Filter's Scores

  • Music
For 1,801 reviews, this publication has graded:
  • 71% higher than the average critic
  • 3% same as the average critic
  • 26% lower than the average critic
On average, this publication grades 2.6 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 96 I'm Wide Awake, It's Morning
Lowest review score: 10 Drum's Not Dead
Score distribution:
1801 music reviews
    • 68 Metascore
    • 78 Critic Score
    Delicate string arrangements and Jessie Stein's gossamer vocals, at once charming and sinister, build the lush Animator, livening the spirit through both sun and shadow.
    • 74 Metascore
    • 78 Critic Score
    Bird stays true to his whimsical and intricate style while embracing the limitations of recording an acoustic set circled around a single microphone.
    • 65 Metascore
    • 72 Critic Score
    Banks' phantasms manage a construct a decent corporeal form.
    • 72 Metascore
    • 78 Critic Score
    This is a song cycle for those who like melancholy with a side of melodrama.
    • 72 Metascore
    • 80 Critic Score
    Information Received is expertly manicured but never manufactured.
    • 76 Metascore
    • 74 Critic Score
    A slice of the Onlys' fanbase will miss the uncooked power of the group's early days, but this is an intrepid course that deserves sponsor.
    • 78 Metascore
    • 76 Critic Score
    The group raging behind him on Local Business are minimalist punchers, cruiserweights mixing a little Thin Lizzy and Big Star pop-ulism in with the basement bile.
    • 73 Metascore
    • 80 Critic Score
    Resurrecting ghosts of endless summers past, Allah-Las are modern surf and psych-rock at its best.
    • 76 Metascore
    • 72 Critic Score
    It's really Duvall's unique, calm and ready vocals that sets Onuinu and his promising debut apart.
    • 70 Metascore
    • 64 Critic Score
    Permanently set on "saunter," these songs' clever structures are often overshadowed by their aw-shucks delivery.
    • 81 Metascore
    • 76 Critic Score
    2
    DeMarco, sans Elvis pitch-shift, delivers some quality tunes on 2.
    • 71 Metascore
    • 70 Critic Score
    This is probably as healthy as he'll ever sound.
    • 70 Metascore
    • 66 Critic Score
    Gibbard has better demonstrated his strength as one of the best songwriters of the last decade in the past, but ardent fans will appreciate the effort here.
    • 78 Metascore
    • 70 Critic Score
    The Haunted Man is mostly a collection of fairly elementary meditations on the heart, but, without a doubt, there is still thunder in Natasha's soul.
    • 68 Metascore
    • 66 Critic Score
    This record generally begs your wine-soaked attention on any winsome November night of your choosing.
    • 62 Metascore
    • 62 Critic Score
    It's disjointed, but somehow held together by Wolf's honestly and sometimes-brilliant turns of phrases.
    • 82 Metascore
    • 72 Critic Score
    On its self-titled debut, the post-punk trio remarkably bottles the sound of a live show.
    • 80 Metascore
    • 64 Critic Score
    The result is a vibrant 13-song album that is overlaid with chanted lyrics that sometimes turn dull.
    • 72 Metascore
    • 70 Critic Score
    Cobra Juicy drips with the group's trademark heady synthesizers, as well as infectious hooks and punchy electronica to craft their most melodic and accessible record to date.
    • 67 Metascore
    • 60 Critic Score
    119
    While the group's penchant for humid power-dirges threatens to sink 119 in its middle, they're unbeatable--but only when they skip the accoutrements and just bang away at high speed.
    • 66 Metascore
    • 66 Critic Score
    The record is more balanced, but that youthful spark is harder to find.
    • 76 Metascore
    • 64 Critic Score
    [Thought there are] a few sweet moments on Sugaring Season--especially melancholic, piano-driven "Last Leaves of Autumn--it all feels a bit saccharine.
    • 80 Metascore
    • 80 Critic Score
    Amidst the fuzz and noise, Segall has turned out a raucous blitz of an album that deserves your play, if it doesn't break your speakers first.
    • 74 Metascore
    • 72 Critic Score
    The nitro-powered esoterica of his New Pornographers days has faded, though, in favor of a more restrained beauty.
    • 70 Metascore
    • 64 Critic Score
    The vocal harmonies, synths and fancy banjo plucking are highlights on an album filled with enchanted imagery.
    • 62 Metascore
    • 74 Critic Score
    If you're a grown-up who harbors a playful streak of rebellion, here's your new soundtrack.
    • 68 Metascore
    • 74 Critic Score
    Impeccably crafted, Lonesome Dreams sets out into the sun, toward shores far and away.
    • 64 Metascore
    • 76 Critic Score
    Bettinson's vocals can be a little... sweet, but the dark atmospherics sustain a palpable level of foreboding throughout.
    • 83 Metascore
    • 90 Critic Score
    Steven Ellison (aka Flying Lotus) manages to ensnare 18 night visions on his latest psych-bass masterwork, Until the Quiet Comes.
    • 74 Metascore
    • 74 Critic Score
    The electronic-pop of Jon Barthmus once again brings together the upbeat pop and whimsical electronic orchestration that made Nocturne of Exploded Crystal Chandelier such a dynamic debut.