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For 1,736 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
  1. Positive: 1,078 out of 1736
  2. Mixed: 584 out of 1736
  3. Negative: 74 out of 1736
1736 movie reviews
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  1. Ick
    As a horror-comedy, Ick commits the sin of not being remotely haunting enough to make for a decent horror movie or anywhere near funny enough to be a good comedy.
    • 61 Metascore
    • 20 Critic Score
    The Return of the Pink Panther
    The Return of The Pink Panther is so devoid of life that NASA wouldn't bother to send probes to investigate it.
  3. Stan Lee
    The Disney+ documentary Stan Lee is a bland work of corporate propaganda that glosses over or outright ignores Marvel’s controversies
  4. Wuthering Heights
    A woeful interpretation of the Brontë classic, the star power of which dims the truly violent nature of this tragic story of love and vengeance.
  5. Empire of Light
    Sam Mendes assembles a creative dream-team for Empire of Light, but ends up with one of the most soulless prestige pictures in years.
  6. Unfriended: Dark Web
    The scares are ridiculous, the plot makes no sense, and you’ll probably spend the whole running time wishing someone would spill a drink on their keyboard and erase the movie's hard drive.
  7. Killing Gunther
    Killing Gunther is an astonishingly unfunny film considering the level of sheer comedic talent involved in it. Its lack of energy or character development keeps the film from ever finding its groove.
  8. Red Sparrow
    Red Sparrow is too disturbing and brutal to be popcorn entertainment, and by trying to make the uncomfortable storylines and interminable torture sequences palatable for the audience, it completely undermines its ability to operate as a serious drama.
  9. 47 Meters Down
    There are a few occasionally effective scares along the way, but the cliched characters and downright idiotic motivations make 47 Meters Below sink before it even has the chance to swim.
  10. A Working Man
    Ayer and Stallone's script is messily realized and cornily directed – even its violent fight sequences fail to measure up to the impressive feats of action we're so used to seeing Statham serve up.
  11. Project Power
    The pacing drags through action set-pieces left obscured by messy compositions and limp, over-stylized visual choices. New Orleans, as the film’s setting, is wasted while the film’s gritty concept fails to deliver the desired intensity.
    • 51 Metascore
    • 20 Critic Score
    The Walker
    The only question Paul Schrader's murder mystery will leave you with is how long before you fall asleep?
  13. What Just Happened
    Overall the biggest problem with What Just Happened is that its character studies and conflicts are so far inside the eye of Hollywood's celebrity-clad storm that its melancholy calm completely fails to interest anyone.
  14. The Protégé
    The Protégé is so bad that it feels like it has to be on purpose.
  15. Dashcam
    Even if you loved Host, skip Dashcam, Rob Savage’s provocative but woefully shallow, ugly, and cruel follow-up.
  16. The Call of the Wild
    Bad CGI takes away everything real about the relationship between man and dog in this inherently flawed, technically focused adaptation of Jack London’s age-old classic. Not even Harrison Ford, charming as he may be, can rescue this cynically made film from emotional bankruptcy.
  17. Monster Hunter
    Monster Hunter runs just over an hour and a half but feels about twice that long thanks to its listless, meandering plot devoid of a central focus or any meaningful world-building.
  18. Kate
    Kate is a bland and unoriginal action movie that fails to make us care about its title character.
    • 46 Metascore
    • 30 Critic Score
    Predator 2
    There are a couple of entertaining action sequences, including the climactic battle between the cop and the Predator. The special effects, all shot on film, and the makeup effects, are top-notch for the time they appeared, so as a historical record the movie is interesting. But it just doesn't have enough meat to sate a hungry hunter.
  20. Damsel
    A weak script and boring performances make the Netflix fantasy film Damsel a real slog, torpedoing its attempt to be a subversive spin on classic adventure tales. Any sense of wonder or magic is diluted by cheap-looking CGI and its overly repetitive action sequences.
  21. They/Them
    Neither polished enough to be engaging drama, nor campy or exploitative enough to be effective horror, They/Them is a plodding, tensionless, and ultimately cowardly movie. Even if it had something worthwhile to say, it would have no idea how to say it.
    • 46 Metascore
    • 30 Critic Score
    D.C. Cab
    The movie's inherent flaws and jumble of subplots and side characters barely make a scratch into the stereotypes and cookie-cutter story.
  23. The Tomorrow War
    It’s astonishing that the helmer of The LEGO Batman Movie followed that vibrant, funny, and wildly entertaining offering with an action movie that is such an inane eyesore. And yet that turn still makes more sense than the plot of The Tomorrow War.
  24. There's Someone Inside Your House
    There's Someone Inside Your House tries to make you think it's got a catchy, viable gimmick when in reality it's empty and unsatisfying.
    • 45 Metascore
    • 20 Critic Score
    The 15:17 to Paris
    One of the worst, most inexcusably poor movies Clint Eastwood has turned out in his career behind the camera and a possible contender for one of the worst films of the year. The 15:17 to Paris is so bad in so many ways that it’s impossible to recommend and that’s a crying shame.
  26. Antebellum
    The psychological thriller-horror film Antebellum mishandles its sensitive & painful subject matter on multiple levels.
  27. The Strangers: Chapter 1
    The Strangers: Chapter 1 might freak you out if you aren’t old enough to remember The Strangers, but where its predecessor was subtle and interesting, Renny Harlin’s reboot chooses to be ridiculous and boring.
    • 43 Metascore
    • 30 Critic Score
    The Man with the Golden Gun
    Roger Moore's second outing as 007 does not do the subject matter justice. Or the character. Or any paying member of the audience.
  29. Mother/Android
    Mother/Android tries to bring an emotional heart to the robot uprising genre, but it’s so laden with tropes and short on personality that it’s hard to care about the characters. What little novelty exists comes far too late in the long, slow movie.
  30. The Week Of
    As usual, Adam Sandler presents a mean-spirited comedy, but an unengaged cast and uninspired writing also make The Week Of a bore.
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