Empire's Scores

  • Movies
  • TV
For 6,820 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Oppenheimer
Lowest review score: 20 Superman IV: The Quest for Peace
Score distribution:
6820 movie reviews
  1. It may not scale the heights of his Paddington duo, but Paul King’s Wonka is a beguiling way to spend 116 minutes, perfectly anchored by Chalamet’s benevolent dandy. All together now: Oompa Loompa, doompety doo…
  2. Barrymore, among the most consistently admirable women in showbiz, can proudly add a Guides badge for Meritorious Directing to her many other achievements. Excellent emo chick coming-of-age drama plus broads in fetish gear battering each other on roller skates -- frankly, a film that offers something for everyone.
    • 81 Metascore
    • 80 Critic Score
    A vivid portrayal of life at society's margins with a compelling turn from newcomer Jarvis. Little wonder it scored at Cannes.
  3. Funnier, filthier, and damn entertaining, Deadpool 2 leaves no stone un-deconstructed: the naughty man-child of the X-Men universe who manages to beat them at their own game.
  4. The title Varda By Agnès is apt, a portrait that is both expansive and personal, intellectually sharp but full of fun and heart. A film that is both an entertaining gateway and fitting eulogy to a giant talent.
  5. Boseman and Davis deliver superb performances in this timeless meditation on Black art, and those who would exploit it. Yet another fine adaptation of an August Wilson play.
  6. A beautifully observed study of an American family coming apart at the seams, it not only establishes Dano as a director to watch, but features an extraordinary performance by Mulligan.
    • 67 Metascore
    • 80 Critic Score
    An exciting and thoroughly enjoyable, experience.
  7. An outstanding cast savours performing a play that has stood the test of time. Avoiding sentimentality, this is a valuable rejoinder to those who would sugar-coat mass slaughter.
    • 68 Metascore
    • 80 Critic Score
    A triumph for Ramsay anchored by terrific performances. Guaranteed to haunt you for days, and possibly prompt a rethink on your position on parenthood.
  8. Genuinely original: a silly, hilarious and oddly profound adaptation for adult-sized children.
  9. Beautifully monochrome rendering of a love that cannot be.
  10. In outline it sounds trite - a disenfranchised kid is turned around by a kindly stranger - but the Dardennes' make it so much more. Raw but compassionate, naturalistic but compelling. If you're looking to get into the Dardennes, this is a great place to start.
    • 67 Metascore
    • 80 Critic Score
    Bullock is a delight, disarmingly kooky, pleasing to look at, and - as she has previously proved - a gifted comedic actress.
  11. A disturbing and poignant anthology of Roman Polanski's favourite, oppressive themes.
  12. Very physical, with intense performances and half-serious period talk, it’s an impressive, haunting picture — though the sort of thing you have to meet at least halfway to enjoy.
  13. All modern life is here — the good, the bad, the insufferable — and it’s glorious. Non-Fiction is Olivier Assayas in a lighter register and he wears it well.
  14. Abetted by Nicolaj Brüel's prowlingly ominous camerawork and Dimitri Capuani's soul-destroying interiors, Garrone proves once again that even the lowest-rung southern Italian gangster can't afford a shred of human decency.
    • 80 Metascore
    • 80 Critic Score
    Jim Jarmusch's first colour film is less understated and more inviting than those he made before, which may have as much to do with the constant presence of Elvis (in one form or another) as the rich seam of oddball humour and stylish cinematography.
  15. Even by their high standards, the performances of Weaver and Kingsley here are impressive, and Polanski ratchetts up the tension nicely. A chilling and thought-provoking piece.
  16. An absolute must-see for anyone who loved 2016’s Your Name. Even if it isn’t as surprising and narratively powerful as that film, Weathering With You once again exemplifies Makoto Shinkai’s visionary prowess as an animator.
  17. Paul Thomas Anderson does gothic romance in prestige Brit picture style, eliciting a worthy final performance from Daniel Day-Lewis that’s admirably matched by newcomer Vicky Krieps.
  18. As vehicles for fat comedians who were big in the States but never exported well go, this self-proclaimed slob comedy is nearly a masterpiece and certainly much better than the comparable Revenge of the Nerds films.
  19. A typical older male mentore story...told with sensitivity and perceptiveness.
  20. Its plot isn’t going to win any prizes for originality, but Nair tells the story with immense warmth and cheer. You can see just about every move coming, but it’s making all the right ones.
  21. With the help of a staggering ensemble cast, Steve McQueen has made an intelligent, emotional thriller that contemplates contemporary American politics as confidently as it does blowing shit up.
  22. A languid, quietly moving love triangle.
  23. Some days a runaway train movie just hits the spot.
  24. Riders Of Justice is an oddball delight. Taking a leaf from the Coens’ playbook, it’s by turns ultra-violent then drily funny and surprisingly wise. Come for Mikkelsen, stay for his winning band of lovable losers.
  25. Kubrick's superb version of William Thackery's first novel is meticulous and philosophically stimulating but it can leave some audiences unmoved on an emotional level.

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