Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Might have been richer, tougher, more honestly liberal if it had revealed a few more shades of gray among the men.
  2. Kirkman is shrewd enough to coax a wistful performance out of pretty boy Kip Pardue.
  3. What could have been a parlor game becomes a surprisingly rich sketchbook, boosted by the work of fine actors.
  4. Good Night, and Good Luck has a small-scale time-capsule fascination, yet its hermeticism is really a form of moral caution -- a way of keeping the issues neat, the liberal idealism untainted.
  5. Could it be that the director of "L.A. Confidential," "Wonder Boys," and "8 Mile" has been defeated by characters on a first-name basis with brisket, by women who, in Susannah Grant's screenplay, represent avatars of joyless workaholism and joyless sexaholism?
  6. Sports betting is a great subject for a movie, but Two for the Money is short on the number-crunching nitty-gritty.
    • 30 Metascore
    • 42 Critic Score
    With its sweet stupidity and shoddy production values, Waiting... knowingly evokes bad '80s R-rated comedies, but the differences are telling.
  7. In hovering, The Squid and the Whale becomes its own realistic display of family entropy, as cautionary as it is educational.
  8. Bestows generous blessings on all that's good in Englishness, in moviedom, and, of course, in cheese.
  9. Capote honors its subject by doing just what Truman Capote did. It teases, fascinates, and haunts.
    • 55 Metascore
    • 42 Critic Score
    An inert family golf movie.
  10. Walker is supposed to be lured by the buried treasure, but the actor, wearing Brad Pitt's bristle cut, is like Pitt with his sexy appetite sucked out.
  11. Jaw set but never stiff, he (Fillion) gets both the Whedon wit and the Whedon grandiloquence between cheek and gum, and gives the whole enterprise the heft of a real saga.
  12. Going Shopping is sharp and funny about all the things that shopping can mean to the women who live to do it, and even to those who don't.
  13. This dazzling reverie of a kids-and-adults movie, an unusual collaboration between lord-of-the-cult multimedia artist Dave McKean and king-of-the-comics Neil Gaiman (The Sandman), has something to astonish everyone.
  14. Anderson's adaptation is heavy on production numbers in which jingles come to life and light on conveying any real feelings of Eisenhower-era darkness the prizewinner herself might have felt during her decades of marriage to an abusive, drunken man.
  15. The War Within plays effectively off our voyeurism, yet it has such a cloistered, American-eyed view of the nightmare of terrorism that I kept searching for the profound explanation beneath its piecemeal ones.
  16. Director Ira Sachs moves to the rhythms of his native Memphis, teasing emotional resonance out of geography.
  17. David Cronenberg's brilliant movie -- without a doubt one of the very best of the year.
  18. Since Foster plays warming-up-for-a-straitjacket panic with a clenched intensity rare to behold in a Hollywood actress, I, for one, was rooting for the radical -- that is, nuthouse -- option.
  19. Bow Wow plays the skate-dance hero in a way that's never too cool to hide what an avid achiever the kid is, and he and his buddies converse in a fiendishly alert middle-class trash talk that keeps Roll Bounce jumping.
  20. Aims for the junior stargazer in a release coinciding with NASA's new moon-by-2018 initiative. The movie is unmistakably a pitch, and an honorable one.
  21. Yet precisely because this is by Roman Polanski, it's irresistible to read his sorrowful and seemingly classical take, from a filmmaker known as much for the schisms in his personal history as for the lurches in his work, as something much more personal and poignant.
  22. For one of those obstreperously original books that are themselves impossible to translate, Everything Is Illuminated is impressively well lit.
  23. In Proof, Paltrow plays yet another young woman who is being gnawed at by termites of instability, only this time out, her performance, rather than startling, is merely competent: earnest and overly familiar.
  24. Cry_Wolf is underscored with idiot adolescent excitement (and gets extra absurdist points for casting Jon Bon Jovi as an educator).
  25. That Just Like Heaven succeeds at all - at least for teenage girls with limited interest in the drafting of living wills - is due entirely to Witherspoon's can-do charisma.
  26. The result is a dead pile of information in search of a movie.
  27. As an achievement in macabre visual wizardry, Tim Burton's Corpse Bride has to be reckoned some sort of marvel.
  28. Pucci proves to be one of the most charismatic male ingenues since Johnny Depp.

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