For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
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| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Schwarzbaum
Sky Captain is a gorgeous, funny, and welcome novelty.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The title Ghost in the Shell 2: Innocence is a brain banger. But as sci-fi nomenclature goes, it's easy to read--no twistier, certainly, than "Sky Captain and the World of Tomorrow."- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Nothing more than amiable fluff, yet Bettany infuses it with a brazen dash of reality. You believe in him, even when you don't quite believe in the movie.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Silver City may be the mustiest political-conspiracy tale ever filmed; it's like "Chinatown" rewritten by Ralph Nader.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Features a supernatural twist that is merely okay, but the film's mood of fractured anxiety and longing made me eager to see what the director, Christoffer Boe, does next.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The performances are winning -- Gyllenhaal is particularly sharp as an aggrieved sibling, and there's mutual zing in her scenes with Reilly.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Chris Evans is blithely likable despite a few faux-Cruise mannerisms, Basinger makes a vividly frightened yet resourceful woman in peril, and William H. Macy scores as a mild L.A. cop who lets out his inner macho.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
A ripe psychosexual compost heap of a drama that emits a provocative scent of rot and nonsense.- Entertainment Weekly
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- Critic Score
In Resident Evil: Apocalypse, the undead are back to stumbling in the dark, sometimes even in blurry slo-mo, making the many packs of them about as terrifying as the mobs waiting for Matt and Katie outside the "Today" studio.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Sends comedy backward in time, and we're in the 1970s, ethno-sitcom style: These Andersons in their out-of-date white, snooty gated community apparently confuse themselves with their forebears on The Jeffersons.- Entertainment Weekly
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Always entertains, just like ''Pearl Harbor'' and the rest of the best of Hollywood's dumb war movies.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It would be tempting to say that fractured time sequences in movies have become a cliché, except that Wicker Park makes your brain spin in surprising and pleasurable ways.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It doesn't take long for the film to devolve into a ludicrously far-fetched Celebrity Death Wish.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
It borders on perky -- a duller, safer tonal choice for the story of a conniving go-getter whose fall is as precipitous as her rise.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The truth is, the freakiness kinda turns the director on, and he nearly strangles Suspect Zero with love.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's hard to deny that Gallo has caught the freedom and melancholy, the intoxicating aimlessness, the lonely twilight beauty of a solo road trip in a way that no previous filmmaker quite has.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
I wish 'Hero's emotional heat rose more intensely -- more recklessly. There's something grand but distant and almost fetishistic about the operatic solemnity with which Zhang approaches the Rashomonic story of assassins attempting to kill a king.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
There's no enjoyably outlandish hiss to this variation on the formula, and no Ice Cube or Owen Wilson, either. This time, a ship of capitalist fools (and no movie stars, unless you count utility player Morris Chestnut as a headliner) steams along the river in Borneo.- Entertainment Weekly
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The film's moral? Turn off the TV, young 'uns, and go outside and play! And avoid Superbabies: Baby Geniuses 2 matinees while you're at it.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A documentary that digs deep inside this most revolutionary and tortured of punk quartets, it's hard not to feel that the Ramones, who never had a hit record, were the greatest band in 50 years to be stonewalled out of success.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Although the talent of a kid with the last name of Culkin may not, at this point, register as such a novelty -- Rory follows brothers Macaulay and Kieran -- there is something precociously mature but natural about the work of this youngest Culkin sibling that stands apart.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Both script and direction are the work of the glittering comedic polymath Stephen Fry.- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
A smashingly effective documentary -- I found it more resonant than ''Fahrenheit 9/11'' -- yet to say that it's preaching to the converted would be generous; it's preaching to a microscopic sliver of the converted.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The new movie is a dusty piñata stuffed with omens and not much more.- Entertainment Weekly
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Reviewed by
Scott Brown
There are some genuinely clever moments of physical comedy, and the inevitable crudeness is offset by winning whimsy. Without has all the freshness of moldering Playboys stashed under a mattress, but it evokes what few boys-will-be-boys larks can: chumminess.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The film is at times harrowing to watch, yet it's also wry and delicate and absorbing. It's infused with the messy excitement of imperfect passion.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Scott Brown
The film's generic feminism pales beside its bloated sense of privilege, only underlined by a nonstop cabaret of sideshow acts.- Entertainment Weekly
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