For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
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- By Critic Score
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Reviewed by
Owen Gleiberman
If it's possible to be a rip-off with wit, Disturbia qualifies.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Grindhouse, like "Ed Wood" and "Boogie Nights," celebrates how certain low-grade entertainment, viewed in hindsight, looks different now than it did then, since we can see the ''innocence'' of its creation -- the handmade quality of it -- in a world not yet ruled by corporate technology.- Entertainment Weekly
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Lisa Schwarzbaum
Gere is terrific at suggesting the kind of addictive cocktail of excitement, panic, chutzpah, creativity, and naked hunger for fame and megabucks that might inspire such big, fat lies.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
If only for the comedy glory of Sigourney Weaver as a TV network president who confuses acid reflux with gut instinct, this very smart, very funny movie about the making of a network sitcom is a cut-glass gem of a showbiz conceit.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
No belief on earth can rescue Swank from a film that's a chain of disaster chintz masquerading as a sermon.- Entertainment Weekly
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- Entertainment Weekly
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- Critic Score
The terrier Rexxx might be the least appealing mutt ever to slobber on screen.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Black Book may be the looniest use of the Holocaust as a playground since Roberto Benigni served up his infernal clown act in "Life Is Beautiful."- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Way ahead of its time 30 years ago, and just as stunning today, Killer of Sheep is one of those marvels of original moviemaking that keeps hope of artistic independence alive.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Blades of Glory has funny moves even when its characters can barely move, but the film seldom gets past its one basic laugh: that a real man figure-skating is a contradiction in terms.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A thriller that wheezes along on bits and pieces of ''character.''- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Who knows whether the project is meant to be earnest, ironic, post-ironic, made for adults, made for kids, made to teach lessons, or made to be watched in an altered state? All or none...jeez, this thing is one bumpy ride.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Talented filmmaker Susanne Bier (Brothers), armed with an outstanding compositional sense, keeps control over the storms of melodrama that swirl in this rich weepie.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's cleansing to see the facts laid out with intimacy and rigor, and the film earns the comparison it makes to the squelching of due process for some of today's terror suspects.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The ultimate crime of this paranoid enemy-of-the-state pulp, directed with more style than brains by Antoine Fuqua (Training Day), is how dull it is.- Entertainment Weekly
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A retro horror-comedy featuring quick deaths and cheapo-looking gore, with a few dorky laughs and gross-outs but not so many scares.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The newcomer kids are delightfully...kidlike. Cosmic bonus: "The Office's" Rainn Wilson plays a New Agey science teacher.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Pride doesn't have much surprise, but it's a formula picture of genuine feeling.- Entertainment Weekly
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Lisa Schwarzbaum
A strange, black-and-blue therapeutic drama equally mottled with likable good intentions and agitating clumsiness.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
When C-Diddy (a.k.a. David Jung), in his samurai superman suit, does his note-perfect, lip-twisting, belly-jiggling manic mime of Extreme's ''Play With Me,'' it's hard not to grin and admit that, yes, this is almost an art form.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The film reveals, rather delectably, how potent the power of suggestion can be in a world gone madly groupie.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
First Snow is essentially a short story with a metaphysical twist, but Pearce puts his fears more up front than any actor I can think of.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Jafar Panahi's wonderfully funny, outspoken shaggy-dog story, a light counterweight to his sadder 2000 feminist drama "The Circle."- Entertainment Weekly
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Lisa Schwarzbaum
Eight months of interrogation and torture in fetid Abu Ghraib followed before he was released, innocent. None of The Prisoner's showy flourishes -- animation, sound effects, fancy editing -- can match the power of Abbas' stillness as he describes one man's agony in one huge hell.- Entertainment Weekly
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Reviewed by
Scott Brown
Terrified of puppets? Enjoy being scared? Then you'll be half-satisfied with Dead Silence, a rote horror pantomime.- Entertainment Weekly
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Lisa Schwarzbaum
I Think I Love My Wife has got to be the unlikeliest French New Wave classic ever to be retrofitted by a famous African-American stand-up comedian best known for his stinging social commentary -- at least until Dave Chappelle remakes Jean-Luc Godard's "Breathless" as a hip-hop caper.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
One piece of advice in trying to make sense of it all: Follow the sleepwear, since Bullock cycles through a few garments that clarify which day is which. Another suggestion? Ignore the two-bit psychological and spiritual doggerel with which screenwriter Bill Kelly tries to deepen the meaning of the game.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
If Loach had given full voice to each side of this division, he could have made a great film -- maybe THE great film -- about the Irish struggle.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The writers act shocked at how low they are stooping, but given their desire to write sitcoms, you have to wonder.- Entertainment Weekly
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