For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
In Amour, these two actors show us what love is, what it really looks like, and what it may, at its most secret moments, demand.- Entertainment Weekly
- Posted Jan 2, 2013
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Reviewed by
Owen Gleiberman
In the occasionally funny but mostly facile '80s-style culture-clash comedy Parental Guidance, Billy Crystal, who now resembles a very cute puffer fish, plays Artie Decker.- Entertainment Weekly
- Posted Dec 26, 2012
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Reviewed by
Lisa Schwarzbaum
The Guilt Trip is not about Rogen, bubbeleh. Streisand is her own once-in-a-lifetime trip, looking gawjuss with that divine voice and those killer fingernails, and the sight of the lady scarfing down four pounds of beef at a Texas steak joint is one a Streisand lover can now cross off her bucket list.- Entertainment Weekly
- Posted Dec 12, 2012
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Reviewed by
Lisa Schwarzbaum
That Cruise fails to make a case for Reacher's allure, though, has less to do with physical dissonance than it does with the film's inability - stupefying inability, really - to otherwise make a case for the character's originality in a movie so choked with visual clichés and dreadfully moldy dialogue.- Entertainment Weekly
- Posted Dec 12, 2012
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Reviewed by
Owen Gleiberman
This Is 40 isn't always hilarious, but it's ticklishly honest and droll about all the things being a parent can do to a relationship. And why it's still worth it.- Entertainment Weekly
- Posted Dec 12, 2012
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Reviewed by
Lisa Schwarzbaum
It's agony, in a rewarding way, to squirm and cringe and groan through an ordeal so realistically re-created.- Entertainment Weekly
- Posted Dec 12, 2012
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Reviewed by
Owen Gleiberman
DiCaprio, having a blast, makes Candie the equivalent of Waltz's Nazi in "Inglourious Basterds": a racist villain who mesmerizes us by elevating his ideology into a puckishly thought-out vision of the world. Yet Django isn't nearly the film that Inglourious was.- Entertainment Weekly
- Posted Dec 12, 2012
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Reviewed by
Lisa Schwarzbaum
This steam-driven military weapon of an enterprise is a sobering reminder of just how tinny a musical Les Misérables was in the first place.- Entertainment Weekly
- Posted Dec 12, 2012
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Reviewed by
Lisa Schwarzbaum
I'm holding the filmmaker responsible for getting us all back again - to feelings of excitement and delight. Vital as they are, Gollum and Bilbo can only do so much to keep us enchanted. Is Jackson able to sustain the magic in two more installments? I peer into Tolkien's Misty Mountains and embrace the journey.- Entertainment Weekly
- Posted Dec 9, 2012
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Darren Franich
The central question of the movie becomes: Can George triumph over his inability to stop hot women from throwing themselves at him?- Entertainment Weekly
- Posted Dec 7, 2012
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Reviewed by
Lisa Schwarzbaum
It's tastelessness like this, served up as fair-game dish to a Downton Abbey-loving audience, that sours the flavor of this tittery production.- Entertainment Weekly
- Posted Dec 5, 2012
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Reviewed by
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- Entertainment Weekly
- Posted Dec 5, 2012
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Reviewed by
Lisa Schwarzbaum
Everyone in the cast (including Geoffrey Arend, Mark Webber, and Caplan's Party Down colleague Martin Starr) is talented enough to deserve a stronger story line than this.- Entertainment Weekly
- Posted Dec 5, 2012
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Reviewed by
Lisa Schwarzbaum
Rodrigo Santoro (Paulo on Lost, Xerxes in 300, and even better, Raúl Castro in Che) is mighty matinee-idol charismatic himself in the title role, alternating between swaggering lady-killer and ravaged victim of self-destruction.- Entertainment Weekly
- Posted Dec 5, 2012
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Reviewed by
Owen Gleiberman
When we finally see the time-lapse images his cameras took, they're awesome and terrifying - a meltdown out of a poetic horror film.- Entertainment Weekly
- Posted Dec 5, 2012
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Reviewed by
Owen Gleiberman
