Film.com's Scores

  • Movies
Select another publication »
For 1,505 reviews, this publication has graded:
  • 49% higher than the average critic
  • 3% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Before Night Falls
Lowest review score: 0 Movie 43
Score distribution:
  1. Positive: 776 out of 1505
  2. Mixed: 461 out of 1505
  3. Negative: 268 out of 1505
1505 movie reviews
view
per page
  1. Diana
    The result is a film that grows worse with each passing minute, as the vibrant and complex Diana is reduced down to a daft, dumbstruck love addict, a biopic that tries desperately to humanize an already beloved and relatable human being and makes her look comically idiotic and empty in the process.
  2. All the Little Animals
    Simplistic on one level, indecipherable on another, it's a most peculiar muddle.
  3. The Suburbans
    Wants to be many things, but ends up being not much of anything.
  4. Lara Croft: Tomb Raider
    She's not a real person, in any way, shape or form -- which makes watching Lara Croft: Tomb Raider, the first in a projected series of live-action films based around her exploits, a visually spectacular yet oddly cheerless experience.
  5. Committed
    Until it backs itself into a narrative corner, Lisa Krueger's Committed is a delightfully unpredictable experience.
  6. Stardom
    What keeps Stardom watchable is Arcand's droll humor.
  7. Simon Magus
    The brainchild of English director Ben Hopkins, who takes his time getting going. Too much time, really, as the first hour passes rather antsily, without quite achieving forward motion.
  8. Crime and Punishment in Suburbia
    The whole point is nothing more than the revelation that the terrain of suburbia is populated with damaged people inflicting damage on others. This is still news?
  9. Dudley Do-Right
    As flat as the brim of a Mountie hat.
  10. What Lies Beneath
    This impeccable ghost story is utterly old-fashioned, a straightforward suspenser with no twists.
  11. The Invisible Circus
    It's not bad; it's just completely inconsequential.
  12. Dude, Where's My Car?
    Just another lame slacker comedy.
  13. Titan A.E.
    We should expect more of summer fare than that it merely be a visual junk-food snack as we cool off in the chill of a darkened theater.
  14. The Price of Milk
    In the tradition of "Sunrise" and "Eyes Wide Shut," crises set the characters on a kind of dreamy, nocturnal journey through chaos and fear.
    • Film.com
  15. Breakfast of Champions
    A weirdly stillborn experience.
  16. Never Been Kissed
    Shining above it all, like a kewpie-doll saint, is Drew Barrymore -- whose sweet innocence and sexy romanticism have survived movies as bad as this before
  17. Endless Love
    That it’s not totally dialed in throughout makes it a victim of the same thing most bad movies fall prey to: having the spark of a great idea rested awkwardly on top of a spinning mess of execution.
  18. Snow Day
    Not a waste of time, but not quite in control of its destination.
  19. Josie and the Pussycats
    Fails as a movie, it works OK as a long-form video.
  20. Beautiful
    Beautiful is a mess, but not without interest.
  21. Gone in Sixty Seconds
    This film, a remake of a hapless 1974 cheapie of the same title, can't even get the big chase right.
    • 66 Metascore
    • 40 Critic Score
    Beyond the Clouds
    This meeting of two giants of European cinema only briefly comes to life.
  23. Road Trip
    When Phillips is out of the zone, however, Road Trip slows down, awaiting another redemption.
  24. Gun Shy
    Neeson might as well have phoned this one in.
  25. Driven
    For Stallone, and his original script for Driven reflects a more mature, self-effacing perspective.
  26. Where the Heart Is
    Serves up the usual homilies, but it lacks the quirky density and cinematic snap.
  27. Psycho Beach Party
    The problem is, director Robert Lee King has a hard time sustaining the aimed-for camp tone, and while there are a few well-spaced giggles to be had, the movie sputters more than it soars for most of its 95 minutes.
  28. Sweet and Lowdown
    But the movie is so confused about where it wants to go, it suffers from the same identity crisis as its protagonist.
  29. Smiling Fish & Goat on Fire
