Not only does this film have the coolest title ever, but this bittersweet, multi-layered comparison of life's realities versus life's potential is as compelling as it is deeply resonant.

Unfortunately, Stuber never rises to the point of being remarkable in any way. You’ll love it, if you are a fan of either lead, otherwise, it’s a standard buddy movie.

An entertaining diversion and if you want a light film to just sit back and relax to, then this might just be your movie.

Its revelation of Jesus Christ’s story can still inspire the next generation of filmgoers through its timeless themes of redemption and forgiveness.

The film never takes itself too seriously, considering there are some serious actors in it. In the end, it’s all good fun and a great movie to turn on when you want to hand out with friends and see something truly insane.

As much as I thought the film’s heist element was unnecessary, which it is, Liman sure knows how to make it exciting and even in a pandemic. Locked Down could have been a much worse movie, but ultimately it’s a love story and a good one too.

The only thing wrong with Transformers: Rise of the Beast is that it’s bland and boring.

If you manage to sit through the whole film, don’t leave before the humorous tag in the credits.

Despite pacing issues, the film is a good look at imperialism and the mind of “the white Rajah.” The beautiful locations give the film an ambiance of mystery and adventure.

Who wants to be subjected to water torture for 2 hours?

What makes Swiped really stand out are the actors involved.

Slight but likable, Changeland deals with moving on and the healing powers of travel and friendship. Forgetting Sarah Marshall’s low-budget cousin, it’ll hopefully finally establish Green as more than just the “Zip It!” guy.

Mrs. Lowry and Son has an appealing old-school charm and two performances that make it worth seeing.

The problem with Brave New World falls squarely on the writing and the story.

Holy Man is just a dumb romantic comedy passing itself off as something else.

Braga’s direction is so bland and tension-free it could not make a cat jump into a tree. The cast all try their best, but only Robertson comes out unscathed. There is not a single reason to ever watch this movie.

One of the funniest films I’ve seen all year.

Ashes in the Snow is a good, yet unsatisfying movie with the potential to have been so much better. The pace is too slow, and the characters’ arcs are predictable.

With a talented, seasoned cast, and the capable directing hands of Jason Cabell, Running With The Devil is a dark, suspenseful, and fascinating look at a subject often debated. Definitely worth a look.

Matt Bomer and Alejandro Patiño, who play the two leads, have a chemistry that brings to mind Tom McCarthy’s superior studies of seemingly disparate characters bonding against all odds, The Station Agent and The Visitor. That unlikely companionship – the heart of Butler’s film – goes a long way to make up for other lags: underdeveloped secondary characters and a few misjudged sequences that unwittingly titter on the brink of “racist.”

I can't really remember the last time I saw a movie with this much biting satire and brilliance that was utterly excruciating half the time.

It’s a showcase for what great independent filmmaking is all about, taking an interesting concept and applying excellent acting and directing on a limited budget. I will say that the ending felt a little weak to me, but the film is akin to life in general in that the most important aspect is the journey.

A very important film that is as sad as it is uplifting. After viewing it you may just have a whole new appreciation for life.

The story and themes behind The Stepford Wives are way past their time. They’re products of the 1960s.

Carpenter oscillates between high horror and lowbrow camp, which is more unsettling than the scenes of decapitation and dismemberment, and drives a steak through the heart of Woods' fine performance in the process.

Sometimes the movie can't decide whether to tug REALLY HARD at the heart strings, or make you laugh at the zany oil riggers.

The plot, about a man who followed his dream, just oozes optimism. If you grew up in this era, there’s a lot of nostalgia value here. Toe-tapping fun is how I’d describe my time with Spinning Gold

Edward and Carter are like the original Odd Couple, except nobody’s laughing.