For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
Shainberg reduces this most disturbing of all photographers to a portraitist of Halloween.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The baby-voiced costar of "Chasing Amy" proves an effortless filmmaker, turning Lucy’s journey into the awakening of a soul.- Entertainment Weekly
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Lisa Schwarzbaum
Holland's empurpled bio-fantasy is hooey with an anachronistic feminist slant from start to finish.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Examination of one of the English language's most useful utterances and why the sound packs such a friggin' wallop.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
When Baron Cohen works without a net, he flies.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Flushed Away lacks the action-contraption dottiness of a Wallace and Gromit adventure, but it hits its own sweet spot of demented delight.- Entertainment Weekly
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This Styrofoam snowman of a sequel overdoses on its own candy-cane-colored sugary cheer.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The movie opens as borderline Hitchcock, echoing the tone of the filmmaker's bravura "Bad Education" (2004), and then turns into a kind of overly conceptualized Tennessee Williams.- Entertainment Weekly
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Wondrous Oblivion goes awry in its sloppy racial drama, and although the cricket-training montages are good, they're still training montages, and this is just that kind of overfamiliar movie.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Measured in anything other than biblical cubits, the sum of Babel's many parts turns out to be a picture that suggests Americans ought to stay home and treat their nannies better.- Entertainment Weekly
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Lisa Schwarzbaum
With the same affinity for stories of culture clash he showed in "The Quiet American" and "Rabbit-Proof Fence," director Phillip Noyce embraces the tale with gusto.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Admit it: It's not every horror film that can make you feel preached at and slimed at the same time.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Exquisitely structured, pitiless study of a middle-aged man trapped in a stagnant emotional weather pattern.- Entertainment Weekly
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Owen Gleiberman
Through it all, Natalie Maines' decision to shirk humility, to stick by her guns, to the point that the group returns to that London concert venue in 2006 and she utters the same joke again, becomes a feisty and inspiring act of something there is only one word for: patriotism.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The movie IS a provocation, but not a glib or ideologically myopic one.- Entertainment Weekly
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Owen Gleiberman
Cocaine Cowboys, which at times seems like it could have been edited by someone on coke, comes at you as a vast bloody river of underworld information.- Entertainment Weekly
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Scott Brown
Here's yet another self-consciously ''Almodóvarian'' confection, studded with small odes to the glory of self-creation.- Entertainment Weekly
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Lisa Schwarzbaum
Surprisingly square portrait of avant-garde artist and director Robert Wilson.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Coppola's stranded royal suggests that at heart, Marie Antoinette was just a simple girl who wanted to have fun, and got her head handed to her.- Entertainment Weekly
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Lisa Schwarzbaum
Watching Running With Scissors the movie instead of reading Running With Scissors the best-selling memoir by Augusten Burroughs is like running with a spatula, or maybe some weird toast tongs.- Entertainment Weekly
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Owen Gleiberman
The trouble is, he's preaching to the choir -- or, at least, to a culture, profoundly influenced by Tom Brokaw's "The Greatest Generation" and Steven Spielberg's "Saving Private Ryan," that has already absorbed the lesson that ''the Good War,'' while it may have been noble, was never less than hell.- Entertainment Weekly
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Scott Brown
As for our heroine (Lohman), her archetypal struggle with crusty Pa (uncrusty Tim McGraw) feels attitude-heavy and life-lesson-light.- Entertainment Weekly
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Owen Gleiberman
The Prestige isn't art, but it reaps a lot of fun out of the question, How did they do that?- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Hamilton, in her movie debut, is a find: the kinkstress next door.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The Peoples Temple congregation was sizably African-American. But when it comes to how those followers turned into a zombie Kool-Aid death cult, Jonestown: The Life and Death of Peoples Temple leaves you with more questions than you went in with.- Entertainment Weekly
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Owen Gleiberman
Requiem is drawn from an incident that was also the basis for last year's demon-seed hit, "The Exorcism of Emily Rose."- Entertainment Weekly
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Owen Gleiberman
Sweet Land is a movie of extraordinary tenderness, in which Reaser and Guinee, using a language of looks, make you happy to think about what love once might have been.- Entertainment Weekly
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Lisa Schwarzbaum
A warm and honest portrait of a marriage at its most mysterious, and ordinary.- Entertainment Weekly
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Reviewed by
Scott Brown
Once again, we're treated to loosely aligned scenes of half-formed characters getting a faceful of director Takashi Shimizu's croaking, implacable, and, yes, still scary housewife-geist.- Entertainment Weekly
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