Once in a long while, a fresh-from-the-headlines movie - like "All the President's Men" or "United 93" - fuses journalism, procedural high drama, and the oxygenated atmosphere of a thriller into a new version of history written with lightning. Zero Dark Thirty, Kathryn Bigelow's meticulous and electrifying re-creation of the hunt for Osama bin Laden, is that kind of movie.- Entertainment Weekly
- Posted Dec 5, 2012
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Reviewed by
Lisa Schwarzbaum
The title Addicted to Fame hints that Giancola knows enough to count himself among the hooked. But the crappiness of this documentary about a crappy parody of a crappy B movie suggests that he hasn't kicked the habit.- Entertainment Weekly
- Posted Nov 28, 2012
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Reviewed by
Clark Collis
Remarkably, the result manages to be both more preposterous and more efficient than its predecessor, with a couple of deaths occurring so swiftly they border on the subliminal.- Entertainment Weekly
- Posted Nov 28, 2012
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Reviewed by
Clark Collis
Consider this a public service announcement: Folks who have a problem with onscreen flesh-hacking - or the fact that franchise stars Jean-Claude Van Damme and Dolph Lundgren aren't in the movie all that much - should stay home.- Entertainment Weekly
- Posted Nov 28, 2012
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Reviewed by
Lisa Schwarzbaum
I will salute the deftness and intelligence with which Goldfinger observes the reactions of the living to the revelations of the dead.- Entertainment Weekly
- Posted Nov 28, 2012
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Reviewed by
Lisa Schwarzbaum
There's a lovely gravity and specificity to the story that transcends instances of bumpy filmmaking.- Entertainment Weekly
- Posted Nov 28, 2012
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Reviewed by
Owen Gleiberman
Spitting obscenities at the film's director, Jay Bulger, Baker recalls his days as: the '60s thrash caveman who gave Cream and Blind Faith their transcendent power surge; the pioneer of druggy hotel-room rampages; and the damaged purist who left the pop world for Africa. The movie salutes the rhythms and the wreckage.- Entertainment Weekly
- Posted Nov 28, 2012
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Reviewed by
Owen Gleiberman
Most of us consider Marilyn Monroe a born star with modest acting skills, but Love, Marilyn deepens the argument that the ditzy, dim-bulb ''Marilyn'' was every inch a performance, and a brilliant one.- Entertainment Weekly
- Posted Nov 28, 2012
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Reviewed by
Owen Gleiberman
Killing them Softly is a lurid and nasty little nihilistic hitman noir, with an ingenuity that sneaks up on you.- Entertainment Weekly
- Posted Nov 28, 2012
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Reviewed by
Lisa Schwarzbaum
This patient, righteous documentary by Ken Burns, David McMahon, and Sarah Burns recounts the story of justice undone (a serial rapist confessed) with extensive interviews, a thorough use of archival footage, and a less-than felicitous use of ominous-rumble music that unnecessarily insists, Isn't this an outrage?- Entertainment Weekly
- Posted Nov 20, 2012
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Reviewed by
Owen Gleiberman
Cotillard, with stringy long hair and a coal fire of severity in her eyes, has what it takes to play a woman who feels that she's lost everything. But she's forced to flail and mood-swing from scene to scene. In an insult to the disabled, there is never much to her but her hellacious injury.- Entertainment Weekly
- Posted Nov 20, 2012
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- Entertainment Weekly
- Posted Nov 20, 2012
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Reviewed by
Lisa Schwarzbaum
Thor's Chris Hemsworth leads the pack as a high school football star-turned-Marine, while Josh Peck plays his stubborn younger brother. There's also a collection of junior guerrillas, including The Hunger Games' Josh Hutcherson and Friday Night Lights' Adrianne Palicki. Take that, screaming North Koreans with no agenda!- Entertainment Weekly
- Posted Nov 20, 2012
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Reviewed by
Lisa Schwarzbaum
Lee's bigger theme isn't God or survival, but the awesome adventure of making the imaginary visible, the adventure of making movies.- Entertainment Weekly
- Posted Nov 20, 2012
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Reviewed by
Lisa Schwarzbaum
Sean Baker's singular little ultra-indie is a strikingly unsentimental study in female friendship between unmoored souls in L.A.'s bleached, glamour-challenged San Fernando Valley.- Entertainment Weekly
- Posted Nov 20, 2012
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