For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
It's a poison bonbon tastier than just about anything else out there.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Nader became famous as a "consumer advocate," but as the thrilling first hour of An Unreasonable Man makes clear, that humdrum bureaucratic term didn't do justice to his courage, his vision.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The serious accusations are leavened by the moments of brimming, illogical, intimate neighborly dailiness the filmmaker also captures with warmth and infectious high spirits.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Grindhouse, like "Ed Wood" and "Boogie Nights," celebrates how certain low-grade entertainment, viewed in hindsight, looks different now than it did then, since we can see the ''innocence'' of its creation -- the handmade quality of it -- in a world not yet ruled by corporate technology.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A love poem to the New York City of the '50s and '60s, when Smith, the visionary of camp (Andy Warhol stole from him), more or less invented performance art.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A wee romantic charmer, a delectable Dixie screwball romp that never loses its spry sense of discovery.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
A marvel of warm collaboration and shared jokes about husbands and wives, shot both in dreamscape color and pristine black and white.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Jennifer Baichwal's gorgeous documentary Manufactured Landscapes amplifies the powerful work of Edward Burtynsky, a Canadian artist who specializes in large-scale photographs of terrain transformed by civilization into rivers and tides of industrial ugliness.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
There's an adult life force in every frame of this luxuriously paced work, even in the sight of rain and a lady's stocking.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A funny and madly arresting new documentary.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
In the Shadow of the Moon finds new resonance in the moment when America redefined progress -- but also when it heeded the siren song of a world so desolate it reminded you what a paradise ours truly is.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's the first Hollywood Iraq movie to remind me of a Vietnam film like Coming Home, and it does more than disturb. It scalds, moves, and heals.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The nervy style of this newfangled Western, with its eerie, insinuating score by Nick Cave and Warren Ellis, is so effective that long after Pitt and Affleck have left the screen, emotional disturbance lingers like gun smoke.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Between clips of the concerts Seeger staged as hootenanny hosannas, the film chronicles how the blacklisted star stuck true to his beliefs -- which were more patriotic than those of his accusers.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's better than good; it's such a crackling and mature and accomplished movie that it just about restores your faith.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
I'm Not There lets you hear it again, more majestically than ever.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
In Oswald's Ghost, his vast chronicle of the JFK assassination and its cultural aftermath, Stone uses little-seen footage to assemble the events of Nov. 22, 1963, with a fascinating present-tense density.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
There's a poetic irony to the idea that it took a female filmmaker to finally do justice to Philip Roth on screen.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
David Gordon Green's captivating winter-chill tragedy, is a tale that encompasses murder, divorce, adultery, alcohol abuse, mental breakdown, and the disappearance of a small child. In other words, it's downbeat enough to make the recent Oscar-nominated films look like party games.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Filmmaker Yung Chang finds a sad and beautiful way to glimpse the big picture of dislocation through an exquisitely poised small study.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The stunning images aren't enough for Herzog, though. He wants us to see how these quirky researchers, in their lust to explore, are acting out a drive as primitive as nature: the need to break away from the world in order to find it.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Both the definition of ''my'' and the definition of ''Winnipeg'' become profoundly fluid in this exquisite ''docu-fantasia'' (Maddin's term), an entrancing riffle through the olde curiosity shoppe of the filmmaker's psyche.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
It's raunchy, outspoken -- and also a smart and agile dissection of art, fame, and the chutzpah of big-budget productions.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
If they handed out an Academy Award for Most Gripping Graphs and Charts, this film would take it.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
''Documentary'' is too impersonal a word and ''visual poem'' is too mushy a phrase to describe Of Time and the City, a short, beautiful, characteristically sublime memory piece by the great British auteur Terence Davies.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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