Film Threat's Scores

  • Movies
For 5,442 reviews, this publication has graded:
  • 60% higher than the average critic
  • 6% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Xanadu
Lowest review score: 0 The Twilight Saga: New Moon
Score distribution:
5442 movie reviews
  1. Liberté is shocking, but it is staged as banally as possible.
  2. It would be blasphemous to produce another “Neeson-as-old-but-badass-motherfuck*r flick” after this one.
    • 51 Metascore
    • 60 Critic Score
    What’s most surprising in Hotel for Dogs, is Don Cheadle co-starring as Bernie.
  3. With its clumsy storytelling and lack of someone to filter Duvall's gushiness about the subject matter, Assassination Tango winds up shooting itself in its own dancing feet.
  4. The Trouble With Jessica is like a tray of fresh out of the oven pot brownies: demented, dark and delicious. Get yourself a mouthful of this movie.
    • 51 Metascore
    • 60 Critic Score
    The humor is not as hackneyed as in previous films.
  5. A fine cast, understated treatment and tantalizing premise make for a movie well worth seeing even if you don't come away believing.
  6. Although the pace lags at times and the narrative is a bit cliched, Saint Judy reminds us what America represents to the world. This timely and inspiring film instills faith in justice and human decency.
  7. A raw, brutal, hypnotic journey into the world of seven heroin addicts who barely survive on the streets of New York City. It is a film of great sadness and pain.
    • 51 Metascore
    • 60 Critic Score
    A rare pleasure.
    • 51 Metascore
    • 60 Critic Score
    Cosmatos, surprisingly, manages to create something resembling a suspenseful atmosphere, all while managing to get Shannon Tweed naked in the first three minutes. Whether you like giant rats or Canadian Playmates, this movie has something for everyone.
  8. Wan has style to spare, his direction brimming with confidence and his by-now-familiar trademarks.
  9. Typical of too many films produced in Israel: plodding, verbose, badly-made and completely monotonous.
    • 51 Metascore
    • 40 Critic Score
    By the time the credits rolled I was bored rather than stunned by the revelations within the movie and I just want these type of reversal/twist movies to get better, or go away.
    • 51 Metascore
    • 75 Reviewed by
      Alan Ng
    If you’re a fan of zombie stories, Peninsula absolutely works. Writers Joo-Suk Park and Sang-Ho Yeon do a spectacular job of world-building beyond the first film.
  10. In the end, Marry Me is funny and worth watching.
    • 51 Metascore
    • 60 Critic Score
    In the post-Columbine age, far too many cops' partners have gone un-murdered. And too many unsuspecting daughters have freely traveled abroad, unmolested by foreign fiends. Leave it to the French to give Americans what we didn't realize we were missing.
    • 51 Metascore
    • 50 Critic Score
    Simply, the movie is a tale of extremes resulting in a tepid middleground.
    • 50 Metascore
    • 90 Critic Score
    Stop and Go ends up as you expect it to. Some treacly bits rob the movie of its honesty and compromise its goodwill with the audience. But for the most part, it’s a joyous celebration of life and family, as well as a reminder that both will persevere no matter how trying the circumstances.
  11. Yes, it’s that kind of movie: ludicrous but seemingly unaware of its own pretensions, never quite so-bad-it’s-good, but rarely good enough to rise above bad. The filmmaker seems confident that he’s assembled an “elevated horror,” minimalist masterpiece. Unfortunately, the result is just minimal.
  12. What begins as a poetically offbeat comedy, full of energy and verve, turns woefully mundane as the protagonists become introspective and enlightened.
  13. What could have been a cool concept movie buckles under an uninspired script and some treacherous miscasting.
  14. If you are new to the Child’s Play/Chucky universe, the informative side might be stretched too thin. However, for fans of the snarky killer doll, Gardner has crafted a gleeful celebration of all things Chucky.
    • 50 Metascore
    • 30 Critic Score
    It’s a given that Julia Garner can play fear, but Whannel barely taps into her skills.
    • 50 Metascore
    • 40 Critic Score
    The bottom line is that the only Texas Chainsaw Massacre movie that you need is to see is the first.
  15. It is not quite as stupid as it looks. I'm not saying it ISN'T dumb, though, just not as bad as I think even the studio thought.
  16. The saccharine conclusion would be problematic in any film, but given how much talent is involved, it's especially disappointing here.
    • 50 Metascore
    • 55 Reviewed by
      Alan Ng
    There’s a lot of silliness that will warm the hearts of Rom-Com fans. The silliness at least is high brow with Paul Feig at the helm and Emma Thompson part of the writing team.
    • 50 Metascore
    • 40 Reviewed by
      Alan Ng
    In the end, The Marvel is a superhero movie clearly made and produced by people who have never read a Marvel comic book but read Archie instead. It feels like it was made for teen girls and not for actual comic book fans.
  17. A thoroughly awful Korean production which vainly attempts to recast the slam-bang conventions of American action-adventure flicks into the sticky world of contemporary Korean politics.

Top Trailers