Dot Music's Scores

  • Music
For 1,511 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 3.8 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Untitled
Lowest review score: 10 United Nations of Sound
Score distribution:
1511 music reviews
    • 66 Metascore
    • 50 Critic Score
    Ultimately, on the strength of The Golden Mile, the longevity of The Peth seems, at best, questionable.
    • 66 Metascore
    • 70 Critic Score
    The songs of OCD Go Go Go Girls stand-up to a certain mood--one, passed a certain age, that's usually buoyant and beer-fuelled.
    • 65 Metascore
    • 40 Critic Score
    Frequently, it sounds like the band have spent most of that time labouring to make their fifth album as monumental as possible. Where once they swung, however ironically, now they plod. Slowly. Ponderously. In expensive lead boots.
    • 65 Metascore
    • 60 Critic Score
    The psychic bruising Okereke has sustained playing the East London fame game during the past 12 months has produced self-pitying lyrics that frequently state the bleeding obvious.
    • 65 Metascore
    • 70 Critic Score
    It's also terrific fun, though so lightweight you might want to weigh your stereo down with bricks before pressing play.
    • 65 Metascore
    • 60 Critic Score
    One crucial difference is The Pierces' music has changed from something that sounded like awkward whimsy a few years ago into something middle-aged people will like; and that's basically the key to selling loads of records these days.
    • 65 Metascore
    • 80 Critic Score
    Swell don't look set to make any grand leaps forward either in terms of success or creativity, but that doesn't devalue their potency a single jot.
    • 65 Metascore
    • 70 Critic Score
    Whilst any fan will probably have all these tracks already, 'G Sides' acts as a nifty companion piece to the album and looks ace too.
    • 65 Metascore
    • 80 Critic Score
    'Vol. One' might have opened the band up to a wider audience but 'Vol. Two' is a far better reflection of what Everclear are all about.
    • 65 Metascore
    • 100 Critic Score
    This is an awesome album, almost certainly Placebo's pinnacle, although I'd love to be proved wrong.
    • 65 Metascore
    • 70 Critic Score
    This album's triumph is to simultaneously place PE in their colossal historical lineage and reinstate their utter relevance.
    • 65 Metascore
    • 50 Critic Score
    It's a workmanlike and often wearisome ambition that proves the record's undoing, which leaves The Secret Machines V2.0 sounding less the stadium-psych messiahs and more like a trio of very naughty boys.
    • 65 Metascore
    • 70 Critic Score
    "Empire" has an almost childlike energy and determination that makes it feel strangely charming.
    • 65 Metascore
    • 50 Critic Score
    'Celebrity' does have it's moments. Sadly both of them are at the beginning.
    • 65 Metascore
    • 60 Critic Score
    And fortunately, Rickie also goes beyond the cliched songbook, choosing songs which the soaring yet contemplative voice lends itself perfectly to, and makes her own...
    • 65 Metascore
    • 80 Critic Score
    With its refined beats, immaculate arrangements and intelligent melodies, Spirit confirms both Lewis's international ambitions and the likelihood that she'll pull them off.
    • 65 Metascore
    • 40 Critic Score
    This collection of shimmering-smooth, synthesiser-led beats and lazy gangsta rap posturing isn't worthy of the once great Snoop.
    • 65 Metascore
    • 70 Critic Score
    Beats-wise, 'La Bella Mafia' is easily the strongest thing she's done, and it seems like Kim has raised her rapping game to match the strength of the music.
    • 65 Metascore
    • 50 Critic Score
    Occassionally, the songwriting does contain flashes of thoughtfulness.
    • 65 Metascore
    • 60 Critic Score
    It would be unfair to dismiss the record completely, however, as there are definite highlights.
    • 65 Metascore
    • 70 Critic Score
    "The Evolution" is good but nowhere near dynamic or forward thinking enough to put Ciara on the A-List and fulfil her boundless ambition.
    • 65 Metascore
    • 70 Critic Score
    Lopping off about twenty minutes would have improved things no end, but mostly it needs focus - focus that would probably have come with time.
    • 65 Metascore
    • 60 Critic Score
    So, we have a maturing Ms Lavigne, distancing herself from the teen antics of her "Let Go" debut, but struggling to find any stories worth telling save for boyfriend trouble and dead grandparents.
    • 65 Metascore
    • 60 Critic Score
    Hit and miss, then, but certainly brave and bold.
    • 65 Metascore
    • 50 Critic Score
    You certainly don't reject it outright though, not immediately, as almost every song at least knows the function of a chorus and everything has a glittery and palatable radiance, but such anodyne, airbrushed electro-pop leaves you searching for the magic ingredients.
    • 65 Metascore
    • 70 Critic Score
    Where the 'Farm break new ground is by exploring far more than the quiet-loud-rage-quiet formula with real singing and everything and a fair does of pop melody that place them more on a radio-friendly rock keel than no holds bared metal.
    • 65 Metascore
    • 80 Critic Score
    "Contraband" is "Appetite For Destruction" for grown-ups.
    • 65 Metascore
    • 30 Critic Score
    Track after track in an aimless blur of humming amps, pointless mucking about with effects, dreary jams propelled by meandering guitar interplay, and bleak, endless droning.
    • 65 Metascore
    • 70 Critic Score
    For long time observers though, the return of Tony Christie to the arena of mature balladry and lush production values will do plenty to gladden the heart.
    • 65 Metascore
    • 70 Critic Score
    An emotionally exhausting, sometimes excellent album.