Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Brisk and sweet, even if the script veers toward fussy and lame.
  2. The movie could have been a lot scarier.
  3. It's less a tale of religious rebirth than a faith-based Hallmark card.
  4. Sagnier is yummy.
  5. It's raunchy, outspoken -- and also a smart and agile dissection of art, fame, and the chutzpah of big-budget productions.
  6. There's a poetic irony to the idea that it took a female filmmaker to finally do justice to Philip Roth on screen.
  7. It ends up subverting its own subversion, arriving at a place that can only be called conventional.
    • 63 Metascore
    • 83 Critic Score
    Even cynics might concede that, again, four capable actresses have pulled off a relatively rare thing: They've convinced us they're an honest-to-God movie sisterhood.
  8. A tale of ordinary Americans scraping bottom, yet there's a redemption in that. The film asks: If you were this desperate, wouldn't you do the same?
  9. After an hour of inert exposition, a race through Shanghai gooses the movie alive. Then it plunges back into torpor.
  10. Costner (who's also a producer) plays to his middle-aged strengths in a role that exaggerates male weaknesses.
  11. The gorgeous music includes Ralph Vaughan Williams' wafting tone poem ''The Lark Ascending'' -- apt in describing an artist who might well be part bird.
  12. Older and sadder, Mulder and Scully are no longer sure they've got the energy to even ask if the truth is still out there. And it feels as if Carter is skeptical, too.
  13. Step Brothers is a Judd Apatow production and it's the closest that the Apatow factory has come to spitting out a dumb-and-dumber high-concept comedy.
  14. The one performer who seems at home with the gravity of it all is Emma Thompson.
  15. The players are timelessly familiar in American Teen, too. But filmmaker Nanette Burstein tells their stories with a distinctly 21st-century pop and audacity.
  16. At two hours and 32 minutes, this is almost too much movie, but it has a malicious, careening zest all its own. It's a ride for the gut AND the brain.
  17. It's tempting to say that Mamma Mia! has the worst choreography of any big-screen musical in history, though that would imply that what happens in the film IS choreography.
  18. While candy-colored graphics should dazzle kids, Space Chimps has little draw for audiences spoiled by the Pixar-given knowledge that CGI can entertain -- and not just stupefy -- moviegoers of any age.
  19. Val Kilmer, as a polite horn-rimmed sociopath with a heart of gold, keeps showing up to drop Nietzschean pensées.
  20. Berlin is far from the lost masterpiece the movie wants it to be.
  21. Who doesn't have a sweet tooth for intrigue on a train?
  22. The Golden Army dazzles like something out of "Jason and the Argonauts." To make a comic-book fantasy this derivative yet this dazzling requires more than technique. It takes a director in touch with his inner hellboy.
  23. Journey is just the new version of a 1950s comin'-at-ya roller coaster, with a tape measure, trilobite antennae, and giant snapping piranha thrust at the audience.
  24. this unfairly maligned sci-fi comedy testifies that Eddie Murphy still has the gift of surprise.
  25. Anyone who thinks that Josh Hartnett isn't a true movie star should see his riveting, high-wire performance in August.
  26. The movie also captures Thompson's tragedy: the haze of drugs and bad writing that consumed him for no less than his last 30 years.
  27. The result is fairly silly slapstick, but Alda, hair disheveled and brow knit with stubborn intent, is both fierce and quietly heartbreaking.
  28. The best thing about it is Peck, who shows you the sweet, virginal kid hiding inside the outlaw poseur.
  29. Tell No One's plot thickens in about five ways at once, but they're all connected. The issue of how is a riddle that does more than tease --gives you an itch you won't want to stop scratching.

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