Here both Greenaway's strengths and weaknesses are on show as he toys with the viewers' capacity to ingest blurring metaphors and convoluted content.

A totally unneeded sequel which does nothing whatsoever for the legacy of the original tale.

By the time the deathwish duo embark into mountainous terrain, you'll want to hand them a copy of Thelma & Louise's road map —with clearly marked directions to the cliff.

Sometimes this kind of comedy just goes too far into rubbishness to make it back.

Dump thriller which trivialises the subject matter.

The Native American people have suffered any number of indignities over the years. But they haven't, until now, suffered Adam Sandler.

Pointless re-make. One of (the once great) Carpenter's worst.

It may occasionally shock a laugh from you, but between those moments your face will be a rictus of horror.

The first film had its moment of charm, and the cast were good enough to overcome the downright stupidity of the storyline, but this is simply a dreary bore that takes advantage of a terrific cast by moving them about on the screen without giving them anything to do. One long yawn.

You should feel sorry for the memory of Julia - whose swansong this is - but actually it's Van Damme who commands sympathy.

Indeed, the only bright spot in the film is Amanda Plummer — the wacky object of Robin Williams' desire in The Fisher King — with a brief but memorable cameo here as a futuristic nun who swears like a trooper, carries around a rifle and thinks turning the other cheek is kicking a guy in the balls.

Largely, real emotions are substituted here by people swearing and trying to kill each other, which adds up to a shamefully dehumanising piece of work.

Fails on both an emotional and comedic level.

Conceptually, this flop has potential for the satirisation of military responses to an alien threat, but it ís wasted in a loose script whose weaknesses are all the more glaring for the film's inability to exploit the power of absurdity.

You'd think it'd be hilarious. Think again.

It plays a lot like a Porky's holiday comedy for the first half, and then the seagoing killer fish learn to fly and big rubber toothy things terrorise the survivors.

One of the problems is that King usually writes about cliche subjects so well that you don’t notice the hackneyed aspects of his books, and so when all the character detail, precise backgrounding and elaborate plot setting-up mechanisms are pruned away, all you get is a dumb TV movie with characters doing insanely stupid things to prolong the agony.

The world can only hope The Swamp Thing's abode is now bulldozered and turned into a shopping mall.

Bottom-rung dreck.

A clunky, lumbering sequel that, like its masked protagonist, has no redeeming features.

The one saving grace is Lloyd, who gives a terrific and lively portrayal despite some horribly sentimental lines. He is the movie's guiding star, a lone bright light in a string of dud bulbs. Otherwise, beware.

An early but strong contender for worst movie of 2008.

Despite the always-good Harvey Keitel, this is just embarassing sci-fi nonsense.

A twist-burdened techno-thriller that would be by-the-numbers if it could count.

Dire, B-movie cheese throughout, this gives no clue that Pitt - or anyone else involved - could ever have a career in Hollywood.

Toying with themes too serious for it and stars too big for it, this fantasy is incalculably less than the sum of it's parts.

A horrific waste of time, money and oxygen.

Slap a restriction order on yourself and don't come within ten paces of this hideous concoction.