Drawer B's Scores

  • Music
For 121 reviews, this publication has graded:
  • 41% higher than the average critic
  • 4% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 10 points lower than other critics. (0-100 point scale)
Average Music review score: 63
Highest review score: 100 Kill The Moonlight
Lowest review score: 10 This Island
Score distribution:
  1. Positive: 73 out of 121
  2. Negative: 21 out of 121
121 music reviews
    • 67 Metascore
    • 50 Critic Score
    It’s far from the level of a Magnetic Fields release – or even The 6ths for that matter – and, therefore, won’t appeal to casual fans.
    • 66 Metascore
    • 40 Critic Score
    It’s frustrating to listen to a band run in place, especially when the expectations are so much higher.
    • 66 Metascore
    • 80 Critic Score
    An album packed with as many irresistible hooks as Whenever You’re Ready deserves to be heard.
    • 66 Metascore
    • 10 Critic Score
    Kathleen Hanna’s girlish yelp grates more than usual, practically bereft of charm, and her bandmates can barely write a functional song much less play one.
    • 66 Metascore
    • 30 Critic Score
    Plans is ultimately a pretty boring album, and the primary reason is its lack of diversity.
    • 65 Metascore
    • 50 Critic Score
    It’s safe, unobtrusive, and ubiquitously “indie”, if well produced and memorably melodic, at times.
    • 65 Metascore
    • 20 Critic Score
    Where melody, mood, and technique dominated Logic, Without Feathers sinks into a tuneless no man’s land.
    • 65 Metascore
    • 40 Critic Score
    It’s pleasant enough music if you’re having a Caribbean-themed barbecue in your backyard, I guess, but little here will challenge your musical senses or move you in any way.
    • 64 Metascore
    • 10 Critic Score
    Mediocre melodies ride atop formulaic songwriting.
    • 64 Metascore
    • 30 Critic Score
    It’s trite rehash after trite rehash followed by pointless filler.
    • 63 Metascore
    • 40 Critic Score
    Nowhere near as affecting as even latter day Sebadoh records like Harmacy, Emoh shows Barlow in a typically maudlin frame of mind, but the starkness of his voice is smoothed over with pointless overdubs
    • 63 Metascore
    • 20 Critic Score
    For the life of me I cannot fathom how people can claim this album is any sort of return to form.
    • 63 Metascore
    • 20 Critic Score
    A sad stab at gimmicky duets with Justin Timberlake and obnoxious production by The Neptunes.
    • 62 Metascore
    • 40 Critic Score
    TA
    With each successive song, the vocal shortcomings become more and more apparent.
    • 61 Metascore
    • 70 Critic Score
    18
    Moby continues to do on 18 what he’s always done best, and that is to fuse disparate musical styles with a pop sensibility, while maintaining a moody, almost gothic theme.
    • 61 Metascore
    • 10 Critic Score
    A pompous, painfully tacky string of infomercial rock.
    • 59 Metascore
    • 70 Critic Score
    The downside of Counterfeit2 is its uniformity.
    • 56 Metascore
    • 10 Critic Score
    This is just an awful display of gratuitous self-indulgence.
    • 52 Metascore
    • 30 Critic Score
    Despite Hamilton's grittiest vocals to date, Size Matters is inarguably watered-down and bland.
    • 52 Metascore
    • 50 Critic Score
    Astronaut doesnâ??t come close to ranking with the music that made the band world famous, but it has moments that make it easy to remember why the band rode such a wave to begin with.
    • 52 Metascore
    • 30 Critic Score
    A classic case of style over substance.