Dusted Magazine's Scores

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For 3,270 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.1 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Ys
Lowest review score: 0 Rain In England
Score distribution:
  1. Positive: 2,654 out of 3270
  2. Mixed: 581 out of 3270
  3. Negative: 35 out of 3270
3270 music reviews
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    • 69 Metascore
    • 60 Critic Score
    The King of Nothing Hill
    Unfortunately, after the initial rush of the opening tracks, the album slows down perhaps too much.
    • 89 Metascore
    • 70 Critic Score
    Songs For The Deaf
    A balls-out, hateful, heavy, and catchy piece of work that rocks like it was 1994 all over again.
    • 70 Metascore
    • 60 Critic Score
    Since We've Become Translucent
    The problem with Since We’ve Become Translucent is that it doesn’t measure up to the standards Mudhoney set with the undeniable gripping music they produced in their heyday.
    • 82 Metascore
    • 90 Critic Score
    Blacklisted
    Blacklisted rings with lost voices and strange journeys, and does a better job of balancing hope, innocence, and darkness than just about anything I’ve heard in a while.
    • 77 Metascore
    • 90 Critic Score
    They Threw Us in a Trench and Stuck a Monument On Top
    An intense fifty minute ride through the minds of one of the best new bands to emerge in recent memory.
    • 88 Metascore
    • 80 Critic Score
    Kill The Moonlight
    It’s that rare record that’s equal parts innovation and familiarity, or what one might refer to as a perfectly designed and executed experiment in indie aesthetics.
    • 81 Metascore
    • 70 Critic Score
    Turn On The Bright Lights
    When it works, like on “NYC” or “Roland” it’s a dizzying and beautiful thing that leaves you starving for more. And even when it doesn’t work, it doesn’t fail – it’s just that at times the band seems unable to live up to their own standards and expectations.
    • 85 Metascore
    • 90 Critic Score
    One Beat
    One Beat joins the likes of Fugazi's In On the Killtaker and Bikini Kill's Reject All American for its impassioned new-world resistance, and could very well be the greatest triumph of punk independence since Black Flag.
    • 84 Metascore
    • 80 Critic Score
    Yoshimi Battles The Pink Robots
    The whole affair feels a little slighter, a little less important.
    • 72 Metascore
    • 30 Critic Score
    Maladroit
    The kids will tolerate Maladroit, and probably many more dull records just like it, because it’s a product of Weezer.
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