For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
Fails to recapture the elemental magic of Star Wars, and that, ironically, is because it represents the coarse culmination of the original film's adrenaline aesthetic.- Entertainment Weekly
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Kline turns in a bravura performance -- he's one of the few in this star-packed cast who actually knows what to do with Shakespeare's poetry.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The film values quips and declamations over natural conversation (or an explanation of how such intelligent women could have been so blind to world events).- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The simplicity and poignancy of the choices — riding a bus, swinging on a swing — and the great variety of interviewees result in a film of nonsticky freshness, as well as unforced profundity.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
There is much to look at--it's like spending two hours in Michael Jackson's Undead Neverland--but not a lot at stake.- Entertainment Weekly
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Let us now praise Seth ''Scott Evil'' Green, whose beautiful delivery of otherwise generic wisecracks is all that stands between this painfully derivative horror comedy and a premature date with the eject button.- Entertainment Weekly
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- Critic Score
This genteel period piece invites a typically Mametian tension between its characters' stylized manners and their underlying motivations.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Makes you wish that Newell and company had had the gumption to finish what they so enticingly started.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Alexander Payne's scathing, subtle, and complexly funny tragicomedy builds a perfect, off-kilter universe--it's a first cousin to "Rushmore."- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Life desperately wants to let Murphy and Lawrence be actors, but it can't imagine them as anything more than rowdy showmen. That's a kind of prison as well.- Entertainment Weekly
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For a while, angry young Stevo (Lillard) turns his quest for total anarchy into a grungy, giddy, randomly violent rave. Then reality creeps up and, well, it bites.- Entertainment Weekly
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- Critic Score
Chan hams it up throughout -- to little avail -- but the final brawl should please fans of his balletic action sequences, that is, if they can endure the full hour of silliness before it.- Entertainment Weekly
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- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's the rare portrait of a happy marriage that is honest about the complex currents of desire, and the drama is beautifully played by Bale, who gawks with soulful sweetness, and Watson, who does her most piercing work since "Breaking the Waves."- Entertainment Weekly
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Reviewed by
Gillian Flynn
In theaters, the lazy haziness of this Southern ensemble comedy made the story feel like it was stuck in the mud.- Entertainment Weekly
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Don't hate yourself for chuckling at this sweetly anachronistic update of the 1970 Neil Simon comedy.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The film's crank-case snappishness doesn't break any molds, but it certainly gives you a lift.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The real soullessness here is built into the production, a polished adaptation of Hong Kong-style filmmaking that, with its cast of depressive characters, allows for little Hong Kong-style joy.- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
The fact that Ed's life has been channeled into entertainment never achieves much tension or comic zest. That's because Howard thinks in cookie-cutter ''situations'' to begin with.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Presents undercover law enforcement less as a profession than as an accessory, an excuse to pout and glower chicly, to stand around in nightclubs acting like a sullen version of the Last American Rebel.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The movie has the structure of a madcap romantic chase without the wiggy, busting-out freedom.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
It's a puzzlement how so many pros could have so wrecked one of the most beloved, hummably familiar movie musicals in the Rodgers and Hammerstein repertoire.- Entertainment Weekly
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Woefully misconceived reporter-saves-innocent-man-from-execution cheese grater.- Entertainment Weekly
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- Critic Score
The effects are laughably primitive, the dialogue hilariously atrocious -- and those are the good parts.- Entertainment Weekly
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