Empire's Scores

  • Movies
  • TV
For 6,818 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Oppenheimer
Lowest review score: 20 Superman IV: The Quest for Peace
Score distribution:
6818 movie reviews
    • 75 Metascore
    • 80 Critic Score
    A big hand to the Talk To Me directors for navigating the filmic equivalent of that difficult second album. An accomplished and disturbing work, with Sally Hawkins on startling form.
    • 42 Metascore
    • 40 Critic Score
    “Nostalgia’s overrated,” warns this vacuous slasher with a wink. Trouble is, other than obnoxious new characters meeting immemorable ends, that’s all it has to offer.
  1. A big old pile of Smurf.
  2. This zany debut dials up the cringe comedy to its most excruciating extremes — and it’s a riot. Andrew DeYoung and Tim Robinson are a match made in heaven.
  3. David Corenswet takes on the blue-and-red mantle admirably, and glimpses of Gunn’s signature sense of fun shine through — but a lack of humanity, originality and cohesion means the movie around them just doesn’t work.
    • 44 Metascore
    • 40 Critic Score
    Too much distance has crept in for The Old Guard 2 to feel memorable, and it shows. A convoluted, sequel-baiting mess that proves time is not a healer.
  4. The Shrouds certainly fits neatly into Cronenberg’s filmography but stands apart as his most intimate work. It’s a hypnotic descent into the darkness of grief, punctuated by perverse Cronenbergian pleasures.
  5. A really good, dumb comedy can be a joyous thing, and this is a really good, dumb comedy.
  6. It’s not doing much daring or different but this delivers a fun, well-made summer theme-park ride, with fast highs and slow lows. Pleasurable, though it doesn’t linger.
  7. M3GAN 2.0 is more absurd, self-aware silliness: a riot of timely tech paranoia, with almost no horror but a ton of successful comedy. Slay, queen!
    • 90 Metascore
    • 100 Critic Score
    It's easy to see why this has consistently entertained generations of audiences.
  8. The sequel we needed is both the film you expect, and the one you don’t. There’s blood, but also real guts and brain and heart — visceral cinema soaked in viscera.
  9. Joseph Kosinski has done it again. F1 combines unparalleled access, pioneering filmmaking and moving redemption arcs to deliver an exhilarating cinematic experience. What will he attach a camera to next?
    • 57 Metascore
    • 60 Critic Score
    Deftly balancing multiple genres, Tornado’s occasional pacing issues are propelled by Jed Kurzel’s ferocious score, Robbie Ryan’s haunting cinematography, and standout performances from Kōki and Tim Roth.
  10. Robert Zemeckis’ Contact for kids. A slow start gives way to a charming, visually inventive adventure that might just inspire a new generation of astronomers to look to the skies.
    • 54 Metascore
    • 60 Critic Score
    An intelligent, sapphic-tinged and superbly acted rural thriller with Moore, Sweeney, Gleeson and Shaw all on fine form, only slightly dampened by some blatant product placement.
  11. A different beast to Past Lives, this is a razor-sharp look at the competitive marketplace of dating: both rigorously honest and idealistically romantic.
  12. Does Deep Cover work as an improv comedy? Yes, and it delivers strong characterisation, a twisty crime story, and great performances too. End scene.
  13. It’s clearly made with real love and care, but shows far too much deference to its progenitor. Even in a remake, we need more originality and less playing the hits.
  14. Some fun intergenerational warfare, clever genre nods and a generally sharp script enliven what could have been a bog-standard slasher movie.
  15. Killer Of Killers looks the business and comes with all the gory kills and human heroes you’d hope for, but like most anthologies it is a little hit-and-miss.
  16. The story is a bit slight, but it’s fun to watch Ana de Armas punch, shoot, stab and blast everything and everyone in her way. A Wick-edly entertaining addition to one of cinema’s best action franchises.
  17. This attempts to unite period drama and demonic possession, but feels tired and overworked on both counts.
    • 41 Metascore
    • 20 Critic Score
    This deeply disappointing new Fear Street instalment leans too hard into worn-out tropes and excessive gore, at the expense of fun, engaging characters or any genuine scares.
  18. Engaging turns from Anderson and Isaacs can’t elevate a narrative that ultimately goes nowhere, although it might make you want to get the tent out of the attic at long last.
  19. Karate Kid: Legends doesn’t quite live up to the promise of its Cobra Kai-meets-Mr Han marketing. But for breezy feel-goodness, you’ve come to the right dojo.
  20. Darkly funny as it descends into farce and ends on a chilling final note, Mountainhead is, unfortunately, truly a film for the 2020s. Just don’t chase it with a doomscrolling session.
  21. The Ballad Of Wallis Island is a big-hearted, consoling hug of a movie. It might not reinvent the wheel, but it’s the low-(Tim)-key crowd-pleaser of the year so far.
  22. Given all the elements involved, Fountain Of Youth should be a blast. That it isn’t is a real disappointment. Maybe best left buried.
  23. Fleischer Camp brings a light touch and a good human cast to this reverently faithful effort, but it’s never as clear and bright as its source material.

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