Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. [A] harrowing documentary.
  2. More connect-the-dots detective thriller than traditional doc, John Maloof and Charlie Siskel’s revelatory riddle of a film unmasks a brilliant photographer who hid in plain sight for decades working as an eccentric French nanny.
  3. Despite a few too-cute moments (and many fantastically graphic vagina jokes), the movie is both smarter and more sympathetic than that glib shorthand.
  4. In Shoot Me, she wears her spiked cynicism like a cutting form of grace, and everyone around her (including audiences) gets healed by it.
  5. The finest rock doc since "Anvil: The Story of Anvil." Matt Berninger, lead singer of the National, is a 40ish indie-rock star who carries himself like a hip lawyer.
  6. Most of all, it's a sobering look at a part of coastal America that will never be the same again.
  7. With minimal conspiratorial bluster, Berlinger unmasks the compliant faces of evil.
  8. Despite its stars-and-stripes title, Marvel’s latest billion-dollar-blockbuster-to-be, Captain America: Civil War, is essentially a third Avengers movie – it’s also the best one yet.
  9. The fairy-tale tableau lifts from Hans Christian Andersen but is shot through with bits of burlesque sci-fi, including a giant robot with an orchestra in its chest.
  10. The 17-minute wire-walking sequence is the most majestic simulation of a real event since the ship sinking in Titanic—a dazzling triumph of photorealistic digital effects, which exhibits Zemeckis’ mastery of both CGI and pace.
    • 74 Metascore
    • 91 Critic Score
    Vallée has taken a contemplative book where, frankly, very little happens and transformed it into a gut-punching drama.
  11. A dizzyingly tense and creepy workout.
  12. Actor Ulliel, who’s been the face of both Chanel and Hannibal Lecter (in 2007’s Hannibal Rising), knows how to slither. His version of Yves is spoiled, insecure, cruel—and, in the movie’s ironic final shot, tickled to death that we still seem to care about him.
  13. Yimou’s lovely import is the kind of lump-in-your-throat drama they don’t make much anymore, at least in Hollywood. Watching Coming Home you’ll wonder why that is — and who we can write a letter to to fix it.
  14. It's the rare kind of moviegoing experience that will haunt you long after you leave the theater and lead to some very awkward conversations with your spouse.
    • 72 Metascore
    • 91 Critic Score
    In Martin Provost’s graceful biopic, Emmanuelle Devos plays Leduc as a powder keg of a woman who used her loneliness and insecurity as the explosive fuel for her work.
  15. Eric Rohmer’s sun-kissed love quadrangle remains as fresh and romantically profound as it was 18 years ago.
  16. Scott’s sci-fi adventure is the kind of film you leave the theater itching to tell your friends to see. Like Apollo 13 and Gravity, it turns science and problem solving into an edge-of-your-seat experience.
  17. Glacially told gem from animator Isao Takahata, the 78-year-old cofounder with Hayao Miyazaki of Studio Ghibli.
  18. John Wick, is not only a return to badass form for the actor, it's also one of the most excitingly visceral action flicks I've seen in ages.
  19. As brilliantly funny as Chris Rock is, he's never been able to replicate the high-voltage danger and electricity of his stand-up act on the big screen. But in his latest film, the sharply satirical Top Five, he not only makes a case for why he should be a bona fide movie star, he also proves he's a writer-director to be reckoned with.
  20. A Most Violent Year isn't an explosive film. It builds slowly, simmering toward an inevitable day of reckoning. It's the kind of uncompromising movie we don't see much of anymore. And it makes you nostalgic for a time when the world was worse and the movies were better.
  21. Alien3 is a grimly seductive end-of-the-world thriller, with pop-tragic overtones that build in resonance as the movie goes on.
  22. Tough to watch, but essential.
  23. Moana has a lot of the hallmarks of your classic Disney adventure — the goofy animal sidekicks, the feel-good messages — but its heroine is something new, a smart and fiery deviation from your standard European lovestruck princesses.
  24. Wonder Woman is smart, slick, and satisfying in all of the ways superhero films ought to be. How deliciously ironic that in a genre where the boys seem to have all the fun, a female hero and a female director are the ones to show the fellas how it’s done.
  25. His film is an essential, fascinating critique—and product—of our ''look at me'' culture.
  26. [Coogler] infuses nearly every frame with soul and style, and makes the radical case that a comic-book movie can actually have something meaningful — beyond boom or kapow or America — to say. In that context, Panther’s nuanced celebration of pride and identity and personal responsibility doesn’t just feel like a fresh direction for the genre, it’s the movie’s own true superpower.
  27. In a bold move that pays off, the movie jettisons dialogue altogether and tells its whole story through barn-animal noises, goofy sound effects, and sight gags so silly they’d make Benny Hill spin in sped-up ecstasy. The effect is contagiously cute.
  28. The Jungle Book is a tender and rollicking fable that manages to touch on some grown-up themes about man’s destructive power and the loss of youthful innocence without losing sight that it’s first and foremost a gee-whiz kids adventure.

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