Film.com's Scores

  • Movies
For 1,505 reviews, this publication has graded:
  • 49% higher than the average critic
  • 3% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Before Night Falls
Lowest review score: 0 Movie 43
Score distribution:
1505 movie reviews
  1. Rohmer's trademark dialogue...is as poetic in its plainness as ever.
  2. I'll be damned if I can figure out how its various ingredients are supposed to blend together.
  3. A terrific feature-length cartoon.
  4. The boy (Osment) has an uncanny ability to suggest Cole's secretive, haunted soul, and he seems to have inspired Willis to give perhaps his most self-effacing performance.
    • Film.com
  5. Starting small and building steadily, the movie reaps some fall-down funny laughs.
    • Film.com
  6. Atrocious bit of by-the-numbers screen filler. And anyone who easily lapses into sugar comas is advised to stay far, far away.
    • Film.com
  7. Best of all is a Halloween party where the Falls are complimented on their "costume," then outed.
  8. Drop Dead Gorgeous eventually shows that it doesn't like anybody -- in the movie or in the audience.
    • Film.com
  9. A movie with the power and quality of dreams, where reality merges into symbolism and oddly juxtaposed elements crystallize into a single, electrifying whole.
    • Film.com
  10. While it has its scary moments, and while its central conceit is refreshingly imaginative, there's ultimately not much there there.
    • Film.com
  11. It plays lots of cool mind games with the audience -- if in an occasionally incoherent way -- and ends up providing a surprising amount of fun.
  12. The fact that isolated bits are amusing shouldn't keep us from strongly noting that this movie really is pretty awful -- not at all worthy of guilty pleasure status.
  13. Lots of laughs, lots of fisticuffs, lots of cool toys, lots of stuff getting blown up: Who could ask for anything more from a summer movie?
    • 73 Metascore
    • 70 Critic Score
    Surely, there will be audiences that see South Park as one of the signs of the coming apocalypse, which may be exactly why another audience finds it so ruthlessly, irresistably funny.
    • Film.com
  14. MTV, comic books and gangster flicks are all in Lola's cinematic family tree; it's a heady, breathless ride.
    • Film.com
  15. The film version of this civilized beauty, captures the amusing gloss of the story but not the sense that something grave is going on beneath it all.
  16. I just really, really, really, don't like this movie, and I don't care who knows it.
    • Film.com
    • 81 Metascore
    • 50 Critic Score
    Lacks dramatic tension and fails to bring this great music alive. It does not sing.
    • 68 Metascore
    • 90 Critic Score
    It's irresistible.
    • Film.com
  17. Story. Character. They used to mean something to George Lucas.
  18. Here in the rotting depths of pulp horror/adventure territory, that's the entire point of the exercise.
    • Film.com
  19. Wickedly funny, scathingly original new comedy.
    • Film.com
  20. Go
    When the writing is good, Go is good, and when the writing is flat, things fall apart.
    • Film.com
  21. Barrymore's sunny energy pushes the movie along, but halfway through you realize there just isn't that much to push.
  22. Unfailingly energetic, 10 Things is like a puppy that can't stop wagging its tail, begging for attention...Even more than "Cruel Intentions," this movie plays like an awkward high-school production of a classic.
    • Film.com
  23. An exercise in outrageous style over substance.
    • Film.com
  24. As the movie plods on, the jokes start to fall flat...Worst of all is a centerpiece scene, when Ben has to pretend to be a mafioso (but sounds more like a cross between Martin and Lewis), when Crystal is so unfunny that you almost feel sorry for him.
    • Film.com
  25. Mr Kumble: Keep your hands off the classics! You don't deserve to read them, let alone paraphrase them.
  26. [Ritchie] cranks up the laughs and tension with equal aplomb, throwing wrenches in the plot so that the audience has no idea what to expect next -- and that's part of the film's thrill.
    • Film.com
  27. The collapse of Office Space's second half is so egregious that one can't help but suspect Judge's Achilles heel may be his writing. It's not that he can't write -- it's just that his ideas tend to shine better within a pool of fellow scribes, as proven in his television career.
    • Film.com

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