Hartford Courant's Scores

  • Music
For 517 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Music review score: 71
Highest review score: 100 Sound Of Silver
Lowest review score: 20 Carry On
Score distribution:
  1. Negative: 12 out of 517
517 music reviews
    • 53 Metascore
    • 80 Critic Score
    Lewis and Staind sound as though they have emerged from a long, dark tunnel, and that kind of progress is more than just an illusion.
    • 53 Metascore
    • 30 Critic Score
    It's more of the same on his second album, a collection so bland, it makes hardtack seem sumptuous.
    • 53 Metascore
    • 50 Critic Score
    Universal Mind Control gets stuck in the same rut as so many other booty-jam records do: It's not all that memorable.
    • 52 Metascore
    • 30 Critic Score
    It's a bland album that rarely shifts tempo and shows almost none of the personality Jackson used to have.
    • 52 Metascore
    • 40 Critic Score
    By the end of Teenage Dream--hell, halfway through--it's apparent that neither Perry nor her collaborators had much to say that was meaningful, or even particularly interesting. It sure didn't stop them from saying it anyway.
    • 51 Metascore
    • 30 Critic Score
    Even Banks' better-than-average skills can't save "Rotten Apple" from mediocrity.
    • 50 Metascore
    • 30 Critic Score
    Harry remains a creative force, and it's clear she needs to continue making music, but her new songs lack the cohesive spark needed to make anyone but diehard fans take notice.
    • 50 Metascore
    • 30 Critic Score
    The bloody, boastful rhymes are mostly DOA, victims of songs that value attitude over arrangement.
    • 49 Metascore
    • 50 Critic Score
    The music on Take It to the Limit is forceful and full of bright, churning guitars, with just enough melody to elevate the songs above most of the hedonistic hard rock out there.
    • 49 Metascore
    • 40 Critic Score
    The third disc, Bria Valente's Elixer, is a tepid afterthought.
    • 48 Metascore
    • 50 Critic Score
    The irony is that such a colorful person and performer in life has seen so little of that fire (no pun intended for those who recall Lopes' most infamous exploit) carry over to her work.
    • 47 Metascore
    • 50 Critic Score
    It's an odd sort of talent, making joyless slogs out of music that is supposed to be fun and exuberant, but The Beginning is at its core a shrine to forced joviality, and that's no fun at all.
    • 47 Metascore
    • 70 Critic Score
    Band leaders Justin Warfield and Adam Bravin write songs that are well-constructed and generally catchy. Then again, that's not such a marvel when so much of it--the drums on 'True Romance,' the stinging guitar riff on 'Pretend the World Has Ended,' the synth-heavy hooks of 'She Will Always Be a Broken Girl'--comes from a template some other band crafted
    • 47 Metascore
    • 70 Critic Score
    An honest, humble, rootsy record that shows the band maturing.
    • 44 Metascore
    • 40 Critic Score
    The band sounds crisper and cleaner than it should.
    • 43 Metascore
    • 70 Critic Score
    He overreaches on occasion, but more often pulls off the sort of trick he manages with 'Families Cheating at Board Games,' merging faith and offbeat, cerebral underpinnings to forge quirky slivers of fresh perspective.
    • 37 Metascore
    • 40 Critic Score
    The San Diego rockers haven’t completely reined in their runaway libidos on Slick Dogs and Ponies, but they stray from the devilish attitude that made their brazen dirty talk such a riot.