Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Nicholson’s live-wire performance turns what could have been a standard movie malcontent into a martyr.
    • 50 Metascore
    • 100 Critic Score
    Delightfull time-travel comedy.
  2. But it is the steady accretion of hundreds of small moments in this elegant, high-spirited, intensely satisfying production -- the director's third American movie, but the first to approach the dazzle of his Hong Kong stuff -- that, toted up, makes everything right about this des- perately welcome thriller.
  3. The film takes off from formula elements-it's yet another variation on "Die Hard"-but it manipulates those elements so skillfully, with such a canny mixture of delirium and restraint, that I walked out of the picture with the rare sensation that every gaudy thrill had been earned.
  4. To say that Eastwood, who directed, has done a first-rate job of adaptation fails to do him justice. What he's brought off is closer to alchemy.
    • 83 Metascore
    • 100 Critic Score
    It boasts a more consistent tone, better special effects (such as villains throwing buses around like paper planes), and even an affecting love story.
  5. A work of staggering intelligence and emotional force -- a mosaic of broken dreams.
  6. Around town, Stephen Fry ("Peter's Friends"), as a fluty artiste, dogs Flora with his devotion and declares, "I'm engorgedly in love with you!" That's how I feel about this gem.
  7. There are moments in A Little Princess--particularly Cuaron's Indian play-within-the-play, which is nearly avant-garde in its conception--when you may just want to clap from pleasure. My advice to you is: Go ahead, you're a grown-up. [26 May 26 1995]
    • Entertainment Weekly
  8. Extraordinary new documentary that turns Robert Crumb's twisted life story into a disturbing, exhilarating work of biographical art.
  9. Stone takes his characters right over the top, rubbing our noses in our own lust for excess, and some viewers are bound to say that he's gone too far. Yet this may be one case where too far is just far enough-where a gifted filmmaker has transformed his own attraction to violence into an art of depraved catharsis.
  10. A graceful, unsentimental, well-made movie.
  11. She's a teller of hilarious gutbucket truths as surely as Lenny Bruce and Richard Pryor ever were. Yet while they were consumed by their demons, Rivers is just the opposite.
  12. This warm, funny, sexy, smart movie erases the boundaries between specialized ''gay content'' and universal ''family content'' with such sneaky authority.
  13. It's cleansing to see the facts laid out with intimacy and rigor, and the film earns the comparison it makes to the squelching of due process for some of today's terror suspects.
  14. With In Between Days, the filmmaker captures feminine melancholy with rare precision. Find this movie.
  15. More than a million people have been displaced in central China in the cause of generating electrical power to meet the needs of the future; Jia's flowing river of a picture washes over a few of them as they adjust to life's currents in the present.
  16. Beautiful, wise, and poker-faced comedy of discombobulation.
  17. The title embraces the richness of Kechiche's beautiful film, which captures the rhythms of displacement and hardship, the bond of family meals, and even the daily routines of the magnificent women who are part of Slimane's life.
  18. Emotionally mesmerizing.
  19. Beautifully led by birdlike Sylvie Testud as an ailing young woman in a wheelchair, every character (pilgrim and helper alike) exhibits a soul. And shaped with confident talent by the Austrian filmmaker, every serenely composed shot matters.
  20. An exhilarating hall-of-mirrors look at what happens when global art fame turns anonymous, artists become objects, fans turn into artists, and the whole what's-sincere-and-what's-a-sham spectacle is more fun than art was ever supposed to be.
  21. "Andy Warhol" makes you see that beneath the gargoyle hipster mask, he filled that emptiness with an art of transcendent sincerity.
  22. One of the unshowiest and most true-blooded epics of Americana you're ever likely to see.
  23. Jaoui neatly, gently, firmly slips political commentary into Let It Rain's articulate mayhem.
  24. Toy Story 3 is a salute to the magic of making believe.
  25. It took writer-director Samuel ''Shmulik'' Maoz nearly 30 years to make this disturbing, visceral, personal film.
  26. Hersonski quietly and insistently unravels reality from "reality"; her commitment to archival authenticity is its own tribute to those no longer able to testify.
  27. The power of The Social Network is that Zuckerberg is a weasel with a mission that can never be dismissed. The movie suggests that he may have built his ambivalence about human connection into Facebook's very DNA. That's what makes him a jerk-hero for our time.
  28. This is essential viewing for understanding our world.

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