As we all creep back into the theaters from our COVID cocoons, it serves up just the right amount of cinematic comfort food to keep us coming back for another serving.

If you were expecting a small art film, you know you're in trouble when the first thing you see is Jim Carrey.

Don't get your expectations up, but "LW4" is a decent enough date film.

Sadly, everything is predictable, which is to the detriment of the mostly fine, young talent that appears in this ineffective retread.

This cinematic train wreck reminds me of when Hollywood decided to cash in on the success of “Chinatown” by making a sequel...

The movie doesn’t even try to break new ground–it’s shot entirely on location in familiar Ferrell-McKay territory.

Hits an edginess that will keep today’s audiences laughing.

It's all a case of been-there, done-that, although the singing is nice. Still, do we really need another movie with thirtysomethings who ache to re-live their college years? C’mon, guys, grow up!

I Love America doesn’t delve too deeply, or at all, into things like the American dream, the implications of aging in contemporary society, cultural/generational differences, or the lasting marks one’s parents leave on their offspring. As it stands, the film is a cute little love letter to the City of Angels, bound to evaporate from your mind sooner than a meal at the In-N-Out.

The screenplay has a lot it wants to say and does so in a fun, murderous way lined with wicked humor. All the actors understood the assignment and successfully pull off their roles.

Saint Clare will sneak up on you as it did me. It’s a murder mystery with dark horrors and giggles blended delectably.

It is Foy’s performance and presence that makes you want to stay to the end. She is the girl thrust into leadership with the vulnerabilities of her young age and with youthful curiosity. She’s not a child pretending to be an adult, but a child forced to act like one.

Absolutely--four out of five stars for being cuter, funnier, and, besides, the character design far exceeded my expectations.

This is a thoughtful, visually inventive film showcasing Zemeckis’ continued willingness to push cinematic boundaries.

About as bland, predictable, and self-important as you’d expect.

More "Heat" than "Eraserhead". It's all good. Just don't be disappointed if it's not what you were expecting. Try to enjoy this for what it is.

A small, no-budget, seemingly unsophisticated film that creates a minor energy miracle by fueling its running time on pure raffish charm.

Watch The Deliverance for Close if you haven’t already done so. However, a performance of this caliber in a movie like this is like seeing a BMW 5-series being used to do donuts in a field of manure.

The ambiguity in this glacially-paced but atmospheric and at times striking little film doesn’t so much tantalize as frustrate – only because the filmmaker duo approaches something so much deeper, wiser, and subtler.

Inherit The Viper had the potential to be an exciting thriller with dramatic family elements. Instead, its characters fall flat as if the actors were not allowed or unwilling to flesh out their characters more.