Entertainment Weekly's Scores

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For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
  1. Positive: 4,958 out of 7797
  2. Mixed: 2,079 out of 7797
  3. Negative: 760 out of 7797
7797 movie reviews
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  1. The Hottie & the Nottie
    The Farrelly brothers could burp out a movie funnier than The Hottie & the Nottie, a farce of corrupt stereotypes that's never more grotesque than when it pretends to be more than skin-deep.
  2. The Life Before Her Eyes
    Perelman pays such cooing attention to surfaces that our response to violence carries no more importance than our response to the delicate jewelry around the adult Diana's neck.
  3. The Babysitters
    The premise is out of '70s porn, and so is the overbroad satire and almost total lack of conviction.
  4. The Love Guru
    Myers is trying for another of his endearingly hormonal imp-egomaniacs, but hidden behind a wavy beard, a wax-curled mustache, and an astoundingly ugly squashed fake nose, he's a little too grotesque.
  5. Body of Lies
    Most of this just seems, you know, so three years ago, so "Bourne" again.
    • 32 Metascore
    • 33 Critic Score
    Repo! The Genetic Opera
    If steampunk bloodbaths aren't for you, it's a long wait for the fat lady to sing.
  7. The Merry Gentleman
    This Debbie Downer of a drama is a bitter slog.
  8. The Burning Plain
    The scenery (prettily captured by There Will Be Blood cinematographer Robert Elswit) is littered with heavy symbolism (fire! rain! dead birds!); the performances are merely heavy.
  9. Remember Me
    As a shameless contraption of ridiculously sad things befalling attractive people, the engorged romantic tragedy Remember Me stands tall between those towering monuments to teen-oriented cinematic misery, Love Story and Twilight.
  10. All the Pretty Horses
    McCarthy's rawhide has become movie Naugahyde, a substance unknown in literature or in nature.
  11. Double Jeopardy
    This toothless thriller...feels like a strained reworking of ''The Fugitive.''
  12. Company Man
    If you've always longed to see a Cold War satire done in the hit 'em over the head frantic camp mode of ''Love, American Style,'' then Company Man is the movie for you.
  13. Beautiful
    Not one female character escapes mockery or patronizing.
  14. Big Momma's House
    Lawrence is so ON that he appears to be gunning for clockwork bursts of audience approval.
  15. Passion of Mind
    Nobody's got a clue. Enquiring minds don't even want to know.
  16. The Wash
    This rusty jalopy of a movie, which is so ramshackle it's nearly enough to make you forget how tossed-together the 1976 ''Car Wash'' was.
  17. Greenfingers
    If your allergy to comedies bred from British style mugging crossed with Disney style prancing has, like mine, flared up in recent years, this hybrid from writer director Joel Hershman (''Hold Me, Thrill Me, Kiss Me'') will make you wheeze.
  18. Lost Souls
    Silly, undone by lack of faith in its own subject.
  19. The Banger Sisters
    Really, the sole favor Dolman does the plucky Hawn is to light her rear end so that its continued gloriousness can be appreciated.
  20. The Body
    This cinematic stiff should have stayed buried.
  21. Lucky Break
    Every porridgy inmate in this instantly forgettable romp warbles in the prison's amateur musical, and one of them demonstrates a rather extreme devotion to the tomatoes he grows in the on-site greenhouse.
    • 16 Metascore
    • 33 Critic Score
    Deuces Wild
    If you put the scripts for ''West Side Story,'' ''Mean Streets,'' and ''The Warriors'' in a blender, you might wind up with something like Deuces Wild, a preposterously melodramatic paean to gang-member teens in Brooklyn circa 1958.
    • 19 Metascore
    • 33 Critic Score
    Supernova
    Director Walter Hill won't take credit for Supernova... Can you blame him?
  24. Highlander: Endgame
    The endless, numbing sameness of it all.
  25. I Dreamed of Africa
    A recitation of woes doesn't constitute a plot, and panoramic shots of migrating wildlife don't convey enough African flavor.
  26. Love in the Time of Money
    The characters who cross paths here in the hard shadows of late-'90s New York City are meant to convey loneliness, bitterness, neediness, loss, and bad karma. Mostly, they convey bad Sundance.
  27. The Medallion
    The Medallion makes you long for Tucker -- and for Jackie Chan to fly without digital wings.
  28. Blue Streak
    How lame have high-concept, no-brain comedies gotten?
  29. Alex & Emma
    It's hard to say what's more excruciating: Alex's novel, which is like ''The Great Gatsby'' rewritten by Lizzie McGuire, or his quarrelsome flirtation with Emma, who has no existence as a character apart from her drive to reshape Alex into a specimen of respectable tamed manhood.
  30. 102 Dalmatians
    This sequel adds more insults and injuries that could traumatize little ones. Most frightening of all, the ending leaves the door open for ''103 Dalmatians,'' which would certainly constitute Cruella and unusual punishment.
    • Entertainment Weekly
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