Entertainment Weekly's Scores

For 7,798 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7798 movie reviews
  1. As the players enact the fall and rebirth of civilization, Meirelles suggests that even a society gone to hell looks better with a little music-video-like pizzazz.
  2. Best in show is the divine Gillian Anderson as a powerful celebrity publicist, editing the image of her clients in much the same way this adaptation tames Young's much pricklier book.
  3. Deserves sympathetic attention, if only for the family-values specifics loaded into the story, and the way mildmannered stars Ben Shenkman (Angels in America) and Tom Cavanagh (Ed) embrace their instructional roles.
  4. Thanks to Rapaport's brio in embracing the hero's drug-induced delusions, the movie is less a failure than a noble experiment gone awry.
  5. Dominic West (The Wire) plays a facially mutilated Mob boss as if he's in a broad SNL sketch.
  6. Shanley turns out to have dismayingly few original cinematic notions to back up the basic did-he-or-didn't-he hook in his study of conviction and compassion.
  7. Alas, the flimsy plot -- less a whodunit than an isn't-it-screamingly-obvious-that-that-guy-done-it! -- will have thriller fans singing the blues.
  8. Too bad the story's such a mess.
  9. What really leaps out at you about My Bloody Valentine 3-D is its lack of imagination.
  10. Sheen and Nighy do their best with the material, but this is easily the worst Underworld so far.
  11. He's Just Not That Into You turns romantic sanity into something so sanitized that it starts to make delusion look good.
  12. Mildly cute, mildly drooly, majorly too late spoof/homage.
  13. The Ugly Truth isn't fizzy and fun -- it's vacuously snappy.
  14. The movie works hard -- desperately hard -- to be all things to all audience segments. And the visible effort erodes the sense of gaiety, of unfettered fun.
  15. The effect-laden showdowns feel more dutiful than daring, and the rare moments of fun are parceled out frugally, like precious nuggets of adamantium.
  16. The film is so brazen about its pandering, crumple-hearted silliness that it had me rooting for Vardalos to land her big fat Greek stud-muffin.
  17. There's something sweet about the way that Murphy throws himself into this piffle. Thomas Haden Church does too.
  18. Ed Helms and Ving Rhames score laughs. But the breakout is "Step Brothers'" Kathryn Hahn as the tough (sales)girl who keeps up with the boys.
  19. More like a summer-camp theater project than a studio movie.
  20. It's no exaggeration to say that the actors have less personality than the pipes, nail guns, grinding gears, decaying beams, and slowly spreading oil spills that are fused, with a kind of empty-dread technical precision, into Rube Goldberg torture devices.
  21. For two and a half hours, Edel lays out the bombings, kidnappings, and murders committed by the Baader-Meinhof group, which mutated into the RAF. He catches the violently delusional self-righteousness of their antifascist fervor, but as individuals these cultish guerrillas remain opaque.
  22. Mostly an overlong demo reel of increasingly gutsy tricks.
  23. Dare, a sweetly sexed-up high school triangle movie, is like a John Hughes comedy trying to pass itself off as ''transgressive.''
    • 36 Metascore
    • 58 Critic Score
    British comic Stephen Merchant (Extras), exudes an easier charm as a goofy fairyland caseworker who harbors big dreams of his own.
  24. With Green Zone, though, the malaise has finally hit me. So while Damon's Miller uncovers the (inconvenient) truth of why the U.S. invaded Iraq in 2003, all I want to know is: How does he suggest we get out?
  25. It doesn't quite wash. Guédiguian has a telling instinct for the buried shame of working-class squalor, but his film is inflated with a doom that feels programmatic rather than earned.
  26. Proof that a thriller can be sleekly shot, expertly cast, paced with crisp professionalism...and still be a letdown if its twists and turns hold no more surprise than yesterday's weather report.
  27. Lawrence, as always, exerts the appeal of a con man too lightweight to buy into his own con. He'd be funnier, though, if he didn't insist on being the only funny thing in the room.
  28. A historical drama as static as it is stately.
  29. Chan needs a foil, and Hewitt, while perky, doesn't project nearly enough comedy weight; she's too slight and tailored for his style.

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