    In many ways the indie equivalent of your average multiplex action picture: fun and forgettable.
  30. Plunkett & Macleane
    It doesn't really hang together. And waaay too much style. Pity.
  31. Beautiful Creatures
    Renders the net result fairly squarely unenjoyable, on almost any level.
  32. The Tigger Movie
    Exemplifies the subpar state of movies today.
  33. In Too Deep
    A few startling touches.
  34. Proof of Life
    Flat and thoroughly predictable piece of filmmaking.
  35. Nurse Betty
    This fantasy-tinged romance leaves a distinctly bitter aftertaste.
  36. Dr T and the Women
    Though it starts out as amusing satire, the jokes become as neurotic as Dallas' female population, and the film spins out of control in every way.
  37. Rounders
    It's "The Hustler with poker and without soul...For all its flash and occasional sizzle, "Rounders" is a disappointment.
    • Film.com
  38. Sugar & Spice
    Mandy Nelson's sugar-high bright-'n'-cheerful script takes a series of easy ways out, avoiding completely the prospective pitfalls of having to see any of these characters as complicated, contradictory, not entirely nice or identifiable-with -- actual human beings, in other words.
  39. The Woman Chaser
    There's something about The Woman Chaser that isn't quite thought through, in a basic way.
  40. Illuminata
    I'll be damned if I can figure out how its various ingredients are supposed to blend together.
  41. The Wedding Planner
    She (Lopez) wipes away the unpleasant memories of "The Cell," and serves notice to Julia and Sandra that there's another girl out there who can do romantic comedy-even of the half-baked variety.
  42. Once in the Life
    Doesn't have a lot to offer that hasn't been done better -- and worse -- in hundreds of ghetto-sink shoot-em-ups.
  43. Atlantis: The Lost Empire
    A fireworks show with plenty of "oohs" but not a lot of "aah" -- the story is needlessly convoluted in places and storybook-simple in others, and the characters never make the leap from drawn figures to flesh-and-blood people.
  44. Seven
    This could be the year's most pretentious Hollywood film.
    • Film.com
  45. Julien Donkey-Boy
    Rung with numb inarticulateness.
  46. The Best Man
    Stranded in superficiality, the film is a lifestyle commercial.
  47. Love & Sex
    Slick, polished to perfection, derivative and stripped of any of the real quirks or idiosyncrasies that make a romantic comedy fly.
    • 43 Metascore
    • 40 Critic Score
    For Love of the Game
    Call it baseball interruptus, or just call it a missed opportunity.
  49. The Center of the World
    In this case, I have to say, the sense of boredom.
  50. Eye of the Beholder
    Not terribly enjoyable to watch.
  51. Est - Ouest
    Wargnier is also a lousy storyteller who seems not to understand how to shape a narrative.
    • Film.com
  52. Crocodile Dundee in Los Angeles
    Hogan's rough-and-ready charm remains intact, but it's not enough to salvage this instantly forgettable movie.
  53. The Cell
    What makes The Cell worth viewing at all is the carefully sculpted imagery.
  54. Chill Factor
    Isn't a bad action movie -- it's just an utterly forgettable one.
  55. Black and White
    When your characters are only skin deep, so is your message.
  56. Mandela: Long Walk to Freedom
    He spent 28 years in prison and this is what he gets?
  57. The Broken Hearts Club: A Romantic Comedy
    A constant video rental for a community that aches to see itself as banal and generic.
  58. Kingdom Come
    Not even Goldberg's near-flawless central performance can polish Kingdom Come beyond mere soap opera pap.
  59. Analyze This
    As the movie plods on, the jokes start to fall flat...Worst of all is a centerpiece scene, when Ben has to pretend to be a mafioso (but sounds more like a cross between Martin and Lewis), when Crystal is so unfunny that you almost feel sorry for him.
    • Film.com
  60. Godzilla 2000
    Has its dull spots, and is unintentionally laugh-out-loud funny at times -- but isn't that what we expect?
  61. Red Planet
    Moss -- in her first big role since "The Matrix" -- is the main reason to see Red Planet, a badly written and visually scenic space opus.
  62. Hanging Up
    It's hollow, forced and false.
Page:

Top Trailers

See all »
See all trailers »