For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
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| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
The thrust of the movie is that even for Jerry, the quintessential scientist of stand-up, comedy is very, very hard to do. By the end, you're closer to knowing why.- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
As a love-jones soap opera, Brown Sugar feeds right into Dre's nostalgic crankiness.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It has no twistiness or intrigue, and none of the juicy anthro-underworld detail that Koppelman and Levien brought to their screenplay for the tricky, enjoyable ''Rounders.''- Entertainment Weekly
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Reviewed by
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Reviewed by
Lisa Schwarzbaum
In the handsome, haunting submarine thriller Below, the usual perils of deep-sea maneuvers are heightened by psychic unraveling.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The cast is a pitch-perfect assemblage of pretty young things, but James Van Der Beek, as a slit-eyed dorm stud, proves that he can be an actor of cruel force.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Ken Tucker
A dreamy adaptation of Natalie Babbitt's cherished 1975 children's novel.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Impressively unflappable and natural, 23-year-old Lohman -- whose best known credit is perhaps a role on Fox's short-lived ''Pasadena'' -- holds the whole plot together skillfully.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Even Moore's target ticket-buyers are likely to squirm with concern, unsure of who the real weasels and idiots are in this large, unkempt, rambunctious country of ours.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Ritchie made a movie that never pretends to be more than a guilty pleasure of soft-core kitsch, and Madonna and Giannini (son of Giancarlo, costar of the original) achieve a lively S&M chemistry.- Entertainment Weekly
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Reviewed by
Bruce Fretts
Bouncy animation and catchy songs keep the film from tasting too much like spinach.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Further sad evidence that Tom Tykwer, director of the resonant and sense-spinning ''Run Lola Run,'' has turned out to be a one-trick pony -- a maker of softheaded metaphysical claptrap. It's enough to make you want to see him run again.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The film satirizes, and celebrates, an idea pivotal to both Hollywood and love: that in a world of impostors, the pretender with the most conviction can become exactly what he pretends to be.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Excitement trumps incompetence as one colorful loser recruits another. Pretty soon, the screen is filled with hip actors playing clueless lowlifes, pretending they're in a Bizarro World production of ''Ocean's Eleven.''- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's a mad cycle of arrogance and despair, and Bloody Sunday etches it onto your nervous system.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
A thriller made from a completist's checklist rather than with a cultist's passion.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Chan needs a foil, and Hewitt, while perky, doesn't project nearly enough comedy weight; she's too slight and tailored for his style.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
At best, a half-finished puzzle, but Broomfield leaves you with questions that few investigators have even dared to ask.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
A pompous and garbled parable about how terribly, terribly difficult it is to make it as a creative artist, and how important it is to maintain high standards of haberdashery.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Unbearable were Witherspoon not such a genuinely attractive performer.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
In ''Ordinary People,'' at least one character -- Mary Tyler Moore's -- had to fall so that the others could survive. In Moonlight Mile, no one gets shut out of the hug cycle.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Watching this film, one is left with the inescapable conclusion that Hitchens' obsession with Kissinger is, at bottom, a sophisticated flower child's desire to purge the world of the tooth and claw of human power. The movie isn't, finally, an argument. It's a long angry ''Boo!''- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Half-baked Herzog, though it has twinkles of theatrical purity that remind you of when his vision was grand.- Entertainment Weekly
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Reviewed by
Bruce Fretts
Kaos was apparently aiming for a coolly stylized, straight-faced take on ''Spy vs. Spy.'' As Maxwell Smart used to say, ''Missed it by that much.''- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It may be an accidental historical parallel that, at times, we seem to be watching a 19th-century version of ''The John Walker Lindh Story,'' but the fluke is only enhanced by the weird anonymity of Ledger's performance.- Entertainment Weekly
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Reviewed by
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Reviewed by
Ken Tucker
Really, the sole favor Dolman does the plucky Hawn is to light her rear end so that its continued gloriousness can be appreciated.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The most frightening sight, though, is that of Theron and Bacon, good actors trapped in the muck of making a living.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The result is weightless entertainment that's both camp and true, a warped adoration of star-quality actresses as amazing creatures who can project the lives of fictional characters as well as the essence of their own fabulous selves.- Entertainment Weekly
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- Critic Score
There's a word for an actress who can go from nervous to winsome to raunchy to romantic in a heartbeat and get you to adore her the whole time. The word is star.- Entertainment Weekly
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