All the boys might love Mandy Lane - discerning horror fans, however, will not.

Much more than just a witty title, this is a very genuine, very British send-up.

It's hard to imagine that the prodigiously gifted Dolan is still in his early twenties. This is another work of marvellous maturity and assurance.

Beautifully performed and tough as nails, Vinterberg's social drama could not be any more timely.

Ozon weaves another spellbinding tale that mingles the real and imaginery with terrific effect.

Prepare yourself for a shock: a horror remake that, at its best, manages to recapture the original’s hardcore nastiness. It could certainly do with laughing at itself a bit more, though.

Lacking a single honest laugh, this is shoddy by comparison with the other Scary Movie sequels… which throws it in a pit with Transylmania, Breaking Wind and Stan Helsing.

Reygadas' big ideas translate with mixed results.

As beige as an old PC, but beneath the surface the blood pumps bright scarlet. An intelligent and emotionally charged spy drama.

Kosinski has again built a fantasy world that feels real to its core, but once more put most effort into the scenery and too little into the people.

A uniquely British blend of excruciating comedy of embarrassment and outright grue, not quite as disorientating in its mood shifts as Kill List but just as impressive a film.

Insightful, revelatory and profound, Moreh's Oscar-nominated documentary combines riveting interviews, archive footage and - yes - state-of-the-art photographic effects to offer a unique perspective on the Israel-Palestine issue.

Black-veined and dark-hearted, this is another persuasive character study from Campos.

In trying to tell an enormous amount of story it can spread itself too thin and leave some strands feeling unfinished, but when it’s at its best, this is beautiful and bold filmmaking.

The performances are solid - Goodbye Lenin! actor Florian Lukas is the standout - but ponderous pacing makes this true-life tale a lot less enthralling than it might have been.

A smart, subversive but rather cold debut from Brandon Cronenberg that's short of the dark wit that lit up his father's early work. Then again, comparisons are hardly fair, especially when Cronenberg Jr. clearly has plenty of ideas of his own.

Thanks to Rushdie's sensitive handling of his own material, this is an adaptation big in both ideas and heart.

The midway point between "A.I." and "Diary Of A Wimpy Kid." It has quirky charm and a tender heart, but the treacly sentiment may become wearisome.

While not the balls-out action movie the marketing suggests, this Rock-powered family drama is not with its moments.

Measured performances from the seasoned cast balance out a script that errs towards the melodramatic. Hours sweating over those instruments pay dividends too.

A lurid, luminous teen-bender movie, as ludicrous as it is stylish, and Harmony Korine’s best film in years.

Visceral and inquisitive, this well researched movie offers a punchy insight to prison life. Unfortunately, it is a familiar and tepid storyline.

Fast Five was a good example of how applying The Rock to a tired series could bring it back to life. G.I. Joe, by opting for self-seriousness instead of knowing daftness, has squandered its secret weapon.

Though it rings ever so slightly hollow as cool shades into callousness, this exercise in sexy suspense and brain-scrambling mystery is a dazzling, absorbing entertainment which shows off Danny Boyle’s mastery of complex storytelling and black, black humour.

Already a compelling gangland saga, this vastly promising debut turns into something more surprising when social prejudice becomes the characters’ weapon of choice. If that sounds too much like a lecture, El Hosaini’s voice remains crisp, cool and consistently street-smart.

Superbly judging tonal shifts and juggling disparate storylines, this snapshot of a Refice street reveals the class, gender, racial and historical fissures in Brazilian society, while also making for riveting drama right down to the shocking sting in the tail.

It features more weed than a pot-warming party at Bill & Ben's but offers little more than spliff-glazed promotion for Snoop's reggae reincarnation.

Gonzo freakiness in such doses that cult status is practically ensured.