Sofia Coppola proves to be the perfect choice to tackle the life of Priscilla Presley through a film that deeply understands the desires and dreams of a teenage girl

The pace of this gorgeously shot Norwegian pseudo-fable will be a roadblock for some, but give Vogt a chance. Storytelling rewards are bountiful once The Innocents executes its conflicts well above the expected maturities of players on screen.

It's that rare movie that I will not only continue to enjoy as a moviegoer and all-around romantic, but recommend as a legitimate standard-bearer for the animated classics yet to come.

Speak No Evil is a worthwhile test of wills that’s sure to dampen anyone’s day with a superbly excruciating tale of monsters in civilian clothing.

A Different Man is a twisted, sometimes grueling, frequently darkly funny ride with standout performances from Sebastian Stan and Adam Pearson.

While it’s hard not to be moved by footage of Robert Downey’s final days, the film is more informative than emotional. It contains hints of an intimate story, but mostly flattens a strange and exotic career into a series of light observations.

Top Gun: Maverick is an out-of-bounds blast of afterburner fumes and thrillseeker highs that's sure to please audiences looking for a classic summer blockbuster.

Oddity is an elegantly constructed tale of supernatural revenge that’s full of spine-tingling atmosphere.

Where its successors might interpret or imitate its achievement of making a movie set in a confined space, Hitchcock evokes more important questions - many of them without answers - from his cross-section of characters, and creates an impressive and remarkably prescient perspective on our relationship with the world around us.

Alex Garland and Ray Mendoza’s Warfare is incredibly effective at putting you into the middle of combat, evoking feelings of dread and terror usually reserved for the darkest horror movies.

Another example of the explosive imagination that Miyazaki has. The world of the movie looks to use early 20th Century technology, yet it's filled with these giant airships and flying cities. There's a giant, yet lovable, robot that instantly becomes one of the most memorable characters in the film. Combine all of that with an excellent and memorable Joe Hisaishi score, and you have a jewel of animation.

Dìdi is a chaotic crowd-pleaser that effectively represents the messy process of finding oneself in the midst of adolescence.

With melancholy performances and an eye for natural beauty, Kogonada’s second feature film draws from masters of the past to create a glowing and moving future.

It Comes at Night is emotional, haunting dystopian horror that will leave you shaken.

Predator: Killer of Killers definitely delivers on its premise. Its journey through several time periods is the perfect way to give us multiple Predator stories that each have their own distinct flavor and action highlights.

John Wick: Chapter 4’s incredibly staged set pieces, engaging ensemble, and stylish production design coalesce into a modern action masterclass.

The Humans is a thoughtful and brilliantly acted meditation on family and humanity.

Ultimately, this storied provocateur deals out shocking imagery and disturbing scenes, but he refuses to lay down a thrilling climax much less anything satisfyingly entertaining.

If you enjoy good horror or vampire flicks, Near Dark is one of the best.

Part guerrilla prank saga, part heartwarming friendship story, and part riff on Back to the Future, the result is an incredibly fine-tuned mishmash of styles and ideas that keeps evolving in surprising ways.

The Summit of the Gods is a standout tale in both story and animation technique.

The film's brilliant pacing and expertly woven narrative deliver an empowering story that will stick with you long after the credits roll.

Avengers: Endgame is easily the Marvel Cinematic Universe’s most ambitious, emotional, and affecting film to date, somehow managing to tie up more than a decade of storytelling in a confident (and mostly coherent) climax - a hurdle that many other blockbuster franchises have stumbled over in their final runs.

This is an amazing film, both for what it did in 1953 and what it still does today. It's a far better interpretation of H.G. Wells' novel than Spielberg's abrupt and lopsided film.

The Sisters Brothers is almost as aimless as its title characters, but it's worth the journey. John C. Reilly and Joaquin Phoenix shine as wild west hitmen who are just smart enough to know they should be smarter, whose quest leads them in unexpected, funny, and surprisingly emotional directions.

Set during a single, legendary evening, Richard Linklater’s Broadway biopic unveils the life and anxieties of songwriter Lorenz Hart through rapid-fire conversations, led by an incredible Ethan Hawke.

I’m Your Man promises Dan Stevens as a rom-com dreamboat, but what it delivers is far more intriguing and rewarding.

The movie plays its fun, spooky premise as straight as possible, while winking at the absurdity of its analog aesthetic.