Empire's Scores

  • Movies
  • TV
For 6,820 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Oppenheimer
Lowest review score: 20 Superman IV: The Quest for Peace
Score distribution:
6820 movie reviews
  1. Deep down, you know it's not as good as Seven Samurai — but few films are. You also know that next time it's on television, you'll find yourself watching it.
  2. With its breathtaking landscapes, bloody battles, bitter betrayals and an aching love story, Mongol is a sumptuously crafted epic.
  3. The net result is difficult and demanding viewing yet strangely thrilling.
  4. As jolly as Tigger, as sweet as honey and as undemanding as a balloon ride, this will delight the wee'uns and put a smile on the face of animation fans of all ages.
  5. Both a coming of age and an exploration of an era, this self-biographical reminiscence feels both regretful and hopeful – a filmmaker trying to make peace. It’s not sugar-coated, but it’s full of love.
  6. This is Spielberg operating at his peak - an exceptionally made, provocative and vital film for our times.
  7. All the affairs and scandals that a French literary genius could wish for, with the bonus of a modern heroine and a story that acknowledges the diversity that has always been with us.
  8. Inventively animated, giddily funny, and a surprisingly authentic take on the outsider experience: it is virtually impossible not to be charmed by these reptilian bros.
  9. Millions, like all kid-powered movies, stands or falls in the first place on the performances of its child actors, and Alex Etel and Lewis McGibbon both delight.
    • 74 Metascore
    • 80 Critic Score
    An understated yet profound examination of identity and self-sacrifice, this honest depiction of repressed romance will unashamedly tug at every heart string.
  10. Uneven in places, Pin Cushion nonetheless offers a moving meditation on what it feels like to be different, elevated by great work from Joanna Scanlan and newcomer Lily Newmark.
  11. Woman Of The Hour isn’t the serial-killer thriller you’d expect, but more noble for it. Kendrick shows promise as a director, her lacklustre male antagonist hammering home this film’s purpose.
  12. Essentially Parabolas & Prejudice, it isn’t the most nuanced piece of work out this month. But nuance be damned — an uplifting plea for equality, this is a story calibrated for maximum effect.
  13. Combining beautiful aesthetics with winning performances from Thompson and Asomugha, Sylvie’s Love is the rare Black period drama that tells a sweet and satisfying love story without revolving around the racial adversity of the era.
  14. The Town is that rare beast, a grown-up genre flick, chock-full of compelling character dynamics and a clutch of pitch-perfect performances.
  15. Unlucky to miss out a Best Foreign Film Oscar, this moving war flick is a nerve-jangling odyssey into the underground world.
  16. The Duplass brothers enter the mainstream with a touching, original and supremely funny film, whose improvisational style sets it apart from other comedies, and marks the emergence of two major new talents. Great performances, too.
  17. A laudably even-handed examination of a highly charged subject.
  18. Eastwood’s message that no good deed goes unpunished feels misplaced, but for the crash sequences and Hanks’ turn it’s worthwhile. But for goodness’ sake, don’t watch it on a plane.
  19. A challenging and intelligent Swedish drama that still raises laughs.
    • 74 Metascore
    • 80 Critic Score
    A haunting portrayal of people who are neither completely innocent nor wholly evil, and the terrible price of killing, whether in the pursuit of a sports car or in the name of justice.
  20. Brainy, barmy and beautiful to behold, this is Stephen Hawking’s Star Trek: a mind-bending opera of space and time with a soul wrapped up in all the science.
  21. A thoroughly pleasing family film with fine performances and honest, affecting real situations mixed with joyful adventure.
  22. A towering achievement for a first film, Scrapper refuses to be pigeonholed as another dreary story about working-class life. Grief has hope, youth holds the keys to everything.
  23. Likeable Robert Townsend — who also co-wrote and directed — is a delight in this patchy but consistently enjoyable chronicle of a young black actor’s efforts to crack Hollywood.
  24. The filmmaking is exemplary but most impressive of all is the tone that mixes comedy, melodrama and darkness.
  25. This tale of Mexican poverty refuses to lapse into sensation or melodrama.
  26. A frustratingly ungraspable movie collage compiled with real visual flair.
  27. A solid, child-friendly work which will keep little ones content, if not mesmerised.
  28. The second half occasionally descends into melodrama, but for the most part this is bleak, non-judgemental, riveting stuff.

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