan Film Ever Made
    While the documentary's structure is somewhat uneven, its protagonists remain fascinating subjects whose recollections — along with backstories fleshed out by their wives and parents — include revelations of much greater challenges than the movie itself.
  14. Krisha
    Krisha snaps into focus whenever Shults' camera remains trained on his extraordinary lead, whose fierce commitment easily recalls a similar portrait of middle-aged alcoholism in "A Woman Under the Influence" — and, at under 90 minutes, matches its intensity in half the time.
    • 41 Metascore
    • 50 Critic Score
    Chappie
    While it has a few appealing qualities, as a whole it amounts to a well-intentioned bag of missed opportunities.
  16. Buzzard
    Buzzard is among the first great American satires of the 21st century, its scathing indictment of capitalism delivered as a prolonged, disorienting punchline.
    • 35 Metascore
    • 75 Critic Score
    Everly
    Through the use of different set ups -- such as a shootout seen only through the crack of a door, or a fight inside an elevator seen from way down the hall -- Lynch is able to add suspense to fight scenes that might otherwise seem flat.
  18. Focus
    It never loses the dazzling surface polish, but without trying to dig deeper, the movie strings us along in the hopes of something more, not unlike one of the cons at its center.
  19. The Hunting Ground
    The Hunting Ground is at its best when it stops dwelling on variations of the problem and points toward a solution.
  20. The Lazarus Effect
    It's a compelling, even decently acted piece of schlock that breezes by at a lean 83 minutes, with enough self-awareness to know you're going to forget it the minute the lights go up.
  21. Wild Canaries
    In spite of the constant activity, there's not a whole lot going on, but it's still a fun place to visit.
  22. Aferim!
    Aferim! amounts to a serious endeavor designed to explore many facets of its era through the lens of people trapped in it. Their crude dialogue, real as it may be, hints at comedic possibilities while offering a shrewd look at people defined by their circumstances.
  23. The Last Five Years
    Can Anna Kendrick save the movie musical with The Last Five Years? The answer is no — and yes.
    • 32 Metascore
    • 25 Critic Score
    Every Thing Will Be Fine
    It's possible that Every Thing Will Be Fine is understated to a fault, that excavating its deeper meanings is deliberately impeded rather than enabled by its gently casual vibe.
    • 77 Metascore
    • 75 Critic Score
    Queen of Earth
    Perry and editor Robert Greene switch back and forth between twin time-frames with no fuss or warning - and flashes of virtuoso flair - finding ironic parallels between the happy gathering of the previous summer and the more fraught atmosphere of the present day.
  26. Fifty Shades of Grey
    Directed by Sam Taylor-Johnson from Kelly Marcel's screenplay, the considerable talent behind the camera and a modicum of considerable performances yield a few undeniable guilty pleasures, but most viewers will be seeking a safe word to escape this two-hour-plus mess of half-baked excess.
    • 59 Metascore
    • 58 Critic Score
    Life
    It's not a terrible film, and succeeds in giving us a play by play of an alleged dynamic between two individuals, but as a whole feels like a missed opportunity.
    • 72 Metascore
    • 67 Critic Score
    City of Gold
    The film is an agreeable document of cultural processing that should especially appeal to the niche crowd at its center — it's more or less mandatory viewing for L.A. foodies.
  29. The D Train
    There’s an effortless cool about Marsden's performance that's a perfect mismatch to Black's hysterics, and it brings a reassuring authenticity to some otherwise implausible plot twists.
  30. Seymour: An Introduction
    On the whole, by ceding control to his subject, Hawke makes a persuasive case for Bernstein's guru-like outlook on the value of finding personal gratification in art above all else.
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