Prestigious, well turned out piece of British historical drama with enough genuine intrigue and wit to persuade some audiences they aren't watching a history lesson.

A small but neatly formed horror oddity that prises suspense out of a familiar parental worry: is the person my child has fallen in love with who they say they are?

A remarkable ensemble in an uneven patchwork of loss, longing and the urgent necessity of a societal rethink.

High in gloss if not necessary insight, this is manna for fashion fans but a marginally slighter piece of work than The September Issue.

Restrained but promising stuff from Keough and Gemmells, who exhibit strong world-building and lightness of filmmaking touch. A moving exploration of fatherhood, racial tension and reservation life.

Still smart, still exciting and still action-packed. It's just a shame to note that, after promising greatness, all Spider-Man 3 delivers is satisfaction.

Despite the ridiculous premise and casting this is still a pacey little sci-thriller.

Regardless of the skittish structure and illegible subtitles, this is a valuable reflection on an incalculably influential career, which serves as a timely reminder about the pitfalls of artistic tyranny.

An unusually thoughtful look (and a broad one) at powers on the wane, at America's shift from Vietnam polarisations to 80's apathy, and at one man teetering on the brink of a lonely old age.

At times is heartbreakingly sad -- maybe not quite Bambi territory, but certainly moving in its own cute and furry way.

Wasikowska gives it her all, and Cohen shines, but while this is a better film than the first, that was a low bar to reach.

It may be unevenly paced, but JUNG_E delivers where it matters: propulsive action sequences, emotive drama and grand existential questions about the human connections that sustain us.

Skinamarink is equal parts frustrating and fascinating. It’s an unsettling Rorschach test with a haunting ending that will settle in the pit of your stomach like a stone. But it can be a polarizing experience that pushes the limits of patience.

C&W lovers will lap it up - look out for some stellar Nashville cameos - and there's big-lunged uplift to see you through the cornball plot turns.

If the series wants to become a franchise, a rethink and new blood will be necessary -- maybe Banderas can get mortally wounded in reel one of The Son Of Zorro, passing on the mask and sword to, say, Gael García Bernal.

A decidedly grown-up thriller that will surely be torn to pieces by teens on TikTok, this feels like a slight wobble for Guadagnino, but is still a sharply entertaining and intense watch.

Phoenix, Hoffman and Norman, especially, amuse and move with their relatable performances in Mills’ sweet drama. It’s nicely visualised but can feel unnecessarily long in places.

Trouble is, James Ivory just doesn't do sleaze. The tawdry milieu of taxi dancers, pleasure-seekers and spies rings hollow.

A fun, frothy return for Frank and his creaky commandos.

There's charm in this simple underdog tale, but clunky plotting and characterisation mean it has 'telemovie' written all over it.

Some inspired grace notes elevate a thriller that's more De Palma than Hitchcock.

With some of the best costumes since the musicals of the '50s and one of the '70s funkiest scores, it's quite rudimentary on most levels - it's no Shaft.

Whilst I Am Greta succeeds as a chronology of Thunberg’s meteoric rise from lone protestor to the voice of an international movement, a more nuanced, detailed and definitive exploration of this extraordinary teenager still feels needed.

Not on a par with Ghibli's greatest work like Totoro or Spirited Away but not without charms of its own. A solid second effort from Miyazaki Junior.

A documentary that preaches to the converted if ever there was one, but Dunn's enthusiasm for the subject and the range of pretension and humour of his interviewees makes for fun viewing.

While it assumes a fair bit of knowledge of the social changes exploding in sixties America, there's a wealth of fascinating material and punchy insights into an earth shaking movement.

Insufferably long, but very good in parts.

The two stars are very good, doubtless enjoying their high fashion outfits, and the script has one clever plot reversal in the third act, but it really could have done with a few more thrills (the motives for the killings lead to necessarily slow plot development), either in the murder or the sexual perversity departments.