Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. For all Golino's comeliness, she's upstaged by the windy beauty of the landscape, and by Crialese's attention -- in an Italian neorealist way -- to the routines of daily life in an insular, traditional culture.
  2. Carrey isn't afraid to go happily psycho, like Peter Sellers or Eminem on his funniest tracks, and that's his edge.
  3. The loveliest moments put both politics and theatrics aside, conveying the strange beauty of a hard life involving little else than fish, water, and gray sky.
  4. The atmosphere of gentle communal chaos is authentic enough to become the movie's dramatic center.
  5. In the grim and empathetic lost-youth drama Sweet Sixteen, the director focuses on a few failed souls -- rather than excoriate the system that failed them -- to produce a story of particularly streamlined, eloquent despair.
  6. If The Matrix Reloaded is a trip through high-toned mediocrity, not nearly as suggestive or cohesive as ''The Matrix,'' it's one of the most wizardly mediocre movies I've seen in quite some time.
  7. Maddin chops it up into a feature-length antique-bloodsucker video, and the result takes hold neither as dance nor as silent horror dream.
  8. One of the happiest movies around.
  9. The premise, the structure, and the men-at-twilight conversation in Patrice Leconte's ingratiating drama feel cloyingly predetermined at times, but the sight of Hallyday and Rochefort luxuriating in their contrasting manly personas is a kick.
  10. A parent-and-kid-oriented comedy about the adventures of men doing the hard work of mommies, which couldn't be more timely -- or less delightful.
  11. What it isn't is a believable relationship. Yet that may scarcely matter to LaBute, a gifted and corrosive wordsmith who appears intent, by now, on shoving all romantic couplings into the meat grinder of his misanthropic design.
  12. Could have used more of the shimmering elegance of the Day-Hudson comedies. Those movies had a true sparkle. This one's a likable piece of costume jewelry.
  13. X2 sparkles with a lightness of spirit that was missing from ''X-Men.''
  14. The movie has a mystery, and moral unease, that lingers.
  15. Hoffman plays Dan Mahowny's addiction to instant money as something dirty and private and, at the same time, soul-quickening.
  16. A memory of the automobile in which a father drove away from his family provides the title for Blue Car but no hint of the power of writer-director Karen Moncrieff's superb feature debut.
  17. Let's face it: Lizzie McGuire (Hilary Duff) is just too darn polished to be a junior-high underdog, even by the standards of her 'luxe suburban environs.
  18. Thrilling little epic set in the bewildering arena of the English language.
  19. Nothing I've read about Iraq or seen on TV in the past few weeks has felt nearly as real and intimate as this commanding fiction.
  20. It's just a camcorder soap opera of packaged hormonal fervor -- ''The Real World'' with extra tequila body shots.
  21. Turns out to be a supple, intriguing, and beautifully staged movie. It features Dillon, in his most forceful performance since ''Drugstore Cowboy.''
  22. This documentary about the triumph of the New Hollywood employs a treasure trove of interviews and clips to create a rich understanding of the many forces -- cultural undertows, really -- that flowed together to fill the void left by the dying studio system.
  23. There's something already exhausted, however, in the intrusively gauzy, wobbly, blurry, zoomy digital-video look of the piece.
  24. Confidence may be mannered at times, but its shell-game plot is alive with organic trickery.
  25. The hardest work falls to Cusack, a subtle actor with a valuable gift for conveying the sadness and loneliness beneath the skin of even the most jaded and self-contained men-about-town.
  26. A sodden drama of filial conflict that dares the audience to confuse the characters with the players. P.T. Barnum couldn't have come up with a better hook, but he would have rewarded his suckers with more ''On Golden Pond'' entertainment bang for their buck.
  27. As it is, the story collapses like a bad tip to Liz Smith. Still, there's something brash, retro, and even stupidly touching about all the chatty mania, and the way Baitz and Pacino get off on paranoia, conspiracy theories, and the lure of 1960s idealism.
  28. Mesmerizing.
  29. Honoring the literary ground beneath it, spotted yellow lizards and all, the movie Holes is easy to dig.
  30. A haunting and incandescent work of art.

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