Some of it is a bit too goofy – I could do without the overly slapstick antics of the goofy paintballer who finds out a paintball gun is not much use against Jason – but the comedy is still an appreciated aspect of the film, and it's nice to finally have a Friday the 13th film where someone says they've seen enough horror movies to drive away from the scary guy in the mask standing in the road.

The movie is not Oscar caliber by any means. The acting is spare and without much passion.. Sure the movie is worth one or two stars at best. But it's a hell of a ride nonetheless.

As is often the case, what makes this film so enjoyable is the cast.

Enemy Mine is one of my favorite sci-fi films.

It's a strange, hypnotic, completely fresh vision, not of the future per se, but into Terry Gilliam's own mind.

Be sure to watch the film all the way through the end credits for a clever post-credit cookie (a rarity for this era).

For those who enjoy indulging in an exciting, moody, stylized cop drama molded from the best of templates and carved out of '80s pop art, To Live and Die in LA is a truly great way to spend an evening.

The script is very clever, funny and tightly written, and manages to avoid almost every horror movie cliche.

The movie has a much more open feel than Argento's other films and offers an interesting counter point to his work. The film also exercises Argento's effects work. There are several great scenes where a swarm of flies comes to Jennifer's rescue.

It's funny. It's sad. It's imaginative. It's great sci-fi, and terrific family entertainment. In short, Back to the Future is brilliant.

Well written, well made, well acted, St. Elmo's Fire is a quintessential film about the strange middleground between youth and adulthood.

Cocoon has its flaws, to be sure, but it's an ambitious, visually stirring piece of sci-fi drama. The performances from the cast (both young and old) are terrific, and visual effects are quite gorgeous.

Big ambitions inspire great designs; little things bring them to life. Nausicaa has both in abundance.

I was at least able to follow the plot (which is not to say it wasn't as ludicrous as any Bond film -- just that I could follow it). But most of all this movie has camp value -- it's fun to sit there and make fun of every last detail, and that redeems it quite a bit.

Directed with a threadbare and minimalist style by producer Charles Band, Trancers is the ultimate science fiction cult classic.

With Private Resort, I guarantee you'll be laughing well after it ends - and if you do it right, your chuckles will probably have precious little to do with the film itself.

The end result here is comically entertaining, but entertaining nevertheless - although if you are conditioned to enjoy only those very complicated scenes from newer movies this might be laughable in a less enjoyable way.

If you're in the right mood and watching with others who can appreciate the art of a bad movie, A New Beginning is somewhat of a laugh riot.

The movie is simply luxurious: huge, ornate stage settings; bright, colorful circus like street scenes; gorgeous costumes. [2002 Director's Cut]

Even if it doesn't quite stand with the 36th Chambers and King Boxers, Last Hurrah for Chivalry is a very good movie, both because it features a great many well-executed fight scenes and explores the early days of Woo's cinematic style.

Conan the Destroyer is not an awful follow-up, just a mostly unnecessary one.

Watching the film takes some patience. You have moments where there's 10 seconds or more of silence in between dialogue. When it gets violent, it's not the psychotic glee we're used to from Quentin Tarentino and his acolytes, it's simply the way things were in that life, unvarnished and brutally honest.

Directed by Barry Levinson (this was his sophomore theatrical feature following Diner), the film is quite moving. Redford delivers a great, soft-spoken, naturalistic performance and he's paired with a solid all-star cast. Randy Newman's score is absolutely terrific, too. One of the best he's ever done.

No, it's not the final movie in the series, but it's the end of a particular era for Jason, and it's a good way to go out for the hockey masked killer.

Michael Douglas and Kathleen Turner are wonderful together. They look great when they're in bed together and they look even better when they're fighting. Throw Danny DeVito into the mix and you've got a very enjoyable, watchable trio of heroes.

There are too many classic moments in this film to possibly count, and I won't even bother trying to quote lines or describe gags.

The movie is predictable and formulaic and all of those things, but it's great in spite of itself.

The cast (including Brooks, Anne Brancroft, Christopher Lloyd, Tim Matheson and Oscar-nominee Charles Durning) does their best to keep the laughs flowing.