For 7,798 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
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| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7798
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Mixed: 2,080 out of 7798
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Negative: 760 out of 7798
7798
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Schwarzbaum
As the players enact the fall and rebirth of civilization, Meirelles suggests that even a society gone to hell looks better with a little music-video-like pizzazz.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Best in show is the divine Gillian Anderson as a powerful celebrity publicist, editing the image of her clients in much the same way this adaptation tames Young's much pricklier book.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Deserves sympathetic attention, if only for the family-values specifics loaded into the story, and the way mildmannered stars Ben Shenkman (Angels in America) and Tom Cavanagh (Ed) embrace their instructional roles.- Entertainment Weekly
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Reviewed by
Adam Markovitz
Thanks to Rapaport's brio in embracing the hero's drug-induced delusions, the movie is less a failure than a noble experiment gone awry.- Entertainment Weekly
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Reviewed by
Clark Collis
Dominic West (The Wire) plays a facially mutilated Mob boss as if he's in a broad SNL sketch.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Shanley turns out to have dismayingly few original cinematic notions to back up the basic did-he-or-didn't-he hook in his study of conviction and compassion.- Entertainment Weekly
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Reviewed by
Clark Collis
Alas, the flimsy plot -- less a whodunit than an isn't-it-screamingly-obvious-that-that-guy-done-it! -- will have thriller fans singing the blues.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Clark Collis
What really leaps out at you about My Bloody Valentine 3-D is its lack of imagination.- Entertainment Weekly
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Reviewed by
Clark Collis
Sheen and Nighy do their best with the material, but this is easily the worst Underworld so far.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
He's Just Not That Into You turns romantic sanity into something so sanitized that it starts to make delusion look good.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The Ugly Truth isn't fizzy and fun -- it's vacuously snappy.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The movie works hard -- desperately hard -- to be all things to all audience segments. And the visible effort erodes the sense of gaiety, of unfettered fun.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The effect-laden showdowns feel more dutiful than daring, and the rare moments of fun are parceled out frugally, like precious nuggets of adamantium.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The film is so brazen about its pandering, crumple-hearted silliness that it had me rooting for Vardalos to land her big fat Greek stud-muffin.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
There's something sweet about the way that Murphy throws himself into this piffle. Thomas Haden Church does too.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Ed Helms and Ving Rhames score laughs. But the breakout is "Step Brothers'" Kathryn Hahn as the tough (sales)girl who keeps up with the boys.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It's no exaggeration to say that the actors have less personality than the pipes, nail guns, grinding gears, decaying beams, and slowly spreading oil spills that are fused, with a kind of empty-dread technical precision, into Rube Goldberg torture devices.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
For two and a half hours, Edel lays out the bombings, kidnappings, and murders committed by the Baader-Meinhof group, which mutated into the RAF. He catches the violently delusional self-righteousness of their antifascist fervor, but as individuals these cultish guerrillas remain opaque.- Entertainment Weekly
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Reviewed by
Adam Markovitz
Mostly an overlong demo reel of increasingly gutsy tricks.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Dare, a sweetly sexed-up high school triangle movie, is like a John Hughes comedy trying to pass itself off as ''transgressive.''- Entertainment Weekly
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- Critic Score
British comic Stephen Merchant (Extras), exudes an easier charm as a goofy fairyland caseworker who harbors big dreams of his own.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
With Green Zone, though, the malaise has finally hit me. So while Damon's Miller uncovers the (inconvenient) truth of why the U.S. invaded Iraq in 2003, all I want to know is: How does he suggest we get out?- Entertainment Weekly
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Reviewed by
Owen Gleiberman
It doesn't quite wash. Guédiguian has a telling instinct for the buried shame of working-class squalor, but his film is inflated with a doom that feels programmatic rather than earned.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Proof that a thriller can be sleekly shot, expertly cast, paced with crisp professionalism...and still be a letdown if its twists and turns hold no more surprise than yesterday's weather report.- Entertainment Weekly
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Reviewed by
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Reviewed by
Owen Gleiberman
Lawrence, as always, exerts the appeal of a con man too lightweight to buy into his own con. He'd be funnier, though, if he didn't insist on being the only funny thing in the room.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Chan needs a foil, and Hewitt, while perky, doesn't project nearly enough comedy weight; she's too slight and tailored for his style.- Entertainment Weekly
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