Empire's Scores

  • Movies
  • TV
For 6,818 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Oppenheimer
Lowest review score: 20 Superman IV: The Quest for Peace
Score distribution:
6818 movie reviews
  1. Lara Jean and Peter grow up convincingly in a well-handled conclusion to Netflix’s hit trilogy, with a heart as generous as its charming central heroine.
  2. A very different take on female friendship than Bridesmaids, this has future cult favourite written all over it. As bright and breezy as a pair of pastel culottes.
  3. Come for Nic Cage fighting a robot alligator with a mop. Stay for some inventive licks on the dead-by-dawn horror-movie template, though the other characters are nothing to shriek about.
  4. A bold social satire that never loses its sense of fun, Dead Pigs finally lets us confirm what Birds Of Prey already suggested: Cathy Yan has a sharp eye and a fearless voice — we’re lucky to have her.
  5. Everything about this hard-hitting film is restrained, like a breath tightly held, and all the more powerful for it.
  6. Butler’s best star vehicle in years, what could have been a bombastic bunch of boulders is, instead, a refreshingly clear-eyed and compelling affair. One of the best disaster movies in years.
  7. News Of The World is narratively slight, but it is a terrific showcase for two actors at completely different ends of their careers and a quietly emotional dispatch about two broken souls learning to heal.
  8. Although the pleasures of the flesh are shown with enough erotic power to convince us of Hélène's addiction to them, the anonymity of the lead characters stops the film from truly gripping. 
  9. Not as strong as the original, Rams is perhaps best described as a feature-length version of one of Sam Neill’s social media shorts; funny, a little bit rambling, winning.
  10. Buoyed by a trio of standout performances, this freshly resonant thriller brings urgent life to one of the Black Panther movement’s greatest tragedies.
  11. The Dig is well played, especially by the leads, and visually gorgeous, but it lacks fire and ironically doesn’t get under the surface of its story.
  12. A smart indie sci-fi which has much to say and some great ideas, all wrapped up in a designer-drug-based premise that makes it sound less interesting than it actually is.
  13. This study in chaos and calculation not only makes for harrowingly compelling viewing, but it also exposes the apathy of an international community that simply turned the other way.
  14. A throwback thriller which brings nothing new to a crowded genre, and has little to say along the way. They don’t make ’em like this anymore, and, to be honest, they probably shouldn’t.
  15. Zendaya and John David Washington deliver career-best performances in this mesmerising two-hander that ruminates on love, life and art.
  16. Despite strong lead performances and some intriguing themes, this rarely rises above being a serviceable action thriller.
  17. Ramin Bahrani offers a kinetic and textured satirical commentary on caste friction in modern India with Adarsh Gourav serving up an immensely watchable leading performance.
    • 26 Metascore
    • 40 Critic Score
    This  Blithe Spirit dilutes the original’s heady cocktail, serving up a sugary punch rather than a dry martini.
  18. This feels like history-in-the-making, as both a fresh insight into the interior lives of historical figures and a snapshot of a future filmmaking great just getting started.
  19. Vanessa Kirby and Shia LaBeouf put in career-best performances in this crisp, fluent take on unimaginable trauma.
  20. There is some nice insight into cycling-team practices, but overall The Racer lacks sufficient nuance, specificity and originality to nab the yellow jersey.
  21. Combining beautiful aesthetics with winning performances from Thompson and Asomugha, Sylvie’s Love is the rare Black period drama that tells a sweet and satisfying love story without revolving around the racial adversity of the era.
  22. Rodriguez has fun coming up with some new-ish powers and there are knowing send-ups of superhero lore, but the takeaway is thin and forgettable.
  23. Part mystery, part black comedy, part metaphor for loss, Patrick is a nakedly true original. It also has the best caravan fight since Kill Bill Vol. 2.
  24. McQueen serves up an awe-inspiring, visceral reflection of London’s torrid history of racial prejudice and police brutality, while John Boyega gives a career-best performance dripping with power and passion.
  25. Cronenberg by name, Cronenberg by nature. Possessor sees Brandon wading into territory often explored by his father, but there’s more than enough originality here, visually and thematically, to prevent this from being a mere cover version.
  26. A bold, brave first effort behind the camera for Viggo Mortensen, elegantly distilling some painful truths for anyone who has ever had a complicated relationship with a parent.
  27. A kind of Italian Fitzcarraldo, Rose Island persuasively argues that dreamers can move mountains. It offers little in the way of surprises, but it’s hard not to be won over by its small-scale delights.
  28. This stylish, quietly suspenseful crime film offers a rejoinder to the typical macho ’70s genre, focusing on the female experience in a compelling, nuanced way.
  29. Combining widescreen lyricism and neo-realist intimacy, this is a poignant reflection on the stark situation awaiting so many migrants who risk everything to reach a false paradise. The methodology occasionally feels calculating, but the intentions couldn't be more sincere, as the struggles are destined to continue once the cameras leave.

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