Drowned In Sound's Scores

  • Music
For 4,812 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.9 points lower than other critics. (0-100 point scale)
Average Music review score: 71
Highest review score: 100 It Won't Be Like This All the Time
Lowest review score: 0 BE
Score distribution:
4812 music reviews
    • 64 Metascore
    • 80 Critic Score
    The entire record sounds like a calmly-executed upswing, both personally and professionally.
    • 66 Metascore
    • 80 Critic Score
    This album has its dancing shoes straddling very different musical camps and somehow manages to bind them together with skill and personality.
    • 70 Metascore
    • 70 Critic Score
    A solid, quality record with atmosphere and character in spades that proves its creators as an active and current force.
    • 71 Metascore
    • 50 Critic Score
    This feels like an opportunity missed; his defences are never truly down, and we’re only offered tantalising glimpses of what might have been.
    • 74 Metascore
    • 80 Critic Score
    Heavyweight names add gloss and will no doubt result in dollar signs but Tesfaye is infinitely more interesting when lashing out largely alone.
    • 78 Metascore
    • 90 Critic Score
    It’s a very strong album, one that I found myself wanting to listen to over and over again. Highly recommended.
    • 78 Metascore
    • 90 Critic Score
    Illegals in Heaven is not an album you ponder about-the words and the grooves stab your brain and tap fountains of hormones. Blank Realm have done it again, and together they’ll take on the world for love.
    • 76 Metascore
    • 60 Critic Score
    Too
    Although on the relative straight and narrow, the band have lost none of their attitude.
    • 72 Metascore
    • 40 Critic Score
    What The World Needs Now... is solid proof that reformations never sound good on record.
    • 78 Metascore
    • 70 Critic Score
    Five or so years ago, it felt like they were shedding relevance. This is the sound of them rediscovering importance.
    • 76 Metascore
    • 50 Critic Score
    Sadly what Yours, Dreamily needs is a little bit of oomph every now and again to wake us, and the rest of the band from our collective stupors. Even compared to his debut solo album, this feels second rate.
    • 80 Metascore
    • 70 Critic Score
    All in all, there’s not much here that’s likely to blow your mind; if you’re already a Motörhead fan then you know exactly what you’re getting yourself in for, and even the most die-hard may find themselves wanting to skip a track or two, but there’s always something impressive about a band so dedicated and single-minded about fulfilling the simple goal of being the best rock band on the planet.
    • 67 Metascore
    • 60 Critic Score
    Ultimately, expectedly, Rock 'N' Roll is a functioning collection of… well, rock'n'roll songs, and, save for the odd cringer, entirely passable.
    • 84 Metascore
    • 90 Critic Score
    It’s one of the most thrilling and confident debut records of the year.
    • 83 Metascore
    • 70 Critic Score
    As an accompaniment to the original album--which I'm sure most people reading this will already own (and if you don't, you should)--it stands proud as a comprehensive update to a timeless record.
    • 86 Metascore
    • 90 Critic Score
    There’s enough allure in Poison Season’s oddities to make it highly listenable.
    • 77 Metascore
    • 80 Critic Score
    It comes across more as a work that’ll maintain their admittedly excellent level of consistency, rather than proving itself to be the defining album of an already blessed year for music.
    • 87 Metascore
    • 100 Critic Score
    With this fine writing, you show us you, unguarded, complex, sincere, like a dear friend I’ve invited over for tea that I haven’t seen in ages.
    • 77 Metascore
    • 60 Critic Score
    As odd of a notion it is, as a setlist for a show, Weirdo Shrine is a miraculous endeavour to behold, but as an album, it suffers because of its untamed splendour.
    • 76 Metascore
    • 70 Critic Score
    It won’t change the world, but at the very least, Highest Point In Cliff Town offers us a welcome distraction from it for 40 brief minutes.
    • 76 Metascore
    • 90 Critic Score
    This is music that lingers in the mind and seeps into the bones. And while you can view it as melancholic, Scally and Legrand never dwell on sentimentality or allow anything to sink into despondency.
    • 47 Metascore
    • 40 Critic Score
    While Don Broco’s desire not to retread old ground is commendable, their stated desire to focus on what makes them stand out as a rock band has fallen a little flat.
    • 70 Metascore
    • 60 Critic Score
    Nocturnes comes off as a monochrome drag.
    • 73 Metascore
    • 50 Critic Score
    The truth is that, for possibly the first time in Yo La Tengo’s discography, they're a bit boring.
    • 78 Metascore
    • 50 Critic Score
    Whilst Deradoorian’s ambitions were undoubtedly high in creating The Expanding Flower Planet, the end result is more miss than hit, leaning too heavily and too often on dense harmonies at a slow pace which ends in a record lacking cohesion and direction.
    • 64 Metascore
    • 70 Critic Score
    It’s an emotional record.
    • 89 Metascore
    • 90 Critic Score
    Form and function crystallize together here, and man does it feel so right.
    • 79 Metascore
    • 70 Critic Score
    On its own, Orphaned Deejay Selek 2006-2008 definitely manages to holds its own as a brilliant slice of pure AFX acid, and a sure fire way to get your Aphix for a couple of months.
    • 70 Metascore
    • 80 Critic Score
    Despite the difference between le Bon’s and Presley’s median outputs, they produce a fresh and rich stylistic centre on Hermits on Holiday.
    • 67 Metascore
    • 80 Critic Score
    Spector balance out their miserablia with the kind of choruses that nag at you for days at a time.