Most of the cast is excellent, and the writing is very clever. Couple those elements with the fun, cartoony animation, and one gets a pleasing little family film that, thankfully, does not fit into a specific mold.

This level was weird fun was thought to be extinct until Joe Begos came around and proved us all wrong. It’s a game-changer for sure, and the fallout should be phenomenal.

Takes a relatively easy route by bestowing happy endings on the principals, but at least it’s savvy enough to realize that showbiz isn’t all there is to life.

Eisenstadt does an excellent job bringing the story of an ambitious young woman setting out to fulfill a dream full circle.

To paraphrase the play's most famous song: how do you measure the lien against your soul when you're forced to sit through something as forcibly maudlin as Rent? I dunno, but 525,600 minutes is about how long this movie felt at times.

Renfield is a good movie that squanders its potential to be great.

A pleasant diversion which mixes snatches of Wilde's waspish humor with a stylish Art Deco environment. The result is amusing to the ears and easy on the eyes.

Not terribly original or funny.

More of a curio than a classic and it takes the strongest of constitutions to endure this film without entertaining notions of matricide

The appeal of The Burial Society lays in its unusual and obscure take on an otherwise mundane tale of greed, treachery and double-cross.

I liked The Tender Bar for its simple story and fantastic performances. But, honestly, it works best as a straight-to-streaming title, as it hits familiar beats and feels small in scope. Clooney has concocted cinematic comfort food.

If you love musicals, teen romance, and the 80s, you’re going to have a blast watching Valley Girl.

An eccentric local priest spouts nonsense, blood gushes out of the shower, bodies twist and contort at impossible angles, and creatures from hell crawl towards the camera. By the time the convoluted, shrieky finale arrives, it all blends together into nothing more than dull background noise. Your investment in the story will be indirectly proportional to its running time.

This film could have been an excellent introduction to the world of Pokémon but alas it’s a squandered opportunity.

With measured visual flash, Luhrmann highlights the delightful presence of his two stars and realizes an unlikely feelgood film, in spite of its grave matters.

There are flashes of honest insight lurking under the film's rough, uneven surface.

Any romantic comedy that lacks Meg Ryan can’t be faulted too hard.