Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. A film of uncommon originality.
  2. A confidently original, engrossing interpretation.
  3. For all the nimbleness of its first half and the chemical zing of Pitt and Jolie, the film devolves into a fractious and explosive mess, hitting the same note of ''ironic'' violence over and over.
  4. Epps has a nicely beaten charm to him -- among the leads, he alone looks like he knows what a trip to the moon costs.
  5. The latest reshuffling of "Chainsaw" tropes.
  6. Like choral singing and travel photography, this adventure is more fun for participants than it is for spectators.
  7. The worldview, the sense of childlike fun shaded with adult melancholy, and the joyful, serene attention to visual oddity and wordless beauty could only be made in Japan. And, specifically, made by Hayao Miyazaki.
  8. 5x2
    Feminist sanctimony, it turns out, looks much the same forward and backward.
  9. How exceptional a film actor is Russell Crowe? So exceptional that in Cinderella Man, he makes a good boxing movie feel at times like a great, big picture.
  10. Lords of Dogtown is a docudrama, rare in its grit and authenticity, that also strives for the mythical youth-rebel excitement of something like "8 Mile."
  11. I'd be lying if I didn't admit that Rock School, Don Argott's amusing and spirited documentary, would seem a heck of a lot niftier if its fire hadn't already been stolen by "School of Rock."
  12. Suicidal depression has rarely looked so amusing.
  13. Full of splendidly shot wonders.
  14. It's okay for a grown movie critic to admit she cried freely and with great feeling for more than half the movie, and grinned like a dork through the remainder.
  15. Each joke and one-liner is a made-for-HBO zinger, each scene with Sandler a reaffirmation of the old friendship between the two successful SNL alums.
  16. Dishes up some very corny jokes, but the images have a brighter-than-life vivacity.
  17. If you want a whiff of how unironic the 1970s were, consider bowling, a sport that on any given weekend was broadcast (usually on ABC) with the hushed solemnity of a moon launch.
  18. The writer-director, Alice Wu, fudges a lot of the basics -- I never believed the heroine was really a physician -- but the final, proudly public girl-on-girl smooch still jerks a tear.
  19. Schrader, in Auto Focus, displayed a devious sense of sin, but in Dominion the Calvinist schoolboy in him insists on trumping sin with guilt.
  20. Second Best might have made a good stage monologue, but as a film it's overstated and barely baked.
  21. The one figure in Revenge of the Sith who taps the true spirit of Star Wars is Ewan McGregor: With his beautiful light, clipped delivery, he plays Alec Guinness' playfulness, making Obi-Wan a marvel of benevolent moxie.
  22. What does satisfy is the pleasantly becalming presence of "Deep" costar LL Cool J. He's fast becoming Liv Ullmann to Harlin's Bergman.
  23. Kicking & Screaming may be a prefab cartoon out of the "Bad News Bears" cookie cutter, but Ferrell doesn't just save this junk -- he rules it.
  24. As for Monster-in-Law, it's tripe on a plate.
    • 58 Metascore
    • 91 Critic Score
    Bounding out of the gate like a greyhound, Unleashed needs only its first 30 seconds or so to elevate itself well above the average action potboiler.
  25. A testament to the discipline, humor, and life of kids who swing.
  26. Ma Mère, while less prudish than Catherine Breillat's dour deconstructions of sex, is also less competent. It winds up making incest look absurdly swank.
  27. Fast, convulsive, and densely exciting new British gangster thriller.
  28. Gripping, highly original.
  29. The lushness of a Modigliani is largely absent from Modigliani.

Top Trailers