DIY Magazine's Scores

  • Music
For 3,422 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Superbloom
Lowest review score: 20 Let It Reign
Score distribution:
3422 music reviews
    • 69 Metascore
    • 70 Critic Score
    Had they filtered the cacophony of ideas a little more, ‘Notes…’ could have matched ‘A Brief Inquiry…’ as a modern-day classic; as it stands, its legacy looks set to be slightly more conditional.
    • 82 Metascore
    • 80 Critic Score
    A stirring and immediate listen, as Charli takes us with her on her lockdown emotional rollercoaster in real time.
    • 90 Metascore
    • 100 Critic Score
    Equal parts elegant and antagonistic, it comes together to be every part the listening experience that he wanted it to be - complex, unconventional and ultimately, essential.
    • 91 Metascore
    • 100 Critic Score
    It’s an absolute tour de force, a record full of drama and emotion and pleasure and pain.
    • 73 Metascore
    • 70 Critic Score
    While the unique sonics and instrumentation of this album are notably brilliant, they at times feel disjointed on a track-to-track basis.
    • 83 Metascore
    • 100 Critic Score
    A record that perfectly proves how much strength is in vulnerability, it’s undeniably Hayley’s most powerful move yet.
    • 77 Metascore
    • 80 Critic Score
    Emotional yet playful, soft yet strong, Happyness newest is the sound of a band fully settled in their own skin.
    • 79 Metascore
    • 80 Critic Score
    Social despondency and visceral frustration run throughout ‘I Grow Tired But Dare Not Fall Asleep’, a masterful soundtrack to a failing society - one that carries even more weight as we redefine community, connection and togetherness.
    • 77 Metascore
    • 80 Critic Score
    A weird and wonderful new offering.
    • 73 Metascore
    • 80 Critic Score
    His most experimental release to date.
    • 73 Metascore
    • 70 Critic Score
    The results are surprisingly cohesive; Sky Larkin could often be boisterous to the point of verging on bombast, but this is a record that speaks to growing measure and maturity.
    • 88 Metascore
    • 90 Critic Score
    ‘Song For Our Daughter’ presents a poignant snapshot of the complexities of femininity - both ones imposed by society and ones engrained in Laura’s past. Some moments are remarkably candid.
    • 86 Metascore
    • 70 Critic Score
    There’s no question that a little bit of Lido’s formidable live energy is lost in the translation here, but ‘Miss Colombia’ remains a vibrant, accessible introduction to her boundary-defying body of work.
    • 70 Metascore
    • 50 Critic Score
    Earth might be musically faultless, but it lacks the bite of his day job.
    • 89 Metascore
    • 80 Critic Score
    It’s a smart pop record that’s doused in self-awareness but still direct in its assertiveness - and never not compelling.
    • 75 Metascore
    • 70 Critic Score
    ‘Friday Forever’ is a solid record with an intriguing concept that unravels fantastically under Russell’s loosened leash.
    • 75 Metascore
    • 90 Critic Score
    Insouciant, effortless cool; shimmering, effervescent melodies that cut through the street-smart danger; the ability to sound vitally alive whilst simultaneously not giving a fuck: all the traits that underpin the band’s best songs are present and correct, from ‘Dancing With Myself’-aping recent single ‘Bad Decisions’, to the twinkling, yearning ‘Selfless’.
    • 81 Metascore
    • 70 Critic Score
    It’s hard not to commend Nova Girls for the gripping collision of influences that make up their debut, and their commitment to doing it so forcefully.
    • 72 Metascore
    • 60 Critic Score
    Despite some stellar production and sparkling pop moments, it feels like there’s been little evolution in the duo’s sound in the five years since ‘Another Eternity’.
    • 72 Metascore
    • 70 Critic Score
    It’s obvious they’re well-practiced at the craft, conjuring up 35 minutes of their trademark melancholy. It’s also an album of firsts for them - newly added keyboard player Marta Cikojevic adds a vital new layer. This in turn frees up vocalist Jane Penny to add a couple of flute solos on the record, which is a pleasant surprise. In fact, it’s the broadness of flavour on the album that is its main strength.
    • 75 Metascore
    • 80 Critic Score
    ‘Migration Stories’, might be his most impressionistic yet, a collection that began life as eleven woozy instrumentals that came together during sessions in Québec with two members of Arcade Fire, Tim Kingsbury and Richard Reed Parry.
    • 84 Metascore
    • 80 Critic Score
    The LP’s darker moments are its most affecting, but the playful brushes of humour throughout never diminish anything; in fact, they make ‘It Is What It Is’ a richer, more human experience.
    • 80 Metascore
    • 80 Critic Score
    A record that improves on their second effort, placing them in a strong position to break through even further.
    • 82 Metascore
    • 80 Critic Score
    A dazzlingly-polished record that sonically does justice to the boisterous energy of these clever subversions of the kind of melodic indie rock you’d normally associate with Pavement or Built to Spill.
    • 87 Metascore
    • 90 Critic Score
    An undoubtedly influential album.
    • 72 Metascore
    • 80 Critic Score
    Margaret still sounds the most at home with her string instruments, but her foray into experimenting with electronic music has paid off.
    • 79 Metascore
    • 90 Critic Score
    925
    Sorry have somehow managed to mould something immediate and accessible but undeniably in their own image. It’s a truly special debut, one that makes strange magic at every turn.
    • 76 Metascore
    • 70 Critic Score
    Another smartly-crafted step forward.
    • 80 Metascore
    • 80 Critic Score
    ‘High Risk Behaviour’ is a record that’s bound to solidify The Chats’ name as a truly unique proposition.
    • 88 Metascore
    • 90 Critic Score
    ‘Saint Cloud’ is the rousing of a regenerated spirit that chronicles not just the journey but the revelations of love, life and death that comes with it. A very special album indeed.