DIY Magazine's Scores

  • Music
For 3,422 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Superbloom
Lowest review score: 20 Let It Reign
Score distribution:
3422 music reviews
    • 77 Metascore
    • 90 Critic Score
    These guys just made you want to flail your arms around and shout the lyrics. Heel-stomping music. God-forbid, head-banging music.
    • 67 Metascore
    • 60 Critic Score
    'Magic Hour' is an album that equally frustrates and enthrals. The collection of excellent electro pop tracks show the band still know their way around a melody but the album is let down by a few too many tired and morose ballads and witless appropriations of chart successful sounds.
    • 68 Metascore
    • 80 Critic Score
    '2:54' is the sound of two Fallen Angels back to steal what's left of your soul; it's sultry, it's mischievous, and it's damn near magnificent.
    • 71 Metascore
    • 80 Critic Score
    A complete joy.
    • 74 Metascore
    • 80 Critic Score
    This is perhaps Sigur Rós' most human-sounding album to date, too. Prepped for intimate nights with loved ones and exhausting journeys back home; it's an album that ditches the dramatic and brings in the calm.
    • 50 Metascore
    • 60 Critic Score
    This is far from a bad album but it's also far from matching their best... 'This Machine' is both an attempt to recapture the glory days and a sad admission that it can't be done.
    • 71 Metascore
    • 90 Critic Score
    As a first collection of work from the band this is a stunning release, bursting with life and creativity and fully deserving of the attention and praise that is bound to come its way.
    • 82 Metascore
    • 80 Critic Score
    There is perhaps no band with a greater appreciation of the sheer joy and thrill of pop music in its purest form than Saint Etienne. 'Words And Music By Saint Etienne' is not only their own unique take on what pop means to them it is also an incredibly fine album.
    • 70 Metascore
    • 80 Critic Score
    A very impressive debut. The best thing about it is you get the sense he has only just started.
    • 65 Metascore
    • 60 Critic Score
    Gallery is an enjoyable offering from Craft Spells.
    • 68 Metascore
    • 80 Critic Score
    [Walk the River]is not for the faint-hearted but it's certainly for the soft-hearted - three albums along, they still feed our hunger for the big, the wild and the honest.
    • 66 Metascore
    • 80 Critic Score
    Best Coast will never win over the cynics who like their music to sport a more assured style of intelligence and invention, but for those who fell in love with the sunburnt stoner of old, there's plenty more to revel in, here.
    • 78 Metascore
    • 80 Critic Score
    A truly astonishing, unique and unchallenged sound.
    • 60 Metascore
    • 80 Critic Score
    A great album full of slightly haywire, unpretentious pop music.
    • 71 Metascore
    • 60 Critic Score
    Go Fly A Kite is a likeable album, but it sounds like Jet at its worst times and like an American alt-rock band past their sell by date at its best.
    • 78 Metascore
    • 80 Critic Score
    Highly recommended.
    • 77 Metascore
    • 80 Critic Score
    Another triumph.
    • 69 Metascore
    • 80 Critic Score
    Back to their scrappy, atonal, lo-fi sound of the band's early days it mightn't be, 'In The Belly Of The Brazen Bull' is still a good album which sees The Cribs exploring new sounds and old – stumbling upon some truly excellent songs in the process.
    • 82 Metascore
    • 70 Critic Score
    Though 'Europe' is an enchanting and elegant record, this is not a giant leap forward.
    • 83 Metascore
    • 90 Critic Score
    One of the most endlessly intriguing albums of the year so far.
    • 70 Metascore
    • 80 Critic Score
    'Time Team' is a hugely rewarding album that delivers rich emotional laden electronic music with a human heart and an impressive debut.
    • 69 Metascore
    • 80 Critic Score
    The final word sees Neck Of The Woods as a great alternative rock record that will hopefully spur the band onward where 'Swoon' had them treading water.
    • 68 Metascore
    • 80 Critic Score
    If this album is your first experience of Wymeswold's favourite songs, it's unlikely you will forget them. If you're a veteran, this is a good reminder of their brilliance.
    • 49 Metascore
    • 70 Critic Score
    This eponymous debut is a well-rounded effort for a band that clearly has a knack for stadium-filling melodies and angst-ridden confessions. Anthemic in most parts and enjoyable in all, Various Cruelties deliver a debut that's moving and memorable.
    • 81 Metascore
    • 70 Critic Score
    For all its playful charm, CYRK is deliciously dark: it revels in its ability to marry calmness with the uncomfortable.
    • 77 Metascore
    • 70 Critic Score
    Combined with the hypnotic instrumentation that blankets the record, it's easy to immerse yourself and get lost in its alluring character.
    • 69 Metascore
    • 60 Critic Score
    Lonely and desolate at times, the album would benefit from being reigned in slightly - amongst the 19 tracks is a brilliant 12 or 13 songs that, despite the subject matter, deserve to see the light of day.
    • 71 Metascore
    • 70 Critic Score
    Melancholic and joyful, it's both soft and harsh, but more impressive than any contradiction is the gorgeous use of timbre that takes over from the word go. A wonderfully simple, elegantly performed album that puts the importance of texture into perspective.
    • 80 Metascore
    • 80 Critic Score
    Its refined edges, percussion heavy sounds and understated opulence find the band's sonic landscape revitalised.
    • 75 Metascore
    • 70 Critic Score
    Evans The Death's debut album is full of promise in bitesize two-minute chunks, and we can expect to see more from them in the future.