DIY Magazine's Scores

  • Music
For 3,418 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Superbloom
Lowest review score: 20 Let It Reign
Score distribution:
3418 music reviews
    • 74 Metascore
    • 80 Critic Score
    The fact that Efterklang have managed to cultivate such an effortless sounding exercise in sonic geographies is sheer testament to their skill as master artisans.
    • 67 Metascore
    • 60 Critic Score
    Minus The Bear may have returned to the style that made their name, but there is still enough mileage in that sound to ensure that 'Infinity Overhead' is a marked improvement on their previous album.
    • 78 Metascore
    • 80 Critic Score
    'Breakup Song' manages to hone and control their more outré-moments into a more cohesive structure than before without every compromising the band's predilection for sheer bonkers-ness.
    • 81 Metascore
    • 80 Critic Score
    With the lyrical focus on family life, this record is their most personal, powerful and cathartic yet.
    • 66 Metascore
    • 80 Critic Score
    [Breakthrough] is so much more than the hectic pastiches of exoticism that The Gaslamp Killer is famous for. Meticulous arrangements, pace, narrative and emotional authenticity are prioritized over an all-out assault of catatonia-inducing madness to convey its message.
    • 68 Metascore
    • 70 Critic Score
    The most interesting element of his chosen samples is the way that more classical instruments and acoustic guitar strums are looped, while his vocals occasionally get the remix treatment and judder along.
    • 77 Metascore
    • 70 Critic Score
    Amongst all that haze, it's clear that Krell has produced another gorgeous record that is incredibly open about love and loss.
    • 79 Metascore
    • 80 Critic Score
    The Sea & Cake could have been in danger of becoming an indie-band-by-numbers, but 'Runner' is performed with all the vigour and aplomb of fresh-faced youngsters and executed with the deftness of touch of grizzled old hands.
    • 73 Metascore
    • 60 Critic Score
    Overall the album is never really present enough to make an impression, beyond a hazy silhouette in the distance.
    • 71 Metascore
    • 60 Critic Score
    Sic Alps is an often fine, often frustrating listen which only succeeds when some flesh is applied to those skinny Californian bones.
    • 68 Metascore
    • 70 Critic Score
    This record is completely free of direction changes but at least they are consistent.
    • 69 Metascore
    • 70 Critic Score
    They're bold, they're tight in their production and they're not afraid to strip things back to their bare essentials or allow outside influences to shine through.
    • 78 Metascore
    • 80 Critic Score
    Sun
    [Sun] is never less than intriguing, and more than often, grabs you by the heartstrings and pulls you in.
    • 77 Metascore
    • 80 Critic Score
    Gallows at their harshest, their angriest and their most thrilling and it turns out that no change in frontman can stop that.
    • 82 Metascore
    • 70 Critic Score
    If you like a theatrical sound with a dose of anarchy, quirk and unpredictability, this record comes highly recommended.
    • 77 Metascore
    • 90 Critic Score
    TOY
    What 'TOY' lacks in originality, it more than makes up for with an incredibly rich dot-to-dot of psychedelia laced musical education, and this album is, to coin an awful new musical genre, Nu-new-wave at its very best.
    • 76 Metascore
    • 70 Critic Score
    In a similar context many other bands might have run dry by now. Not Calexico though, and 'Algiers' serves as a fitting reminder why they haven't.
    • 75 Metascore
    • 60 Critic Score
    Any sense of experimentation and freedom is impossible to find. Are Dinosaur Jr trying too hard to be Dinosaur Jr? It's the way it seems.
    • 71 Metascore
    • 70 Critic Score
    Whilst the album as a whole doesn't necessarily tread new ground, and admittedly is a little rough around the edges, it's a promising debut, and you can expect to hear more from Don Broco in the future.
    • 66 Metascore
    • 70 Critic Score
    'My Head Is An Animal' doesn't disappoint. Endearing, exciting, and downright enjoyable throughout, it is one of the finest debuts of the year so far.
    • 74 Metascore
    • 80 Critic Score
    Even if at times the album can be quite esoteric despite its pop veneer, there is a purity of expression that is addictive.
    • 77 Metascore
    • 80 Critic Score
    While Spoon and Wolf Parade fans may be mourning during the hiatus of their favourite bands, this is a tasty release in the interim.
    • 77 Metascore
    • 50 Critic Score
    Contact is a disappointment because it's packed with untapped potential, which never seems to be fully realised.
    • 75 Metascore
    • 80 Critic Score
    Experimental, psychedelic, mad, and oddly, very listenable pop music.
    • 83 Metascore
    • 70 Critic Score
    Recorded with longtime producer Neal Avron, Southern Air isn't a major step away from the band's previous work but a return to the original fire of their early years.
    • 77 Metascore
    • 90 Critic Score
    An album which is deluged in melancholy of the sweetest kind, 'Threads' undoubtedly deserves your ears.
    • 66 Metascore
    • 70 Critic Score
    Dignan Porch are slightly less effective at a less sprightly pace, veering too close to the point of collapse on 'And Are Now Not', but this is a fine exercise in pearly, bleary eyed acid pop.
    • 77 Metascore
    • 80 Critic Score
    It's one of the most powerful records to be released in a very long time.
    • 74 Metascore
    • 60 Critic Score
    when he gets it right, he's one of the best.... Let's be honest though, the hit rate isn't great.
    • 68 Metascore
    • 80 Critic Score
    Four is better [than debut album, Silent Alarm]. Or at the very least as good.