Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Sky Captain is a gorgeous, funny, and welcome novelty.
  2. The title Ghost in the Shell 2: Innocence is a brain banger. But as sci-fi nomenclature goes, it's easy to read--no twistier, certainly, than "Sky Captain and the World of Tomorrow."
  3. Nothing more than amiable fluff, yet Bettany infuses it with a brazen dash of reality. You believe in him, even when you don't quite believe in the movie.
  4. Silver City may be the mustiest political-conspiracy tale ever filmed; it's like "Chinatown" rewritten by Ralph Nader.
  5. Features a supernatural twist that is merely okay, but the film's mood of fractured anxiety and longing made me eager to see what the director, Christoffer Boe, does next.
  6. The performances are winning -- Gyllenhaal is particularly sharp as an aggrieved sibling, and there's mutual zing in her scenes with Reilly.
  7. Chris Evans is blithely likable despite a few faux-Cruise mannerisms, Basinger makes a vividly frightened yet resourceful woman in peril, and William H. Macy scores as a mild L.A. cop who lets out his inner macho.
  8. A ripe psychosexual compost heap of a drama that emits a provocative scent of rot and nonsense.
    • 36 Metascore
    • 16 Critic Score
    In Resident Evil: Apocalypse, the undead are back to stumbling in the dark, sometimes even in blurry slo-mo, making the many packs of them about as terrifying as the mobs waiting for Matt and Katie outside the "Today" studio.
  9. Sends comedy backward in time, and we're in the 1970s, ethno-sitcom style: These Andersons in their out-of-date white, snooty gated community apparently confuse themselves with their forebears on The Jeffersons.
    • 64 Metascore
    • 75 Critic Score
    Always entertains, just like ''Pearl Harbor'' and the rest of the best of Hollywood's dumb war movies.
  10. It would be tempting to say that fractured time sequences in movies have become a cliché, except that Wicker Park makes your brain spin in surprising and pleasurable ways.
  11. It doesn't take long for the film to devolve into a ludicrously far-fetched Celebrity Death Wish.
  12. It borders on perky -- a duller, safer tonal choice for the story of a conniving go-getter whose fall is as precipitous as her rise.
  13. The truth is, the freakiness kinda turns the director on, and he nearly strangles Suspect Zero with love.
  14. It's hard to deny that Gallo has caught the freedom and melancholy, the intoxicating aimlessness, the lonely twilight beauty of a solo road trip in a way that no previous filmmaker quite has.
  15. I wish 'Hero's emotional heat rose more intensely -- more recklessly. There's something grand but distant and almost fetishistic about the operatic solemnity with which Zhang approaches the Rashomonic story of assassins attempting to kill a king.
  16. There's no enjoyably outlandish hiss to this variation on the formula, and no Ice Cube or Owen Wilson, either. This time, a ship of capitalist fools (and no movie stars, unless you count utility player Morris Chestnut as a headliner) steams along the river in Borneo.
    • 9 Metascore
    • 50 Critic Score
    The film's moral? Turn off the TV, young 'uns, and go outside and play! And avoid Superbabies: Baby Geniuses 2 matinees while you're at it.
  17. A documentary that digs deep inside this most revolutionary and tortured of punk quartets, it's hard not to feel that the Ramones, who never had a hit record, were the greatest band in 50 years to be stonewalled out of success.
  18. Although the talent of a kid with the last name of Culkin may not, at this point, register as such a novelty -- Rory follows brothers Macaulay and Kieran -- there is something precociously mature but natural about the work of this youngest Culkin sibling that stands apart.
  19. Both script and direction are the work of the glittering comedic polymath Stephen Fry.
  20. A smashingly effective documentary -- I found it more resonant than ''Fahrenheit 9/11'' -- yet to say that it's preaching to the converted would be generous; it's preaching to a microscopic sliver of the converted.
  21. It evokes the spirit of Hitchcock and Highsmith.
  22. The new movie is a dusty piñata stuffed with omens and not much more.
  23. There are some genuinely clever moments of physical comedy, and the inevitable crudeness is offset by winning whimsy. Without has all the freshness of moldering Playboys stashed under a mattress, but it evokes what few boys-will-be-boys larks can: chumminess.
  24. The film is at times harrowing to watch, yet it's also wry and delicate and absorbing. It's infused with the messy excitement of imperfect passion.
  25. It's all the thrill of watching other people play Uno.
  26. It's a soothing stoner tableau, a fine dropout fantasy.
  27. The film's generic feminism pales beside its bloated sense of privilege, only underlined by a nonstop cabaret of sideshow acts.

Top Trailers