An engaging, visually striking attempt to uncover the ‘real’ Grace Jones which is only partially successful in those terms. Nonetheless, it’s still a fitting tribute to a music icon.

It’s never quite as satisfying an experience as Schitt’s Creek — but thanks especially to a sparky trio of actors, Daniel Levy’s directorial debut is strong when it comes to the heartache of grief and the importance of friends.

A decent historical drama, with one of the best extended battle scenes (a full half of the movie is the face-off in the 'village of death') in recent memory.

The filmmaking is a tad formulaic, but On Swift Horses is a beautifully shot piece of period escapism with a mesmerising central performance from Daisy Edgar-Jones.

Having taken such pains to establish Tom’s Finnish background and its attendant dangers, Karukoski hurtles through the sketchy American section without exploring any of its crucial issues in sufficient depth.

Far from perfect in its execution, but once IF hits its stride, Reynolds and Fleming keep this emotional adventure entertaining enough.

It takes courage and ingenuity to find the modern romcom formula within the operas of Gluck, sung well through SMS by Heughan and Chopra Jonas. It also stars Celine Dion.

There’s much to chew on in Cherry, and not all of it works. But a never-better performance from Tom Holland, and some bold directorial choices, make it a mostly compelling watch.

Unpacking classic fiction that has already been adapted a few times, once to critical acclaim, is no easy task. Yet while it’s not completely up to the challenge, The Turning at least offers up enough moody chills and a lead in Mackenzie Davis it’s not hard to root for as the craziness builds.

Johansson is no Anne Hathaway in this pleasant but forgettable comedy.

While the characters sometimes feel roughly drawn, the casting is spot on.

It’s fun to take another turn with Derek and Hansel, but they probably don’t have another season in them.

This Tramp doesn’t really stamp a fresh personality on a story already told well. But it also doesn’t embarrass itself compared to the original and it’s got a shaggy charm of its own.

It’s predictable and troubled by continuity errors, but as undemanding romantic comedies go, it’s a pleasant enough watch with a heartfelt script from debut writer-director Tom Gormican.

Despite strong performances from the leads, when it comes to pacing and power, it’s the Danish original that edges it. Still, a sturdy and affecting remake that brings a powerful story to an even wider audience.

Its restraint might put off thrill-seekers, but if you can endure the wooden dialogue and sloppy exposition, it musters the entertainment quotient of a middle-order Harry Potter.

While the quirky structure could be taken as a bold move, the story still feels frustratingly incomplete, rendering the preceding hour or so a tantalising glimpse at what could have been.

Although downbeat, this celebration of the US military is done so expertly you forget that at the time it is set Coppola's idea of a great film was You're A Big Boy Now.

The life and crimes of Virgil Starkwell, a petty hoodlum who finds love with a laundress, Louise, in between botched blags and stints on a chain gang.

Toy Story with a twist, this is better than it had any right to be. Hardcore horror buffs may laugh and scoff at the mechanics of some of the scares; the rest may never be able to walk past the window of a toy shop without crossing themselves.

Luna Carmoon’s grimy study of loss might ultimately be too strange for its own good. Nevertheless, this debut boldly announces the arrival of one of Britain’s most promising new filmmakers.

Exceptional turns by Mélusine Mayance and the ever-excellent Kristin Scott Thomas illuminate a tense and compelling story. The contrived modern-day framing works less well.

Clara Bow is mesmerising in this ahead-of-its-tie air force drama.

A well-put together team performance, with enough in-jokes and self-effacement to steer clear of any detours into bad taste.

Despite the pleasant feel and fun performance from Zane there's something missing from this superhero adventure.

A surprisingly sweet romantic comedy debut from Ben Stiller.

Though it tries to be different, with hair's-breadth escapes that don't depend on implausible stunts or Bondian-scale explosions, Conspiracy Theory is an uneasy mix of laughs and thrills; suspense and soap.

Sweet but predictible angst-ridden Brat Pack outing.