DIY Magazine's Scores

  • Music
For 3,422 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Superbloom
Lowest review score: 20 Let It Reign
Score distribution:
3422 music reviews
    • 69 Metascore
    • 40 Critic Score
    Perhaps it’s even a more accessible album for smoothing off the edges and toning down the vitriol, but it’s also largely forgettable in a way that Frank Turner’s best could never be accused of.
    • 74 Metascore
    • 80 Critic Score
    This is not a perfectly crafted album; instead, it’s an incredibly human one.
    • 72 Metascore
    • 80 Critic Score
    There’s two sides to Blood, that much is certain, and it’s the juxtaposition of these cradling tracks with the gut punchers that really leaves you breathless for more.
    • 73 Metascore
    • 80 Critic Score
    St. Catherine is a quasi-nostalgic LP that’s sonically soothing, while exhibiting finely-woven musical textures. It’s clever, without being intimidating or pretentious.
    • 84 Metascore
    • 80 Critic Score
    It might not hit with the sit-up-and-listen immediacy of previous albums, but make no mistake, Currents is just as accomplished.
    • 62 Metascore
    • 40 Critic Score
    Something that gradually becomes clear is that this is an album of uncertainty.
    • 68 Metascore
    • 80 Critic Score
    Broaching love, lust, power-dynamics, jealousy, and heartbreak along the way, Years & Years bring that all important human touch to their massive pop anthems.
    • 64 Metascore
    • 60 Critic Score
    Working Girl isn’t the sleekest of albums but the stumbles and scrapes that Little Boots overcomes are a testament to her desire for change.
    • 79 Metascore
    • 80 Critic Score
    With an astute sense of mischief and a knack for snazzy hooks, Best Friends’ debut full-length offering is as endearing as they come.
    • 80 Metascore
    • 80 Critic Score
    Distractions is a highly intelligent, subtle and thoroughly immersive record. Each hook and strained vocal witholds a considered approach that is testament to the brittle nature of the music that Sauna Youth create.
    • 62 Metascore
    • 80 Critic Score
    she’s written a brilliantly fun pop record in the process.
    • 80 Metascore
    • 80 Critic Score
    This is a messy, disorderly but beautifully blissful and idiosyncratic record--and that seems like the statement he’d like to make.
    • 69 Metascore
    • 80 Critic Score
    Persuasive, pummelling, precise, Refused may have--quite literally--set the agenda with ‘The Shape Of Punk To Come’ but here they’re proving that they can still translate the blueprints regardless of how much time has passed.
    • 79 Metascore
    • 60 Critic Score
    Inji is the sound of Dust discovering his own identity. And to achieve this, he tries just about anything and everything that crosses his path.
    • 68 Metascore
    • 80 Critic Score
    Cemetery Highrise Slum is a maze; disorienting and satisfying in equal measure.
    • 77 Metascore
    • 80 Critic Score
    With layer upon layer of vocal, groove, and percussion, Jaakko Eino Kalevi is a reminder that pop can be both for your head and your feet.
    • 66 Metascore
    • 60 Critic Score
    Though Bones is almost as dramatic as a standard week on Albert Square--occasionally to its detriment--it’s also impossible to fault this album’s single-minded pursuit of sheer, maxed out saturation.
    • 78 Metascore
    • 60 Critic Score
    This debut sets a nice, if mostly safe, blueprint.
    • 78 Metascore
    • 100 Critic Score
    After years of the slow build, the release is here. Believe the hype.
    • 79 Metascore
    • 80 Critic Score
    Baird has produced a record that you know deserves to be heard, yet want to keep all to yourself.
    • 76 Metascore
    • 80 Critic Score
    This is an album designed to move people, and Payola manages to do so in so very many ways.
    • 76 Metascore
    • 80 Critic Score
    Slowness doesn’t surrender its wonders easily. But when it does, and there’s no guarantee it will for everyone on every listen, it can be perfect.
    • 70 Metascore
    • 100 Critic Score
    This is music in its purest, most experimental form. This is a record which doesn’t make sense, because it doesn’t have to.
    • 80 Metascore
    • 100 Critic Score
    Everything Everything have sculpted a masterpiece.
    • 79 Metascore
    • 100 Critic Score
    It’s still a work that’s defined by its own dynamism. Anyone following these guys from the start won’t have doubted their capabilities, but that doesn’t stop A Dream Outside from dwarfing expectations.
    • 70 Metascore
    • 80 Critic Score
    Lantern is this duality between experimental and easily-grasped embodied. Unsurprisingly, it is the more left-field elements to the production that are the most intriguing.
    • 75 Metascore
    • 80 Critic Score
    The streets of home are always going to stir emotions but rarely does that cocktail of of loneliness and belonging get articulated with the gut-felt precision that Prinzhorn Dance School manage on their third record.
    • 70 Metascore
    • 80 Critic Score
    There’s a real sense of optimism and summer to the record.
    • 78 Metascore
    • 60 Critic Score
    FFS
    While some moments are clearly domain of a single entity, the truth is that the six-headed monster don’t always make it that easy, instead opting to blur their sensibilities into a playful, dance rock smear.
    • 63 Metascore
    • 80 Critic Score
    On the surface Of Monsters And Men’s second album is a lush master-class in pop sensibilities and folk storytelling but Beneath The Skin is more than a name. Scratch below that glittering surface and you’ll discover a band that has discovered themselves.