Exclaim's Scores

  • Music
For 5,105 reviews, this publication has graded:
  • 57% higher than the average critic
  • 5% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 Vol.II
Lowest review score: 10 California Son
Score distribution:
5105 music reviews
    • 74 Metascore
    • 80 Critic Score
    The record harnesses its emotional resources to grant the listener the sweet spectacle of watching self-awareness disintegrate as the artist wriggles free from postmodern detachment, and rediscovers that most undervalued asset: his vulnerability.
    • 66 Metascore
    • 80 Critic Score
    White Women is consistently fun and well-crafted, a shining example of disco's renewed relevance from a pair of musicians for whom the genre never went out of style.
    • 83 Metascore
    • 80 Critic Score
    This is essential listening for fans of Owen Pallett and Ólafur Arnalds.
    • 73 Metascore
    • 60 Critic Score
    On Visibility is a Trap, Dalhous deliver another handful of terrific dark ambient music that will hopefully give way to braver, newer waves.
    • 79 Metascore
    • 80 Critic Score
    This is tough-talking, hard-living stuff, but it's been infused with a welcome dose of 21st century sexual politics.
    • 70 Metascore
    • 70 Critic Score
    It's a tried, tested and true formula that has allowed these two humble cats from the land where Kirby Puckett smacked homers to do this for so long.
    • 83 Metascore
    • 80 Critic Score
    tUnE-yArDs' bright and playful exterior might deter some, but Garbus and Brenner bask in quirk without it ever clouding the tracks' overall purposes.
    • 72 Metascore
    • 80 Critic Score
    III
    III's hazy, after-hours vibe is infectious, and these songs reveal fresh nuance with repeat listens.
    • 73 Metascore
    • 70 Critic Score
    Merchant has offered us a challenging, often starkly beautiful, collection.
    • 67 Metascore
    • 80 Critic Score
    The most striking aspect of Asiatisch is the confidence of Al Qadiri's sound, demonstrating that the quality of her music has finally caught up with her artistic ambitions.
    • 62 Metascore
    • 50 Critic Score
    With its jarring synthetic brass--which is neither as charming or amusingly ironic as its creators seem to think it is--Someday World starts off on the wrong foot from the very first bars.
    • 77 Metascore
    • 90 Critic Score
    Each song feels carefully placed, but many end abruptly, leaving something unfinished.
    • 74 Metascore
    • 90 Critic Score
    Luminous is a tremendously dense record, but one that manages to find ample breathing space for each of its studio takes.
    • 82 Metascore
    • 80 Critic Score
    The album is an impressive continuation of Tom G. Warrior's often-mighty lineage, addressing each and every one of his strengths while offering something new for those unaware of the history embedded in every note.
    • 81 Metascore
    • 70 Critic Score
    The ten songs here threaten at times to up and wander off, but Bare manages to hold everything together with some strong songwriting and unusual, borderline retro arrangements.
    • 63 Metascore
    • 70 Critic Score
    Throughout the record, Marley demonstrates that reggae can grow and adapt without losing sight of its roots.
    • 84 Metascore
    • 90 Critic Score
    Ought have conjured one of the most refreshing and inspiring rock records of the year.
    • 77 Metascore
    • 90 Critic Score
    Picking up where their 2002 self-titled album left off, Oblation is a triumph of doom metal and stoner rock.
    • 77 Metascore
    • 100 Critic Score
    Recorded mostly live off the floor, and full of loose, garage rock accents and playfully shambling flourishes, everything about Most Messed Up feels exquisitely messy.
    • 86 Metascore
    • 90 Critic Score
    With Bécs, Fennesz achieves the near-impossible, crafting a musical sequel that retains the energy, vision and flow of its predecessor.
    • 74 Metascore
    • 70 Critic Score
    Like the murky corners of the city that birthed it, Get Back is filled with interesting diversions, even if those ideas don't necessarily add up to a unified vision.
    • 76 Metascore
    • 90 Critic Score
    Everyday Robots is a graceful and beguiling album from an artist that continues to explore, mature and surprise us with each release. Not bad for a debut album.
    • 78 Metascore
    • 70 Critic Score
    Sd Laika seemingly bucks myriad electronic music trends to create a body of work that harkens back to the genre's classic beginnings.
    • 78 Metascore
    • 80 Critic Score
    For those who like their space-age folk rock with a strong sense of humility, it doesn't get much chiller than this.
    • 78 Metascore
    • 80 Critic Score
    Seamlessly weaving complexity into internal rhymes in verses and the overall thematic premise, PTSD excels at both micro and macro levels.
    • 66 Metascore
    • 80 Critic Score
    Z is a quality beginning for a beguiling new artist with a fresh futurist sound.
    • 80 Metascore
    • 70 Critic Score
    By all accounts, Honest reveals that Future's music was never a "right place, right time" story, but one that's unique and has staying power.
    • 83 Metascore
    • 80 Critic Score
    Anyone who can get past the timid first impression will find plenty of fascinating layers and beautiful music to love on Loom.
    • 77 Metascore
    • 80 Critic Score
    As a whole, Food is a delight and represents adventurous R&B with bite.
    • 71 Metascore
    • 90 Critic Score
    There's no denying the album is catchy.